Entry Directory: Rhythm of Sensation thesis

by Corry Shores
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The following are selections from my M.Phil Thesis: The Rhythm of Sensation on the Surface of Sense: Communication in Deleuze as NonSensed and Intense. Defended and archived at the Katholieke Universiteit Leuven, 2008.

Under Bergson’s Hypnosis: Intensity in the First Half of Time and Free Will Chapter 1

Deleuze's Kant: Bodily Intensity, Sublime Catastrophe

Waves of Intensity Traversing the Meat of the Body without Organs

Deleuze and Rhythm: Klee's Grey Point (Graupunkt), Messiaen's and Bacon's Rhythmic Figures, Maldiney, Boulez, Brakhage, and Golden Ratio

Carroll's Games of Chance, Bacon's Controlled Chance, Pollock's "F__ing" Chance Operations, Cage's "Hazard of the Dice" & Brakhage's Colored Chaos

Deleuze's Analog and Digital Communication; Isomorphism; and Aesthetic Analogy

Modulation of Sensation: Deleuze, Bacon, Cézanne, Wagner, and Richard Pinhas

The Marriage of Sound and Sense: Language Born in Stuttered Script (Deleuze's 'He Stuttered,' 'Bégaya-t-il')

Rhythms & Reversal: Messiaen's Explanation of Polyrhythm, Retrogradable Rhythm, and Non-Retrogradable Rhyth

Characterizing Rhythm: Messiaen's Analysis of the Rhythmic Characters (personnages rythmiques) in Stravinsky's Rite of Spring