by Corry Shores
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[Central Entry Directory]
Misbehaving Machines: The Emulated Brains of Transhumanist Dreams
Body and World in Merleau-Ponty and Deleuze
“Being Machine: Two Competing Models for Neuroprosthesis”
‘Ragged Time’ in Intra-panel Comics Rhythm
The Minor Machinery of Animal Packs: Becoming as Survival in Spiegelman’s Maus
The Primacy of Falsity: Deviant Origins in Deleuze
Jc Beall’s Current and Potential Impact on the Continental Philosophy of Non-Classical Logics
The Logic of Gilles Deleuze: Basic Principles
Difference and Phenomena: A Deleuzean Phenomenal Analysis of Body, Time, and Selfhood
Conference Version of Do Posthumanists Dream of Pixilated Sheep? Bostrom & Sandberg's Brain Emulation, Examined and Critiqued
Melodies of Time: Deleuze’s Anti-Husserlian Theory of Phenomena
Resonance and Phenomena: Sensations of Intensity
Figure and Phenomena: Deleuze’s Anti-Gestaltist Perceptions
Cézanne and the Phenomenon: Painting Divergences in Merleau-Ponty and Deleuze
Motionless Duration in Deleuze's Bergson
Dada and Phenomena: Butchering Merleau-Ponty's Flesh with Deleuze's Differential Machines
Difference and Sensation: Deleuze's Spinozistic Affect
Cinema and Synthesis: Time for a PreProcessed Deleuze
Who's the Real Paul Masson? Personal Non-Identity in Deleuze's Orson Welles
Friendship as a Condition for Thought: Blanchot, Deleuze and the Discourse of Philosophy, by Van der Wielen and Shores
Deleuze and Posthumanism Paper, Entry Directory, "Do Posthumanists Dream of Pixelated Sheep? Mental Uploading under Deleuzean Critique"
Conference version of Do Posthumanists Dream of Pixilated Sheep? Bostrom & Sandberg’s Brain Emulation, Examined and Critiqued
Husserl’s Wandering Wonder: The Tensed Body’s Supple Spirit (Object Constitution and Synthesis from the Body to Cultural Objects)
Castañeda's indexical reference, first-person pronoun, and transcendental selfhood
Foucault and Deleuze in Nikolas Rose's “Authority and the Genealogy of Subjectivity”
Heidegger’s Mysterious Omission: William Desmond’s Critique of Heidegger’s Origin of the Work of Art
“On What is True,” containing “The Self-Execution”
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