28 Apr 2009

Sexus, Henry Miller, Vol. 1, pp.17c-21d, The First Dawn, Their First Night

[A summary through sometimes-censored citation.]

Henry Miller

Sexus: The Rosy Crucifixion

Volume One


The First Dawn
Their First Night

Miller and Mara meet. He has but three dollars.
The greeting she gave me was cordial and brisk. No mention of my visit to the house or the letters or the gifts. Where would I like to go, she asked after a few words. (17c)
Miller can produce no suggestions. Finally she proposes Jimmy Kelly's place.

They take a cab.
I sank back into the seat, overwhelmed by her mere presence. I made no attempt to kiss her or even to hold her hand. She had come – that was the paramount thing. That was everything. (17-18)
They stayed all night to early morn «eating, drinking, dancing.» He learned nothing more about her «real life,»
not because of any secrecy on her part but rather because the moment was too full and neither past nor future seemed important. (18a)
A problem intrudes.
When the bill came I almost dropped dead. (18b)
He explains that he has no way to pay it. His friends will bail him out. He calls them. And he begs. A friend will lend him fifty.
It was a lot of money for him to borrow from the till, and he knew I wasn't any too reliable, but I gave him a harrowing story,promising faithfully to return it before the day was out. (18c)
The messenger who brought the money happened to be another friend. He lends twenty-five.
I took it an thanked him warmly. I paid the bill, gave the waiter a generous tip, shook hands with the manager, the assistant manager, the bouncer, the hat check girl, the door man, and with a beggar who had his mitt out. (19a)
They take a cab.
as it wheeled around, Mara impulsively climbed over me and straddled me. (19ab)
They begin.
We went into a blind f.ˌ`·˖֗, with the cab lurching and careening, our teeth knocking, tongue bitten, and the juice pouring from her like hot soup. (19b)
Dawn breaks. More?
«Wait, wait», she begged, panting and clutching at me furiously, and with that she went into a prolonged o.ˌ`·˖.ˌ`·˖ in which I thought she would rub my c.ˌ`·˖ off. Finally she slid off and slumped back into the corner, her dress still up over her knees. I leaned over to embrace her again and as I did so I ran my hand up her wet c.ˌ`·˖֗. She clung to me like a leech, wiggling her slippery a.ˌ`· around in a frenzy of abandon. I felt the hot juice trickling through my fingers. I had all four fingers up her cr.ˌ`·˖.ˌ`, stirring up the liquid moss which was tingling with electrical spasms. She had two or three o.ˌ`·˖.ˌ`·˖ and then sank back exhausted, smiling up at me weakly like a trapped doe. (19c)
She recovers. But something frightens her. She ducks. Someone is following them, she thinks. So she tells the cab driver to race off.
she gave rapid, jerky orders to the driver to go this way and that, faster and faster. «Please, please!» she begged him, as though it were life and death. (20a)
Miller does not first believe. She must be paranoid. Then he realizes they are endangered. Is she a criminal?
Suddenly I put two and two together, in my own crazy fashion. I reflected quickly... nobody is following us... that's all coke and laudanum... but somebody's after her, that's definite... she's committed a crime, a serious one, and maybe more than one... nothing she says adds up... I'm in a web of lies... I'm in love with a monster, the most gorgeous monster imaginable... I should quit her now, immediately, without a word of explanation... otherwise I'm doomed... she's fathomless, impenetrable... I might have known that the one woman in the world whom I can't live without is marked with mystery... get out at once... jump... save yourself! (20b-c)
Calm returns.
I felt her hand on my leg, rousing me stealthily. Her face was relaxed, her eyes wide open, full, shining with innocence... «They've gone,» she said, «it's all right now.» (20cd)
Miller's dependent again.
Nothing is right, I thought to myself. We're only beginning. Mara, Mara, where are you leading me? It's fateful, it's ominous, but I belong to you body and soul, and you will take me where you will, deliver me to my keeper, bruised, crushed, broken. For us there is no final understanding. I feel the ground slipping from under me... (20d)
She's also fallen.
My thoughts she was never able to penetrate, neither then nor later. She probed deeper than thought: she read blindly, as if endowed with antennae. She knew that I was meant to destroy, that I would destroy her too in the end. She knew that whatever game she might pretend to play with me she had met her match. (20-21)
They near his home. She has the driver park nearby.
We were facing one another, hands clasped, knees touching. A fire ran through our veins. We remained thus for several minutes, as in some ancient ceremony, the silence broken only by the purr of the motor. (21b)
She will call tomorrow. In his ear she whispers
«I'm falling in love with the strangest man on earth. You frighten me, you're so gentle. Hold me tight... believe in me always... I feel almost as if I were with a god.»
Mara's made Miller anew.
Embracing her, trembling with the warmth of her passion, my mind jumped clear of the embrace, electrified by the tiny seed she had planted in me. Something that had been chained down, something that had struggled abortively to assert itself ever since I was a child and had brought my ego into the street for a glance around, now broke loose and went sky-rocketing into the blue. Some phenomenal new being was sprouting with alarming rapidity from the top of my head, from the double crown which was mine from birth. (21c-d)

Miller, Henry. Sexus: The Rosy Crucifixion. New York: Grove Press, 1965.

