Showing posts with label Guattari. Show all posts
Showing posts with label Guattari. Show all posts

23 Apr 2018

Shores. The Minor Machinery of Animal Packs: Becoming as Survival in Spiegelman’s Maus

 

by Corry Shores

 

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Corry Shores


The Minor Machinery of Animal Packs:
Becoming as Survival in Spiegelman’s Maus

 

in

 

Graphic Novels as Philosophy

 

 

 

I have uploaded a draft version of this chapter to academia.edu:

https://www.academia.edu/36476152/The_Minor_Machinery_of_Animal_Packs_Becoming_as_Survival_in_Spiegelmans_Maus

 

It links to images and texts on this blog. See the entry:

http://piratesandrevolutionaries.blogspot.com/2014/08/art-spiegelmans-maus-entry-directory.html

 

 Deleuze & Guattari, Orchid and Wasp, figure

(Deleuze & Guattari, Orchid and Wasp, figure)

 

 

 

 

Shores, Corry. 2017. “The Minor Machinery of Animal Packs: Becoming as Survival in Spiegelman’s Maus.” In Graphic Novels as Philosophy, pp.150-171. Edited by Jeff McLaughlin. Jackson, Miss.: University Press of Mississippi. ISBN: 978-1-4968-1327-5.

 

 

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4 Jan 2018

Terence Blake’s ‘ANTI-OEDIPUS PARAGRAPH 1: translation’ ‘... commentary’ ‘...evaluation’ and ‘...perspectives

 

by Corry Shores

 

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ANTI-OEDIPUS PARAGRAPH 1: translation

 

ANTI-OEDIPUS PARAGRAPH 1: commentary

 

ANTI-OEDIPUS PARAGRAPH 1: evaluation

 

ANTI-OEDIPUS PARAGRAPH 1: perspectives

 

Terence Blake provides a new translation, a probing and insightful commentary, an interesting evaluative commentary, and additional notes regarding certain psychoanalytic sorts of themes of the first paragraph of Deleuze and Guattari’s Anti-Oedipus. It is a fantastic resource as it sheds much light on the passages.

 

 

 

ANTI-OEDIPUS PARAGRAPH 1: translation
https://terenceblake.wordpress.com/2018/01/02/anti-oedipus-paragraph-1-translation/

 

ANTI-OEDIPUS PARAGRAPH 1: commentary
https://terenceblake.wordpress.com/2018/01/02/anti-oedipus-paragraph-1-commentary/

 

ANTI-OEDIPUS PARAGRAPH 1: evaluation
https://terenceblake.wordpress.com/2018/01/03/anti-oedipus-paragraph-1-evaluation/

 

ANTI-OEDIPUS PARAGRAPH 1: perspectives
https://terenceblake.wordpress.com/2018/01/07/anti-oedipus-paragraph-1-perspectives/

 

 

 

 

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Terence Blake’s ‘EXPLAINING A SENTENCE BY GUATTARI’ and ‘OBSTACLES TO UNDERSTANDING RECENT FRENCH PHILOSOPHY’

 

by Corry Shores

 

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EXPLAINING A SENTENCE BY GUATTARI

 

This post by Blake is a particularly interesting one, and it is tied to another very interesting one [mentioned below]. Here he explains a difficult passage by Guattari, and not only does he explain its meaning, he also gives an account of why non-French people would have trouble with it, given certain differences in the French education system and styles of academic writing.

Let’s begin with Dawkin’s first quote, taken from Guattari’s late work CHAOSMOSIS:

We can clearly see that there is no bi-univocal correspondence between linear signifying links or archi-writing, depending on the author, and this multireferential, multi-dimensional machinic catalysis.

[...]

This quote seems rather obscure. First, as I discussed in the previous post, there is the erroneous translation of the expression one-to-one correspondence as “bi-univocal correspondence”, at the beginning. Then he goes on to talk about “linear signifying links” [implicitly referring to Lacan] or “archi-writing” [referring to Derrida]. Thus, here Guattari is criticising both Lacan and Derrida, so Dawkins should be happy about their agreement rather than treating Guattari’s prose as nonsense.

Guattari says that there is no mapping of Lacan’s and Derrida’s ideas of language onto his own idea of the “machine”. This is a key concept in all of Guattari’s work, alone and in collaboration with Deleuze. We must note that the use of the word machine as a metaphor is far more common in French than it is in English. People compare the State, or a company, or school to a machine quite readily, in ordinary conversation. Guattari took up this popular metaphor and gave it a new sense in his attempt to free himself from the linguistic metaphors favoured by structuralism, and also by Lacan and by Derrida.

