Showing posts with label asemic writing. Show all posts
Showing posts with label asemic writing. Show all posts

4 Jan 2018

O Mayeux’s Artefacts, Print Publication Announcement

 

by Corry Shores

 

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Update: Publication of
 
O Mayeux
 
Artefacts
 
 
Previously we examined O Mayeux’s ‘[2403] “of between us : / it was good or leather’ from his Artefacts project (reproduced again below). Michael Jacobson at The New Post-literate: A Gallery Of Asemic Writing is announcing the print publication of  O Mayeaux’s book Artefacts at Post-Asemic Press.
 
 
 
 
O Mayeux
 
Artefacts [project]
 
‘[2403] “of between us : / it was good or leather’
 
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Works displayed:
 
O Mayeux.  ‘[2403] “of between us : / it was good or leather’.  From Artefacts. Image taken from (and used with the author’s permission):
 

 
 
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19 Apr 2017

O Mayeux, '[2403] "of between us : / it was good or leather'

 

by Corry Shores

 

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O Mayeux

 

Artefacts

 

‘[2403] “of between us : / it was good or leather’

 

 

O Mayeux is a poet and linguistics scholar at the University of Cambridge. He writes poems and processes them using a software program that rearranges the typology to produce new “asemic” poems. I found his  ‘[2403] “of between us : / it was good or leather’, featured at The New Post-literate: A Gallery Of Asemic Writing, to be especially powerful when I tried reading it.

   

I am interested in the phenomenology of the literary experience. There is an affective element to the literary or poetic experience that may be hard to analyze on account of the complexity of the mental states. Normally our acts of literary awareness involve the conceptual and imagistic components evoked by the texts. These components can distract us from the affective element.

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There is  a similar sort of idea in Gilles Deleuze’s treatment of Francis Bacon. Bacon writes that “the moment there are … several figures on the same canvas – the story begins to be elaborated. And the moment the story is elaborated, the boredom sets in; the story talks louder than the paint” (Bacon & Sylvester 1987: 22). When reading O Mayeux’s poem, I experienced strong affects without the distraction of other layers of my awareness. Just as the experience of Bacon’s paintings is like a phenomenological reduction to the raw experience of sensation, perhaps such asemic writing as O Mayeux’s can as well present a  phenomenological reduction to the affective components of poetic experience.

 

I invite you to try to read the poem to see if you can feel certain intensities in the sounds. It is perhaps like Deleuze’s notion of stuttering. This work  also brings out the intensities of punctuation. I find Clifford Duffy’s poems also very powerful in these ways, too. See for example his “war machine the ...” [my comments],  his “remand” and “turf” [my comments], “fantasy 2010 labour work” [my comments] and “cărbune” [my comments].

 

 

 

 

 

Works:

 

O Mayeux.  ‘[2403] “of between us : / it was good or leather’.  From Artefacts. Image taken from (and used with the author’s permission):

http://thenewpostliterate.blogspot.com.tr/2017/04/oliver-mayeux-2403-of-between-us-it-was.html

 

Also:

Bacon, Francis & David Sylvester. The Brutality of Fact: Interviews with Francis Bacon. New York: Thames & Hudson, 1987.

More information from the publisher here:

http://www.thamesandhudson.com/9780500274750.html

 

 

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6 Apr 2017

Michael Jacobson, entry directory

 

by Corry Shores

 

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Entry Directory for

Michael Jacobson

 

 

The New Post-literate: A Gallery Of Asemic Writing

 

 

 

 

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Asemic Writing, Entry Directory

 

by Corry Shores

 

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Entry Directory for the Topic of

Asemic Writing

 

 

 

Michael Jacobson

 

Michael Jacobson, entry directory

 

 

O Mayeux

 

O Mayeux, entry directory

 

 

Voynich

 

Let Slip: Works of Mihaela Brumar

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