25 Apr 2009

Deleuze's & Guattari's Neurophysiology and Neurocomputation

by Corry Shores
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Deleuze's & Guattari's
Neurophysiology and Neurocomputation

In the fifteenth paragraph of Capitalism et schizophrénie 2: Mille plateaux (A Thousand Plateaus), Deleuze and Guattari describe the brain's «uncertain» nature resulting from its rhizomatic structure. We also find Deleuze speaking of sensation and thought as involving analog and digital transmissions (catastrophe and code) that are violently mixed by the hazard of the dice.

I would like discover how much of this imagery is not metaphorical. So we will look at the ways Deleuze's & Guattari's ideas about the mind were grounded in neuroscientific findings. In fact, we will see, their observations have continued to be supported by very recent research.

But I am not a neuroscientist. So please consult one before taking my research as factual. It is based on what I uncover. [I cite my references, so consult them also.]

There are five neurophysiological and neurocomputational features that we will explore in support of Deleuze's and Guattari's theories of thought and sensation.
1) its mixture of analog and digital
2) its 'uncertainty'
3) its chaos/noise/randomness
4) its rhizomatic structure, and
5) the catastrophe of thought

Consider this story: we are waiting in noisy crowd for a friend. Something jabs us. It pushes with increasing pressure. We realize first it is a finger. Then we conclude, «oh, that's my friend Bob.» And we turn our body to see him. [Click on images for an enlargement. Credits listed at the end. Image 1]

We will begin at part one, at the skin. When we feel pressure, it activates a sensory neuron. [2]

The pressure on the nerve-ending automatically sends an impulse of electricity down the nerve wire, called the axon. Look at side b of the following diagram. [3]

This impulse is called the action potential. [4]

Deleuze & Guattari refer us to Steven Rose's The Conscious Brain. Rose explains the electrical nature of nerve signals.
Nerves transmit information electrically. (Rose 72b)
when a signal passed down a nerve it did so as a wave of electricity, a pulse which passed from the cell body to the end of the nerve fibre. This pulse is the ACTION POTENTIAL. In today's terms, the language of the brain in which the neurons transmit information is electric. (72c)
[5] [6]

The axon signal is discrete and unvaryingly the same amplitude.
whatever the magnitude of the initial excitation, provided it is above a certain THRESHOLD size, the size of the action potential does not alter. The shape and size of the wave [seen below] would be identical whatever the magnitude of the stimulus that caused it. This phenomenon of constancy of wave form and size is known as the ALL-OR-NONE LAW of axon transmission. (Rose 77b)

The axon carries one type of signal, and one only, faithfully and at some speed, from one end to the other. It cannot even have the luxury of the variety of a morse-code operator, who can at least vary dots and dashes. The axon's language is entirely one of dots. (Rose 77b)
Nonetheless, the signal is capable of infinite complexity.
How then can more than the crudest sort of yes/no information be transferred along the axon? The one aspect of the axonal signal which is modifiable, despite these constraints, is the FREQUENCY of the response. The axon could transmit no action potential, or one a minute, or one a second, or a hundred a second, or a fluctuating number, all depending on the nature of the incoming message. It is the frequency of signal which functions as the basis of the axonal information transfer system. (77bc, emphasis mine)

Because the pulses are each discrete and the same form, they are in that sense digital signals. However, the impulses are not limited to a finite set of possible distances from each other. Therefore, they are analog. As Müller et al. explain
Since the discharge of each new segment of the axon is always complete, the intensity of the transmitted signal does not decay as it propagates along the nerve fibre. One might be tempted to conclude that signal transmission in the nervous system is of a digital nature: a neuron is either fully active, or it is inactive. However, this conclusion would be wrong, because the intensity of a nervous signal is coded in the frequency of succession of the invariant pulses of activity, which can range from about 1 to 100 per second. The interval between two electrical spikes can take any value (longer than the regeneration period), and the combination of analog and digital signal processing is utilized to obtain optimal quality, security, and simplicity of data transmission. (Müller et al. 5b)
So when our friend is pushing on us, the pressure varies continuously, like a wave. But the intensity-changes are not encoded with a corresponding change in nerve signal fluctuation. For, the nerve pulses are always the same strength. What does change are the periods between them. And these time periods can vary continuously. In this way the sense impression was both digitally coded and analogically modulated.

