[Search Blog Here. Index-tags are found on the bottom of the left column.]
[Central Entry Directory]
[Mathematics, Calculus, Geometry, Entry Directory]
[Calculus Entry Directory]
[Edwards & Penney, Entry Directory]
Edwards & Penney's Calculus is an incredibly-impressive, comprehensive, and understandable book. I highly recommend it.
[Your author is not a mathematician, he's just an admirer of Edwards & Penney's book. Please consult the text to be certain about anything in the summary below.]
[Other Entries in the Edwards & Penney's Calculus Series]
Edwards & Penney's Calculus
Algebraic Functions
in
Section 1: Functions, Graphs, and Models
Subsection 3: Polynomials and Algebraic Functions
During our experiences, we might feel that our decisions, or the events affecting us or happening around us, are tending in a certain direction. So we feel the pull or push that lends to how things carry-onward. Yet sometimes we make what feels like an absolutely spontaneous decision. At that moment, it is as though we are not in the process of going some specific direction, but that rather we are in a state of suspension, where anything can happen next. And yet, looking back, we see that the moment of spontaneity followed other moments, and came before those happening after. So there is continuity in how we experienced the successions of moments, and yet there was a moment where there were no tendencies, at least no clear ones or unambiguous ones. Algebraic functions are like this. Later we will see how calculus differentiation can be seen as determining the quantities of these tendencies-toward-change. An algebraic function would serve to illustrate an instance when there is continuity at a place where there is also a break (or a cesura) in there being tendencies. We could relate this as well to what Hölderlin says about Oedipus (See his remarks on Oedipus and Antigone, and Beaufret's commentary on these remarks.) Oedipus learns that he is the wanted accursed criminal, despite at first having every reason to believe otherwise. This brings him down into an absolutely deep internal reflection upon himself, which reveals himself to be different from himself. So there is a cesura or break within his selfhood. As well, there is a break in the rhythmic flow of the drama, where the pace is found to be different before and after that moment. So there is continuity in the flow of events, but a break (cesura) in the rhythmic pace. This is also a moment when time is emptied of its contents. Normally tragic characters follow a divinely dictated fate where the end of their life story 'rhymes' with how it begins, usually with such terrible crimes punished by violent death. Oedipus does not die then. It is as though the gods ceased filling his life with a fated direction. So for him, the tendencies he normally felt pushing and pulling his life's progress were in that moment suspended. There was no content to time. It was the pure and empty form of time, that emptiness that events secondarily fill. So for Oedipus, there was a continuity in the carrying-onward of the events. However, there was a break or cesura in the tendencies of development. We will visualize this with the graph for an algebraic function. Consider the one Edwards & Penney give:
[Under Ongoing Revision]
Section 1.3
Algebraic Functions
One type of function is a power function. These have exponents, so they take the form:
f (x) = xk (where k is a constant)
Algebraic functions have formulas that we can construct by beginning with a power function, and then applying certain algebraic operations, such as:
Addition
Subtraction
Multiplication by a real number
Multiplication
Division, and/or
Root-taking
from Edwards & Penney: Calculus. New Jersey: Prentice Hall, 2002, pp. 3; 31-31; 137.
No comments:
Post a Comment