“Machinic” used as an adjective seems quite abstract and ugly in English, but not as much in French, which quite likes Latinate words ending in the suffix “-ique”(“-ic” in English). On a historical note, we should keep in mind that Lacan dominated the intellectual scene in France for a long time, and Guattari began to break free of that influence in 1969 in a little text called “Machine and Structure”, that Deleuze found quite important. Dawkins’ quote (1992) contains a late reaffirmation by Guattari of the same point, in a far more mature intellectual framework.

We may note also that French favours the use of abstract adjectives, where English would use a noun phrase (“machinic” instead of “of machines”).

Guattari’s conception of language is different from the Anglophone, not aiming so much at semantic transparency as at a pragmatic freeing from clichés. Hence the expression “machinic catalysis”, which is awkward in English, but not incomprehensible in context. It’s machinic because the language is interpreted and evaluated in terms of its function in a particular context, and it’s a “catalysis” because it makes ideas and interventions possible that would not otherwisehave been possible without great effort and special preparation.

“Machinic catalysis” alludes to Austin’s “How to do things with words”, in opposition to Lacan’s “linear signifying links” and to Derrida’s “archi-writing”. This sentence is the declaration of Guattari’s  (and of Deleuze’s) pluralist theory of desire, and of their siding against Lacan’s and Derrida’s one-dimensional linguistic paradigms. This is something that Dawkins should should favour, even if he feels uncomfortable about the style.

This is a very compact sentence, condensing a number of theoretical allusions: signifying chain- Lacan, archi-writing – Derrida, machinic – Guattari and Deleuze, catalysis – Austin. My argument against Dawkins is that one needs a lot of background to understand and to unpack the allusive density and to see its beauty. Dawkins sees none of this, he just blindly trusts Sokal’s opinion that it is nonsense, strings together unrelated quotes, and laughs. Dawkins’ argument is “I don’t know anything about the subject, but I can easily see this is nonsense”.

Far from being needlessly obfuscating, allusive density is one of the principles of good style in French, and it is not easy to carry off well. However, if you can follow the allusions it makes for great clarity. Guattari’s allusions are not at all obscure here. He alludes to the work of Lacan, of Derrida, and of Austin, and to his own work with Deleuze, whch everyone reading Guattari in French would have read. Even the mathematical allusion to bi-univocal mapping or “one-to-one correspondence” is high school maths, nothing abstruse.

(Terence Blake, boldface mine)

 

A related post, also highly recommended:

OBSTACLES TO UNDERSTANDING RECENT FRENCH PHILOSOPHY

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘ANTI-PLATONISM: horizontal movement and actualising powers’

 

by Corry Shores

 

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ANTI-PLATONISM: horizontal movement and actualising powers

 

In this post Blake discusses false movements and the witch’s flight in relation to passages from Deleuze and Guattari’s What Is Philosophy?:

The state of “indifference” that I discussed earlier, in particular the state of indifference to thinking, is the state of servitude (in Spinozian terms). It is a state of passivity that is subjected to the “false movements” dictated by a transcendence (extrinsic values or goals, divine commands, objectivised political necessities) and which dictate a trajectory constructed out of straight lines. (Note: here I am paraphrasing Deleuze’s marvelous little book PERICLES AND VERDI). Thinking involves breaking with that servitude and passivity and becoming-active, actualising one’s powers. This is what Deleuze calls the “natural movement”, and it traces and follows the curved and zigzag lines of sorcery.

One can modify the translation of the sentence “To think is always to follow the witch’s flight”. In French this reads “Penser, c’est toujours suivre une ligne de sorcière”. Literally: “To think is always to follow a sorceress’s line”. It is useful to recall the literal translation, as one of the allusions here is to Carlos Castaneda’s initiation into sorcery. One of the degrees of the initiation was learning to “stop the world” (stop the false movement, break with the general indifference). According to Deleuze, in his comments on the cinema and elsewhere, this allows one to see the “lines of the universe” or the lines of becoming, and to pass through the wall that cuts us off from running to the horizon and actualising our powers .