Recent research suggest that the brain mixes analog and digital signals in another way as well. McCormick et.al. have discovered that there are fluctuations also in the amplitude of the spikes that are transmitted through the synapses as well. All the previous research we considered says that the neural impulses are "all or nothing," and their analogical nature is found in the continuous modulation of the pulses' frequency. This recent research suggests that in fact each pulse itself can take on any of a continuum of variations in amplitude. And these variances are communicated through the countless synaptic transmissions. They write:
voltage fluctuations associated with dendrosomatic synaptic activity propagate significant distances along the axon, and that modest changes in the somatic membrane potential of the presynaptic neuron modulate the amplitude and duration of axonal action potentials and, through a Ca2+-dependent mechanism, the average amplitude of the postsynaptic potential evoked by these spikes. These results indicate that synaptic activity in the dendrite and soma controls not only the pattern of action potentials generated, but also the amplitude of the synaptic potentials that these action potentials initiate in local cortical circuits, resulting in synaptic transmission that is a mixture of triggered and graded (analogue) signals. (McCormick et.al, abstract, emphasis mine)

The action-potential impulse, then, travels up the nerve to the brain. [12]

The impulse continues down the axon. Then the axon branches off. [13]

Those axon branches connect to the receptors of another neuron. [14]

Those receptors are called dendrites. [15]

Between the axon branch terminals and the dendrite receptors, there is a small gap. This is the synapse. The gap is called the synaptic cleft. [16]

If our brain's computations were merely a matter of linking logic gates, there would be no purpose to these synaptic breaks. Rose explains that their purpose is to toss in uncertainty and randomness.
Messages arrive at the synapses from the axon in the form of action potentials.
The variations permitted to the action potentials are neither in magnitude nor form, but only frequencies. Not much plasticity about the axon; it either does or doesn't fire. It is to the synapses that we must look to begin to introduce the element of variety which must be the key to the nervous system, which must distinguish it from an inevitable system in which, for a given input, there is an invariant output response. For it is at the synapses that it will be decided whether or not the next cell will fire in its turn. The synapse is a type of valve or gate. If the post-synaptic cell fired invariantly whenever an action potential arrived down the axon from the propagating cell, there would be no point in having a synapse. The axon might as well continue unbroken to the end of the axon of the second cell. No modification could ever occur. The axon has no choice but to fire. At the synapses between cells lies the choice point which converts the nervous system from a certain, predictable and dull one into an uncertain, probabilistic and hence interesting system. Consciousness, learning and intelligence are all synapse-dependent. It is not too strong to say that the evolution of humanity followed the evolution of the synapse. (Rose, 78-79, emphasis mine)

Below is an image of many axon connections. [17.5]

At the gates, the electrical frequency translates into the release of neuro-chemicals.
the axonal signals arriving at the synapse in the form of action potentials of particular frequencies are translated by the synapse into signals for the triggering of a chemical mechanism. The release of particular chemical substances which diffuse across the gap between the pre- and post-synaptic membranes and interact at the post-synaptic side with particular receptors, thereby triggers a sequence of post-synaptic events which may result in due course in the firing of the post-synaptic neuron. (81bc)

The post-synaptic membrane is not indiscriminately flooded with transmitter in response to an axonal signal. Instead, it is being continually bombarded with packages, each containing a prescribed amount of transmitter. (Rose 81a)

Once released into the gap, the transmitter diffuses across to the post-synaptic side. The time taken to do so, the delay in transmission, is in neuronal terms quite substantial. From 0.3 to 1.0 milliseconds may be involved. The cleft, although almost unimaginably narrow by nonmicroscopic standards, still represents a journey many times the length of a transmitter molecule. While on this journey, the transmitter is vulnerable, as we shall see later, to chemical attack. (Rose 85b)

The transmitters released by the axon terminals are taken-in by the post-synaptic membrane on the dendrite side. This modifies the membrane's shape. (Rose 85b)

A change in the membrane structure results in a change in permeability to the entry and exit of ions, and hence produces a change of polarization. (Rose 85c)

[For an animation, go here or here.]

Recall that there are many axon branches linking with many dendrite branches. Each synapse will produce a small impulse. But the axon that the dendrites feed will not fire its own action potential impulse unless the sum total of all the synapse inputs reach a certain threshold.
In the case of an excitatory transmitter the change in polarization is a decrease of the resting potential towards zero – a depolarization. If the depolarization goes beyond a certain threshold, as will be clear from what was said earlier about the propagation of an action potential, a wave of depolarization will be triggered; the post-synaptic neuron will fire. It has, however, to reach that threshold. How can this be achieved? The action potential is an all-or-none phenomenon. The axon either transmits or it does not, and if it does not, the initial stimulus merely dies away. At the post-synaptic membrane though, this need not be the case. The arrival of a small amount of transmitter – a quantum say – will cause a small depolarization, not enough to trigger an action potential which will spread, but enough to be measured as a miniature EXITATORY POST-SYNAPTIC POTENTIAL (EPSP)
If more transmitter arrives, before the first EPSP has had time to decline, either a short distance away in space at an adjacent synapse, or a short period away in time at the same synapse, the effect of the second quantum of transmitter will be added to that of the first; SUMMATION occurs. If enough quanta of transmitter arrive within a circumscribed area or time the summation will build up until the threshold for the action potential is reached. The trigger will be pulled; the cell will fire an impulse down its own axon. The receptors allow the post-synaptic neuron to compute the strength of the signal arriving at it; if it is merely the continuous random release of a few quanta of transmitter, the EPSPs will rarely be of sufficient magnitude for the cell to fire. If the quanta of transmitter arrive fast enough, firing will occur. (Rose 85-86b, emphasis mine)
The dendrites are receiving neurotransmitter quanta. But soon, they pass away. If there is enough transmitter quanta bound to the dendrite side of the synapses, then the whole neuron will fire a pulse down the axon. The frequency of the feeding-axons determines whether or not the receiving neuron fires. So it will take all that variety of incoming frequency from very many other neurons, and render it into one frequency. All the analog continuous variations of incoming pulse waves will be synthesized into one continuously modulated pulse signal.


