29 Nov 2011

Free Fantastic Poetry at Clifford Duffy's Bargain


Another remarkable Clifford Duffy poem, Bargain, at Fictions 4.

Here is an excerpt, but please see it for yourself at his site to experience the whole thing with its proper visual context.

Bargain basement love. Let her to begin.A soft start. Incipient to rays of sun. and whether the big inn. And at first plate, a wretched coal diver! Of this ass she walks home vertical street down the declining upward to her house. resting her ass to the . Zhou you are this rental thief, a fiat against capitalism! And your whore body. Vengeance in their accent and lips, but O how ssoft that back of her skin small of her back. Backlogging to her love, and approximately her head wears minks, stoles, and greens, puttees, and purposeful tunes of air.
(Clifford Duffy, Bargain)



I find this poem very powerful. I feel variations in the speeds and intensities of pressure. Note for example this part of the html [I have not learned the language and I please request corrections].

body. Vengeance in




It seems the tag keeps 'body.' 'Vengeance' and 'in' together on the same line (at Duffy's location), even if you adjust the page size so that they might otherwise be broken into different lines. The overall effect I would like to account for is why it seems like a compression then release of pressure in this part of the text.

If 'in' and 'Vengeance' were on different lines, there would be a break in the speed of the text, like a pause. Before 'Vengeance' is 'body.' Of course there too would be a pause if they were on separate lines. The fact that they are all together makes them run into each other rather than be interrupted by pauses. But the period after body creates an intensity in the flow. The tag on the one hand forces the period-stop and the next sentence to run together; however the period is a force trying to separate the two from flowing into each other. So when reading over the period, we feel the intensity of that tension, as if pressure builds there. Then the fact that the next word 'in' follows directly after means that the pressure is forced to always release and explicate into the next sentence.



http://fictions4.blogspot.com/2011/11/bargain.html




review of Duffy's work, by
Corry Shores
[Search Blog Here. Index-tags are found on the bottom of the left column.]

[Central Entry Directory]
[Clifford Duffy Entry Directory]





15 Nov 2011

Occupy Wall Street Needs Books



Occupy Wall Street Library is asking for book donations:

We are accepting ALL books. No need to email us asking if we’re interested in your books, please just bring them to the library! To Donate, please bring books, plastic bins, and other supplies to Liberty Plaza, at the corner of Liberty and Broadway in New York City or mail them to:

The UPS Store
Re: Occupy Wall Street
Attn: The People’s Library
118A Fulton St. #205
New York, NY 10038
USA



2 Nov 2011

Orson Welles, Entry Directory


by
Corry Shores
[Search Blog Here. Index-tags are found on the bottom of the left column.]

[Central Entry Directory]
[Cinema Entry Directory]
[Filmmakers, Entry Directory]


Entry Directory for
Orson Welles


[Thanks goldenhollywoodera.com]


Citizen Kane

Boozy Recollections. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Boozy Recollections. Orson Welles. Citizen Kane]

Depth of Friend. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Depth of Friend. Orson Welles. Citizen Kane]

Through the Glass. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Through the Glass. Orson Welles. Citizen Kane]

Mirror Circuitry. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Mirror Circuitry. Orson Welles. Citizen Kane]

Speed Marry. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Speed Marry. Orson Welles. Citizen Kane]

Deep Sequence. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Deep Sequence. Orson Welles. Citizen Kane]

Lowering Kane. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Lowering Kane. Orson Welles. Citizen Kane]

Leaving Face. Orson Welles. Citizen Kane

[Deleuze Cinema Update: Leaving Face. Orson Welles. Citizen Kane]

Crystal Crashing. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Crystal Crashing. Orson Welles. Citizen Kane]

Dancing Deeply. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Dancing Deeply. Orson Welles. Citizen Kane]

Monkey in the Marsh. Orson Welles. Citizen Kane
[Deleuze Cinema Update: Monkey in the Marsh. Orson Welles. Citizen Kane]

Billionaire Fake. Orson Welles. Citizen Kane

[Deleuze Cinema Update: Billionaire Fake. Orson Welles. Citizen Kane]



The Magnificent Ambersons

Kitchen Recollection. Orson Welles. The Magnificent Ambersons

[Deleuze Cinema Update: Kitchen Recollection. Orson Welles. The Magnificent Ambersons]

Magnificence Dying. Orson Welles. The Magnificent Ambersons
[Deleuze Cinema Update: Magnificence Dying. Orson Welles. The Magnificent Ambersons]

Death of Time. Orson Welles. The Magnificent Ambersons
[Deleuze Cinema Update: Death of Time. Orson Welles. The Magnificent Ambersons]

Voice Omniscient. Orson Welles. The Magnificent Ambersons

[Deleuze Cinema Update: Voice Omniscient. Orson Welles. The Magnificent Ambersons]



Time in Entrance. Orson Welles. Mr. Arkardin
[Deleuze Cinema Update: Time in Entrance. Orson Welles. Mr. Arkardin]

Relay Strange Characters. Orson Welles. Mr. Arkadin

[Deleuze Cinema Update: Relay Strange Characters. Orson Welles. Mr. Arkadin]

Pilot Missing. Orson Welles. Mr. Arkadin

[Deleuze Cinema Update: Pilot Missing. Orson Welles. Mr. Arkadin]


The Trial

Low Beginnings. Orson Welles. The Trial
[Deleuze Cinema Update: Low Beginnings. Orson Welles. The Trial]

A Hole of Death. Orson Welles. The Trial

[Deleuze Cinema Update: A Hole of Death. Orson Welles. The Trial]


Touch of Evil

Strangling Chains. Orson Welles. Touch of Evil
[Deleuze Cinema Update: Strangling Chains. Orson Welles. Touch of Evil]

Decentering Destruction. Orson Welles. Touch of Evil
[Deleuze Cinema Update: Decentering Destruction. Orson Welles. Touch of Evil]

Mud to Mud. Orson Welles. Touch of Evil
[Deleuze Cinema Update: Mud to Mud. Orson Welles. Touch of Evil]

Dynamite in Sequence. Orson Welles. Touch of Evil
[Deleuze Cinema Update: Dynamite in Sequence. Orson Welles. Touch of Evil]

Partners in Evil. Orson Welles. Touch of Evil
[Deleuze Cinema Update: Partners in Evil. Orson Welles. Touch of Evil]





Image credits:

Orson Welles black and white
http://goldenhollywoodera.com/_files/Image/Orson%20Welles_1.jpg


Orson Welles color
http://www.youtube.com/watch?v=97oNS9FlEcg
Thanks vonhumboldtfleischer