(Terence Blake)

 

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘BLOODSHOT EYES AND VISION CONCEPTS: from indifference to disapproval of thinking’

 

by Corry Shores

 

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BLOODSHOT EYES AND VISION CONCEPTS: from indifference to disapproval of thinking

 

In this post Blake discusses the notions of horizon and the infinite in Deleuze and Guattari’s What Is Philosophy? Here he offers a useful translation and explanation of a particular passage:

The thinkers are unreasonable and head for the horizon. We know that in science the horizon is only relative: “What is primary in science is relative light or the relative horizon” (WHAT IS PHILOSOPHY?, 42, translation modified by me to bring out the idea that the light of science is relative too, and not just the horizon). The philosopher “heads for the horizon”, that is to say “plunges into the infinite”., his or her horizon is absolute, as is the light. This movement is both physical and mental (“in this respect chaos has as much a mental as a physical existence”, 42). If we “return with bloodshot eyes” it is not only because of an excess of alcohol or of light (this is the physical side of the “unreasonable”, pathological or esoteric measures) but also because of our vision of a power that is almost too strong for us. I say “almost too strong”, because in this text the thinker comes back, only changed, with “bloodshot eyes” and with new vision and new concepts. The eyes of the mind have been opened and strained to their limits.

Both these movements (heading out to, and coming back from ,the infinite) are necessary to thinking. Heading out unreasonably, dangerously and coming back bearing the mark (bloodshot eyes, or in some cases worse) of the voyage towards (which is “inner” only in the sense of being noetic or intensive), or of the encounter with, the horizon, but bearing also the vision, the percepts and the concepts. This double movement is what gives consistency to our philosophical territory: a territory is constituted by the movement of leaving it, which also means exposing oneself to risk, and also by the movement of returning back with a new song or a new colour, a new posture, or a new scent.

Already by heading off outside we risk indifference turning into “disapproval” (42), because the danger becomes obvious. Academic philosophy is not usually very perilous , but there is the danger to one’s career and to that of one’s friends or allies. This is what Deleuze and Guattari call “obvious” danger, easily recognizable. The disapproval is redoubled when one brings back “outlandish” concepts (according to Deleuze in the ABC PRIMER “outlandish” is a good synonym for deterritorialised).

(Terence Blake)

 

Note: I still have not found Melville’s use of this term, at least in a way that would seem to correspond to deterritorialization. But I also do not know where to look.

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘DIFFERENCE, EVENT, INTENSITY, AND IMMOBILE VOYAGE in a short text by Deleuze and Guattari’

 

by Corry Shores

 

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DIFFERENCE, EVENT, INTENSITY, AND IMMOBILE VOYAGE in a short text by Deleuze and Guattari

 

In this post Blake discusses some passages from chapter two of Deleuze & Guattari’s What Is Philosophy? (See p.41 of the English and p.44 of the French). The part at the end about Deleuze and Guattari’s notion of the fourth person singular is especially interesting:

I think it may be useful to pay attention to the particular words used. The passage begins:

Thinking provokes general indifference.

This “indifference” is a sort of de-differentiated doxa, that just after the passage cited, in the same paragraph, Deleuze and Guattari call “opinion”. “Difference” is a key word for Deleuze, and we know that each intensity envelops an internal difference. So indifference means also without intensity, without affect, what Badiou calls the a-tonal world of democratic materialism. “Thinking” renders what in the French text is called “penser”, i.e. the infinitive “to think” (Note: I am not criticising the translation, but merely pointing out other conceptual latencies contained in the original French). The infinitive is associated by Deleuze and Guattari with the event. Here they are talking about the event of thinking, as a rupture with the doxa and a departure on an immobile voyage. This is echoed later when they say “We head for the horizon”. In French the text reads “On court à l’horizon”. The subject is not “we” (nous), but “one” (on), what Deleuze and Guattari call the fourth person singular, and which they propose as the impersonal subject of the event. The verb is not “head for”, a fairly neutral moving in a particular direction, but “run”. So the notion of speed, of more than normal intensity of movement, is present in the French.

(Terence Blake, boldface is mine)

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘OLD AGE A TRANSCENDENTAL REALITY: Notes on Deleuze and Guattari’s WHAT IS PHILOSOPHY (6)’

 

by Corry Shores

 

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OLD AGE A TRANSCENDENTAL REALITY: Notes on Deleuze and Guattari’s WHAT IS PHILOSOPHY (6)

 

In this post Blake discusses the theme of old age in Deleuze & Guattari’s What Is Philosophy? and he cautions that we should understand the shift of pronouns from “one” to “I” not as a move to one’s own personal lived experience but rather to transcendental lived reality of a conceptual character:

This illusion of empiricism crops up again in the middle of the first paragraph when they pass from the question “what is philosophy?” to “what is it I have been doing all my life?” This passage from one question to another is accompanied by a change of pronouns, by the transition from “one” to “I”. As already noted, the very first line, literally translated, begins: “Perhaps one can only ask the question”. The pronoun “one” is used twelve times before the passage to “I”, and then the text continues with “one”:

Perhaps one can pose the question What is philosophy? only late in life, with the arrival of old age and the time for speaking concretely. In fact, the bibliography on the nature of philosophy is very limited. It is a question one poses in a moment of quiet restlessness, at midnight, when one no longer anything to ask for. One asked it before; one asked it ceaselessly, but too indirectly or obliquely; the question was too artificial, too abstract. One was not seized by it, rather one set it out and dominated it in passing. One was not sober enough. One had too much desire to do philosophy, one did not wonder what it was, except as a stylistic exercise. One had not reached that point of non-style where one can finally say, “What is it I have been doing all my life?”