Each axon is connected to very many other axons. For, the new synthesized frequency travels-off and diverges into more axon branches that feed into new sets of dendrite trees. These dendrite trees then converge the various signals, and send-off new pulse frequencies through a different axon. This is our brain's neural computing that is dually analog and digital.

There is a further complication. Some synapses inhibit transmissions. By clicking on the second animation, you can see this process.
Synapses can say No as well as Yes. They can inhibit as well as excite the post-synaptic neuron. (Rose 88c)
Just as the excitatory transmitter exerts its effect by causing a membrane depolarization, an excitatory post-synaptic potential, so the inhibitory transmitter functions by increasing the polarization (negativity) of the post-synaptic cell. This is called HYPERPOLARIZATION, and is measured as a minature INHIBITORY POST-SYNAPTIC POTENTIAL (IPSP) (88-89)
The synapses make decisions, but only on the post-synaptic side.
On the myriad branching dendrites and the cell body of a single neuron there may be up to ten thousand synapses. Each of these synapses is passing information to the post-synaptic neuron, some by signaling with excitatory post-synaptic potentials, some with inhibitory post-synaptic potentials; for some the signal is one of silence, the absence of an IPSP for instance. Each incoming EPSP or IPSP will carry its message to the post-synaptic cell in a wave of depolarization or hyperpolarization. How far the wave will spread down the dendrite and the membrane of the cell body will depend upon the sum of all the incoming signals at that given time. (88-89)
Messages flow from the dendrites and cell body towards the axon like water from the tributaries of a river. Although the axon in isolation can conduct in either direction, in real life it is a one-way system; the action potential begins at a point where in a typical neuron the cell body narrows down towards the axon. Whether the axon fires or not depends on the sum of all the events arriving at the point at a given time. To these events, computed as a result of signals which may be arriving at far distant dendrites, the axon will respond by firing only if the depolarization climbs over the threshold. (Rose 90a, emphasis mine)
With this form of computation, it would seem that the system is deterministic. However, Deleuze & Guattari cite from this following section to suggest that the brain's rhizomatic structure makes it an indeterministic system.
This is a certain, deterministic response: the uncertainty of the system arises from the computation of the events within and along the dendrites and cell body; the certainty of the arrival of particular EPSPs and IPSPs from some synapses, and the uncertainty of the chance bombardment by spontaneous transmitter release from others. Nor has each synapse or each cell equal weight in such interactions. Detailed analysis of some synaptic interactions shows that in the arrangement of synapses in some parts of the brain, the axon from one cell lies closely intertwined along the dendrite of a second cell, making not just one, but thousands of synaptic connections with it along its length. The two, axon and dendrite, twist around each other like bindweed around brambles, with synapses at each of the thorns of the bramble - the dendritic spines. Signals from such an axon should 'matter more' to the recipient dendrite than those from an axon which makes but a few contacts. (Rose 89-90c, emphasis mine)
We will later return to this metaphor of bindweed and brambles. But first we will finish our story about our friend pushing us in the crowd.

The signal made it to the brain. Here there is an incomprehensibly complex network of neurons with their uncountable interconnections. Their connections form assemblages. Rose writes:
The axon → synapse → dendrite → cell body arrangement of neurons allows pathways of connected cells to be assembled. Thus if several neurons are connected synaptically, one with the other, they make a linear pathway. (Rose 96c, some emphasis mine)

In this image, the axons are lines, the synapses are v's, and we ignore the dendrites. Here we only have one synapse per cell. However «in reality the number runs into thousands or tens of thousands.» (Rose 96d)

These series might branch off.

And «other feeder pathways can enter the system, providing additional information which will help decide the outcome of what is to be transmitted down the pathways emerging from the assembly at the right.» (Rose 96-97)

Finally the pathway, or part of it, can bend backwards on itself to form a net. Nets can be made with three, or even two neurons. (Rose 97b)

If we assume just four neurons, each making but one synapse, the number of possible nets available is eleven. If it is recalled that each synapse can either be inhibitory or excitatory, then the number of interaction of even this simple network becomes quite large. If we were to include even a fraction of the real number of synapses which may be involved it is clear that the number of interactions between four neurons becomes so large as to be almost impossible to compute. Obviously, as the number of cells increases, so does the complexity of the system. (Rose 97-99)
These pathways are connected according to certain functions.
Pathways go from somewhere to somewhere else, serving ... to gather information, in the form of an AFFERENT (incoming) signal, from a sense receptor and to transmit it as an EFFERENT (outgoing) signal by a nerve which is connected to a muscle or gland, so that the effector organ can be instructed as to how to do its job – to contract more or less, or to secrete more or less. (Rose 99b)
There are also a mass of neurons in the central nervous system that are not directly connected to sense organs or effectors. They lie between those ends of the system, and they are only connected to one another. The neurons make-up
a system for refining and modifying those instructions. These INTERNEURONS (those connected only to each other and not to sense organs or effectors) are of value because of what they add to the information on which the instruction is based, by virtue of their capacity to compare it with past information, and draw conclusions. (Rose 99c)
Let's return to our story. Our friend pokes us with his finger. But he is behind us, so we cannot see him. He presses harder and harder. The change in pressure varies (increases) continuously. The nerve ending in our skin sends out digital pulses. These pulses increase (modulate) in frequency (and perhaps amplitude) with the increasing pressure. The signal travels up the axon to our brain. This is an incoming or afferent signal. That signal then is distributed around the complex network of interneurons in our brains. By means of the entire complex neural computation, we deduce eventually that it is our friend. We then send an outgoing or efferent signal down to our muscles.