I have modified the published translation to bring out the contrast between “one” and “I”, which is quite striking in this passage. It would be a mistake to see the second question as a direct appeal to lived experience, the “I” in question is a conceptual character and as such is not a lived experience but a “transcendental lived reality”, in the same way that the authors tell us, that the “friend” as it

appears in philosophy no longer stands for an extrinsic persona, an example or empirical circumstance, but rather for a presence that is intrinsic to thought, a condition of possibility of thought itself, a living category, a transcendental lived reality [un vécu transcendental] (WIP?, 3).

(Terence Blake)

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘DELEUZE AND DRUGS: against the marginals’ conformism’

 

by Corry Shores

 

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[Boldface is my own.]

 

 

 

 

Terence Blake

 

DELEUZE AND DRUGS: against the marginals’ conformism

 

In this post Blake discusses Deleuze & Guattari’s ideas on drugs. He writes for example:

Anindya Bhattacharyya comments that some of Deleuze and Guattari’s’s remarks “apply to addictive substances in general while others refer more narrowly to psychoactive drugs”. This is true but Deleuze and Guattari’s focus here is psychoactive drugs. This impression is in part an artefact of the translation. They talk ambiguously of the “drogué”, which can refer either to someone who uses drugs or to someone who is dependent on drugs (a less ambiguous word is “toxicomane” which means drug addict). However, the translation says “drug addict”.

[...]

The problem according to Deleuze and Guattari is the constant return to zero, to the tabula rasa. The path that Deleuze and Guattari recommend is not to return, to start again from nothing, but rather to “resume” and to “rectify”, to start in the middle and to “bifurcate”

Note: here I must reject the translation of “prendre un relais” as “make it a stopover”. It should rather be to “take up the torch”, “seize the baton and run”. The emphasis here is not on the “stop” but on continuing the movement, taking it further.

[...]

The point is to “forgo” drugs in order to pass through the holes in the world and onto the lines of flight. Drugs, whether we have taken them or not, have changed our perception. They have allowed us to perceive the holes in the world, the gaps, the breaks, the ruptures, the imperceptible fissures. But they do not allow us to take hold of the imperceptible and to become ourselves imperceptible:

One does not conform to a model, one straddles a horse. Drug users have not chosen the right molecule or the right horse. Too bulky to grasp the impercep­tible and to become imperceptible, they believed that drugs would give them the plane (ATP, 286).

The discussion here echoes Deleuze’s earlier “Letter to a Severe Critic”, in reply to Michel Cressole’s accusation that Deleuze was not really an adventurer, a risk-taker, but rather a profiteer of other people’s experiments:

“someone who’s always just tagged along behind, taking it easy, capitalizing upon other people’s experiments, on gays, drug-users, alcoholics, masochists, lunatics, and so on, vaguely savoring their transports and poisons without ever taking any risks” (NEGOTIATIONS, 11).

In his reply to this accusation Deleuze distinguishes between an outer politically correct marginality based on indifference to the singularity of the other’s experiments, and a more “discreet”, “clandestine” and “imperceptible” marginality tied to one’s “inner journeys” and measured by one’s emotions.

Note: Unfortunately the published English translation effaces this notion of political correctness when it translates “all that crap where everyone’s supposed to be everyone else’s guilty conscience and judge” (11). A more literal reading would be: “all that crap where everyone’s supposed to be the bad conscience and corrector of the other”.

[...]

Witchcraft is little understood, esoteric, uncanny and disturbing, it makes us wary and inspires mistrust. It puts us “on the lookout” (aux aguets), as Deleuze calls this state in his ABC Primer (A as in “Animal”), which is already a sorcerous state, a state that Deleuze finds more appropriate to philosophy than the conventional idea of “wonder”. It has to do with becoming, transformation and flight, with powers and demonic forces, with going against Nature as we ordinarily understand it.