Before we address the muscle motion, let's modify our story briefly for the sake of following Rose's text one step further. Our friend began pushing so hard it hurt, and we reflexively jerked away. This involves spinal cord interneurons that automatically react to dangerous stimuli, although also with the input from brain interneurons.

But to stick with our story as we originally intended it, we can imagine that the spinal cord interneurons do not intervene, and rather the signals loop through the brain back to the "motor terminal."

So the brain interneurons send the impulse to tell our muscles to contract so that we may turn to see our friend.


Just as before, the axon branches off.

At each connection is another synapse, enlarged in the image below.

So we may return to our original schema and see that we have followed the process from sensation to computation to deliberate motion.

Now we will return to Deleuze & Guattari's description of the rhizomatic structure of the brain.

We may define a rhizome in general:
a fleshy, creeping underground stem by means of which certain plants propagate themselves. Buds that form at the joints produce new shoots. Thus if a rhizome is cut by a cultivating tool it does not die, as would a root, but becomes several plants instead of one (The Columbia Electronic Encyclopedia)

But we know that that the axons are "branches" and the dendrites are "trees." However, consider how extraordinarily many branches and roots there are.


If we can even imagine, all these thousands of roots for each of the millions of neurons connect each to one another all over the place and at uneven distributions. In this way, there are no tops and bottoms to the system. It is a "parallel" processor. It carries-out many different computations simultaneously, rather than sequentially. Also consider that when we learn new things, we make new dendritic connections and synapses, and existing synapses are strengthened. Rose writes:
These are indicators, as we shall see, of the plasticity of the brain, its capacity to modify its structure and performance in response to changing external circumstances. (Rose 92bc)
We can see that we no longer have a structure with a "central processor" or hierarchy. Our minds are not "aborescent" trees. They are an assemblage of changing and intertwined out-growths. Deleuze & Guattari write:
La pensée n'est pas arborescente, et le cerveau n'est pas une matière enracinée ni ramifiée. Ce qu'on appelle à tort «dendrites» n'assurent pas une connexion des neurones dans un tissu continu. (Mille plateaux 24b)
Thought is not aborescent, and the brain is not a rooted or ramified matter. What are wrongly called «dendrites» do not assure the connection of neurons in a continuous fabric. (A Thousand Plateaus 17b)
As Rose stated, what makes our minds non-deterministic and probabilistic is that the synapses are not logic gates. These synaptic clefts are unreliable pools of chemicals, and the electric signals are vulnerable to random noisy analog interferences. The signal in one axon creates analogical noise interference that modifies the signals in the other axons. The effect is quite slight, but there are countless axons in the brain. So our mind interferes with itself by subjecting itself to its own analog noise.

All these factors make our minds quite thoroughly heterogeneous, indeterministic, and creative. The countless different parts and functions of the brain are supported and «glued together» by neuroglia cells. Rose writes:
in large regions it is difficult to see neurons at all. Although some entire layers are almost filled with cell bodies and others with their twisting dendritic and axonal processes, embedded within them or closely adjacent to the neurons themselves lie quite different cells, smaller than the neuron, either unbranched or surrounded with an aura of short stubby processes like a sea urchin. (Rose 70bc)

The brown figure in the image below is the neuroglia. [45]

These cells are knows as GLIA (from the Latin for «glue») for they appear to stick and seal up all the available space in the cortex, outnumbering the neurons by about ten to one. (Rose 70c)
Because glia allow the various parts and functions of the brain to consist together, Deleuze & Guattari will use them to illustrate what they call the «the plane of consistency» / «le plan de consistance.»
la consistance réunit concrètement les hétérogènes, les disparates, en tant que tels : elle assure la consolidation des ensembles flous, c'est-à-dire des multiplicités du type rhizome. (Mille plateaux 632d)
consistency concretely ties together heterogeneous, disparate elements as such: it assures the consolidation of fuzzy aggregates, in other words, multiplicities of the rhizome type. (A Thousand Plateaus 558)
They describe what results from all this heterogeneity consisting together.
La discontinuité des cellules, le rôle des axones, le fonctionnement des synapses, l'existence de micro-fentes synaptiques, le saut de chaque message par-dessus ces fentes, font du cerveau une multiplicité qui baigne, dans son plan de consistance ou dans sa glie, tout un système probabiliste incertain, uncertain nervous system. (Mille plateaux 24b)
The discontinuity between cells, the role of the axons, the functioning of the synapses, the existence of synaptic microfissures, the leap each message makes across these fissures, make the brain a multiplicity immersed in its plane of consistence or neuroglia, a whole uncertain, probabilistic system («the uncertain system»). (A Thousand Plateaus 17)
[Recall that Rose credited the synapses for making the brain an «uncertain, probabilistic and hence interesting system.»] At this point they quote the Rose text that we have so far followed very closely.
Beaucoup de gens ont un arbre planté dans la tête, mais le cerveau lui-même est une herbe beaucoup plus qu'un arbre. «L'axone et la dendrite s'enroulent l'un autour de l'autre comme le liseron autour de la ronce, avec une synapse à chaque épine.» (Mille plateaux 24bc)
Many people have a tree growing in their heads, but the brain itself is much more a grass than a tree. «The axon and dendrite twist around each other like bindweed around brambles, with synapses at each of the thorns of the bramble – the dendritic spines.» (A Thousand Plateaus. D&G's citation is in single quotes, p17, the rest of the sentence is in double quotes, Rose p.90c .)
Bindweed is a vine that scrambles up other plants. [46]

Bramble is a thorny plant. [47]

We might imagine the axon and dendrites twisted around each other like bindweed around brambles. The thorns are the places where the dendrites connect to the axon. [48]

The number of connections between one axon and another affects the influence or «weight» of the signal for that connection. So too do other factors such as the distance the signal must travel between neurons. Rose's point is that the distribution of the weights is highly irregular and ever changing. And consider also the sheer number of synaptic connections. If we have worked all day, our brains will no longer produce the same proportions of neurotransmitters. So even the reliability of the synapse transmissions changes drastically. Just a cup of coffee, glass of wine, or medication can cause such fluctuations.
The point of major vulnerability of the nervous system to exogenous drugs or other agents is the cleft between the pre- and post-synaptic cells. The dendrites and the membrane of the cell body are concerned with computing the information arriving at them, in terms of transmitter, from all the synapses. Depending on the sum of this activity at any given time, the stimulus at the axon will climb above the threshold necessary for it to fire. (Rose 93b, emphasis mine)
So our brains are not circuit boards filled with simple logic gates. They are truly uncertain, probabilistic computation systems.
The uncertain, probabilistic nature of the nervous system depends on this computing function of the dendrites and cell body. Information in the form of excitatory or inhibitory transmitter arrives at them as a result of three types of event: (a) firing in a nerve which synapses upon the dendrites or cell body in question in response to events external to it in the rest of the nervous system or in the environment; (b) the spontaneous firing of the pre-synaptic nerve in response to events internal to it; and (c) the quantal release of small amounts of transmitter without axonal impulses to trigger them. Of these three types of stimulus which the dendrites and cell body must compute, only the first is always certain and predictable at the hierarchical level of the system. The second may be determinate, but it may also occur as a result of events which, at the present level of our knowledge, appear random, indeterminate and probabilistic. The third appears, in so far as present knowledge goes, to be a random, probabilistic event. Thus it would seem that the synaptic structure of the nervous system is such as to make its functioning only partially predictable. Even if the mode of computation of the dendrites and cell body is itself deterministic, albeit complex, in terms of the 'weighting' given to particular synapses, they are none the less computing on the basis of information which appears to have a measure of indeterminacy built into it. It is this feature which accounts in part for the considerable spontaneous activity of the brain and which, as we shall see, is of importance when we come to consider the predictability of the responses of the brain. (93b-d)
Recent research indicates that the brain might have an even deeper probabilistic nature than we have so far figured.

Alex Pouget and his research team at the University of Rochester have found evidence that supports Deleuze's & Guattari's thesis. He demonstrates that the mind's ability to compute complex calculations has much to do with its noise. He says in an interview [with Science Daily]:

"You'd think this is crazy because engineers are always fighting to reduce the noise in their circuits, and yet here's the best computing machine in the universe—and it looks utterly random."

"'Oh, it's not noise,' [some claim] 'because noise implies something's wrong," says Pouget. "We started to realize then that what looked like noise may actually be the brain's way of running at optimal performance."

Our minds are experts at making probabilistic inferences [Baysian computations]

"The cortex appears wired at its foundation to run Bayesian computations as efficiently as can be possible," says Pouget. His paper says the uncertainty of the real world is represented by this noise, and the noise itself is in a format that reduces the resources needed to compute it.

Imagine that we are being chased by a wild animal through the woods. We too have become like wild creatures, making spontaneous, instinctive and rapid decisions as to where to go and how to get there. Our minds are flooded with chaos. We are wildly absorbing inflowing sense-data. We come to a stream that we might not be able to leap over. How do we decide without taking extra time to perform mathematical inferences?

Pouget now prefers to call the noise "variability." Our neurons are responding to the light, sounds, and other sensory information from the world around us. But if we want to do something, such as jump over a stream, we need to extract data that is not inherently part of that information. We need to process all the variables we see, including how wide the stream appears, what the consequences of falling in might be, and how far we know we can jump. Each neuron responds to a particular variable and the brain will decide on a conclusion about the whole set of variables using Bayesian inference.

As you reach your decision, you'd have a lot of trouble articulating most of the variables your brain just processed for you. Similarly, intuition may be less a burst of insight than a rough consensus among your neurons.

Their papers explain that neurons do not respond consistently to the same information. But this is precisely what makes them so effective. Their irregularities allow our minds to make quick assessments with reasonable margins of error calculated-in. It would take much too long to compute the precise dimensions of the stream. Instead, our minds are flooded with a rush of variant noisy information, and out of it we almost instantaneously come to rough approximations of the world around us.

We turn now to Catastrophe Theory, to guide our understanding of Deleuze's theory of thought and sensation.

Recall that Rose writes:

whether the axon fires or not depends on the sum of all the events arriving at the point at a given time. To these events, computed as a result of signals which may be arriving at far distant dendrites, the axon will respond by firing only if the depolarization climbs over the threshold. (Rose 90a, emphasis mine)

In Chaos & Complexity, Brian Kaye offers the example of the dripping faucet. The tap is not completely closed. So a tiny amount of water trickles through and gathers at the opening.

The shape of the drop depends upon the competition between the forces of gravity and the surface tension forces holding the drop to the tap. (Keye 516-517, emphasis mine)

Suddenly it breaks away. The breaking away of the drop is the catastrophe which is the abrupt change arising as a sudden response to the cumulative effect of the smooth supply of small amounts of water added to the drop by the flow through the leaking valve in the tap. The size of the drop when it breaks away is a consequence of the interaction of several variables environmental vibration, wind drafts, consistency of supply through the leaking valve, the roughness or smoothness of the edge of the tap, the purity of the liquid dripping from the tap and local heat changes. (517b)

Yet we cannot know all these factors. We can only find the average rate of fall, but we can never predict the next drop's time and size. An enormous number of small and highly-variable factors must coalesce to produce the unpredictable event, the catastrophe.

We see that from this perspective, unpredictability arises from a «deterministic chaos» that is so complex we can only deal with it statistically. The catastrophe Deleuze speaks-of might not even result from extraordinary complexity. It might in fact result from pure chance itself, independent of any determinism whatsoever.

What we see is that the catastrophe in catastrophe theory is a formational process. But rather for Deleuze, the catastrophe is a deformational process. He explains that digital aesthetic communication involves our using coded formalizations. For example, Kandinsky uses such binary coded formalities.

Analog, however, uses wild, bodily probabilistic movements. Consider for example Pollock's action art.

Deleuze writes that Bacon begins digital, then introduces the catastrophe or dice throw by making random analog body motions, like throwing paint or smearing it. This blends order and chaos.

[See this entry or this one for a more detailed explanation of analog and digital aesthetic communication.] If we merely process nervous signals like digital computers, there would be no need for the synapses, according to Rose. Our nervous systems are probabilistic computers that benefit from noise, disruptions, and chaos. Consider when we received a nervous signal from our senses, and we processed it normally in our minds, then reacted appropriately. This could be the same process the cow undergoes when seeing the grass, recognizing it, and eating it. Is this thinking? It's not for Deleuze.

Consider that there is a rhythm to our nerve impulses. There are digital pulses that are analogically modulated. For, the discrete signal-bursts vary continuously in their frequency of fire. Now consider when you play music from some sort of a tape medium, perhaps on film or cassette (or eight-track, reel-to-reel, etc.), or consider if you turn the record turn-table faster or slower with your hand. The sounds and the music's rhythm will continuously stretch and deform to degrees determined by the speed of its changes. This is not possible in digital, by the way. If you feed the code slower, that does not stretch the sound out slower in a continuous way. It must pause until the rest of the code arrives. But in analog there can be continuous variation in speeds. This is one way that we may communicate «intensities.»

First consider the «instantaneous velocity»of a discharged bullet. We may examine some point along its trajectory. And, we may look at some non-extending moment of time during which it does not move an extent of distance. Nonetheless, in that instant, it had a tendency to go so fast. But this tendency is different from moment to moment. The more unpredictable such changes in speed-tendencies are, the more intense the motion is, for Deleuze. But this makes more sense when we take into account sensation and thinking. So for example something causes us nervous stimulation, but in an irregular way. At times it speeds up, and at other times it slows down. Its continuous variation is irregular and unpredictable. It could be merely one stimulus. But it nonetheless can have internal heterogeneity. It can internally differ continuously with itself in respect to its speed changes. [See this entry for more illustration.]

As Rose has explained, so much of the brain's computations revolves around the speeds of the impulses. When our skin feels something at a certain pressure, there is a relatively consistent pulse pattern. Changes in the pattern tell us about changes in the cause. But if those speeds vary unpredictably, that will throw the whole brain's computation system into haywire. Certain neurons that would normally fire at a certain moment will not, because the stimulus slowed down. But other parts of the system are expecting it, because they already were set to expect the alteration that did not come. We also saw the complex looping networks. All this confusion spreads instantly through the nervous circuitry. In other words, when looking at a Bacon painting, our brains are thrown into chaos. And because the nerve impulses continue to defy expectations, on account of their unpredictably varying speeds, our minds never come to fully compute what we sense. The impulses circulate wildly and madly through our brains, but also through all the other extensions of the nervous system, throughout our bodies. Hence the nausea or dizziness we might feel.

If all we do is see an object that affects us in a regular expected way, then we are neither having a real sensation nor are we thinking. But when the pulses traveling through our nervous system fall out of synchrony, then this is «the rhythm of sensation.» If there is no sensation of changing change, then there is no internal sensation of movement. For, there is no feeling of our sensations themselves having movement. And without movement, there is no rhythm. So only unpredictable dyssynchronous patterns are rhythmic, and only they cause us to sense and think.

Consider also that if all we sensed were things that were ever the same. Our brains would not need new connections to detect and recognize them. However, when there is intensity to the signal (unpredictable alterations of speed changes), the forces of the impulses might make new adjustments in the connections, structure, and functioning of the brain.

When the nervous impulses are traveling through our bodies in such a chaotic way, there is no knowing what «instructions» they will give to our muscles. Our body will cease to operate in its normal organic way. It will instead become a body without organs.

What kind of random?

Digital Inaccuracy vs. Analog noise

To further our investigations, we will try to articulate the nature of the randomness involved in our neural chaos. There are different sorts of random, and various ways to produce it. Specifically, we would like to know if the random variations necessary for neurogenesis can be simulated mathematically. My hypothesis is that to simulate human consciousness artificially, we will need to use analog noise. Digital inaccuracies or random variations are limited to a finite number of possibilities. But analog noise can take on any of an infinity of possible values. So analog noise is infinitely rich in the ways it can steer our neurocomputations in new directions. And in fact, there is research that suggests analog noise is necessary for learning.

A.F. Murray tested digital vs analog interferences in neural networks charged with learning tasks.

Analogue techniques allow the essential neural functions of addition and multiplication to be mapped elegantly into small analogue circuits. The compactness introduced allows the use of massively parallel arrays of such operators, but analogue circuits are noise-prone. This is widely held to be tolerable during neural computation, but not during learning. In arriving at this conclusion, parallels are drawn between analogue 'noise' uncertainty, and digital inaccuracy, limited by bit length. This, coupled with dogma which holds that high (16 bit) accuracy is needed during neural learning, has discouraged attempts to develop analogue learning circuitry, although some recent work on hybrid analogue/digital systems suggests that learning is possible, if perhaps not optimal, in low (digital) precision networks. In this Letter results are presented which demonstrate that analogue noise, far from impeding neural learning, actually enhances it. (Murray 1546.1a, emphasis mine)

Learning is clearly enhanced by the presence of noise at a high level (around 20%) on both synaptic weights and activities. This result is surprising, in light of the normal assertion alluded to above that back propagation requires up to 16 bit precision during learning. The distinction is that digital inaccuracy, determined by the significance of the least significant bit (LSB), implies that the smallest possible weight change during learning is 1 LSB. Analogue inaccuracy is, however, fundamentally different, in being noise-limited. In principle, infinitesimally small weight changes can be made, and the inaccuracy takes the form of a spread of 'actual' values of that weight as noise enters the forward pass. The underlying 'accurate' weight does, however, maintain its accuracy as a time average, and the learning process is sufficiently slow to effectively 'see through' the noise in an analogue system. (1547.2.bc, emphasis mine)

The further implication is that drawing parallels in this context between digital inaccuracy and analogue noise is extremely misleading. The former imposes constraints (quantisation) on allowable weight values, whereas the latter merely smears a continuum of allowable weight values. (1547-1548, emphasis mine)

Being "wrong" allows neurons to explore new possibilities for weights and connections. This enables us to learn and adapt to a chaotic changing environment. Using mathematical or digital means for simulating neural noise might be inadequate. Analog is better. For, it affords our neurons an infinite array of alternate configurations. In a later entry, we will discuss this further.

Works Cited:

The Columbia Electronic Encyclopedia® Copyright © 2007, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/
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Deleuze, Gilles & Félix Guattari. Capitalisme et Schizophrénie 2: Mille Plateaux. Paris: Les Éditions de Minuit, 1980.

Deleuze, Gilles & Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Transl. Brian Massumi. London: Continuum, 1987.

Kaye, Brian. Chaos & Complexity. Cambridge: VCH, 1993.

McCormick, David A., Yousheng Shu, Andrea Hasenstaub, Alvaro Duque, & Yuguo Yu. "Modulation of intracortical synaptic potentials by presynaptic somatic membrane potential." Nature 441, 761-765 (8 June 2006), Published online 12 April 2006.
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Müller, Berndt, & Joachim Reinhardt, Michael Thomas Strickland. Neural Networks: An Introduction. Berlin: Springer, 1995.
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Murray, A.F. "Analogue Noise-Enhanced Learning in Neural Network Circuits." Electronics Letters. Volume 27, Issue 17, 15 Aug. 1991, pp.1546-1546.
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Rose, Steven. The Conscious Brain. Revised Edition. Harmondsworth, Middlesex: Penguin Books, 1976.
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Science Daily. "Mysterious 'Neural Noise' Actually Primes Brain For Peak Performance." Nov. 13, 2006.
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