(Terence Blake)

 

Note, some similar material can be found in:

THERE IS MADNESS IN THIS METHOD: Commentary on a fragment from Deleuze and Guattari’s WHAT IS PHILOSOPHY?

and

THINKING IS DISREPUTABLE: philosophy, dreams, and the witch’s flight

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘MISTRUST THE CONCEPT: Notes on Deleuze and Guattari’s “What is Philosophy?” (3)’

 

by Corry Shores

 

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MISTRUST THE CONCEPT: Notes on Deleuze and Guattari’s “What is Philosophy?” (3)

 

In this post Blake discusses parts of Deleuze & Guattari’s What is Philosophy? on the topic of the “mistrust” we should have for concepts:

Deleuze, like Nietzsche, taught us to mistrust sickness, but not to judge it or condemn it. In sickness lies an “impossible value”, if we can elaborate its concept (Deleuze is ever the philosopher), if we can create new concepts by means of it (perhaps we shall explore the use of “pathological” means in a later instalment). In this book Deleuze takes a step back. He looks on old age with mistrust, and with hope, but more importantly he wants to, and wants us to, mistrust the concept:

trust must be replaced by distrust, and the philosopher must distrust concepts the most, as long as he has not created them himself (WIP? page 6, my translation)

Mistrust of the concept has become an important theme of philosophy, and Deleuze has been criticised for his conceptual, or perhaps we should say “hyperconceptual”, style.

(Terence Blake)

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘WHAT IS PHILOSOPHY? (2): the time of the question’

 

by Corry Shores

 

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WHAT IS PHILOSOPHY? (2): the time of the question

 

In this post Blake discusses passages at the beginning of Deleuze & Guattari’s What is Philosophy? I found the part on the notions of midnight and being between states to be particularly interesting:

“It’s a question that one poses in a discreet agitation, at midnight, when one no longer has anything to ask for”.

At midnight, at the witching hour, when transformations are possible, when becomings are unleashed, the question can be posed as a means of transforming oneself even further. One page later Deleuze and Guattari will refer to this moment as the hour “entre chien et loup”, literally between dog and wolf, and translated as “twilight” (2, English translation) This is perfectly correct, but it obscures the relation to “midnight” on page 1. The exact time of day in the chronological sense is not the issue, but it is a matter of the moment where we find ourselves in the middle of things (mid-night), between states. For example, between the domesticated state of the dog, and the wild state of the wolf.

(Terence Blake)

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘THREE SHADES OF CONCEPT: Notes on Deleuze and Guattari’s “What is Philosophy?” (4)’

 

by Corry Shores

 

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THREE SHADES OF CONCEPT: Notes on Deleuze and Guattari’s “What is Philosophy?” (4)

 

In this post Blake discusses the conditions for thought (including chaos, shock, and negativity of a sort) in Deleuze & Guattari’s What is Philosophy?. Here is a passage that I found useful for my own research:

Concepts are “undecidable”, they are undecidably also sensations, and/or functions. One could call them a-disciplinary. The planes are non-local. Here no example is given, but I think that old age as employed at the beginning of the book is an instance of a non-local concept.

(The published English translation reads “in relation with a negative”. It omits “essential” and “that concerns it” and it translates the “le Non” in the French as “a negative”, which only partially captures the sense).

(Terence Blake)

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘IS OLD AGE A CONCEPT?: Notes on Deleuze and Guattari’s “What is Philosophy?” (1)’

 

by Corry Shores

 

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Terence Blake

 

IS OLD AGE A CONCEPT?: Notes on Deleuze and Guattari’s “What is Philosophy?” (1)

 

 

 

In this post Blake continues a discussion of the first lines of Deleuze & Guattari’s What is Philosophy? (See his ON THE INCIPIT TO DELEUZE AND GUATTARI’S “WHAT IS PHILOSOPHY?”; mentioned on this blog here.)

 

Here is a useful and insightful part:

“It’s a question that one poses in a discreet agitation, at midnight, when one no longer has anything to ask for” (my translation).

cf. the published translation: “It is a question posed in a moment of quiet restlessness, at midnight, when there is no longer anything to ask”. I have already discussed my variant translation in my earlier post, but here I wish to push my analysis a little further.

It is perfectly correct to translate an expression with “on” and a verb in the active voice (“une question qu’on pose”) by a passive form (“a question posed”), but here I maintain the active form because of the ambiguity of “one”, which corresponds to the double use of “on” in French, referring either to an impersonal generic subject and to the personal “we”, or both. The whole of this first paragraph is systematically ambiguous between the two acceptations.

(Terence Blake)

 

 

 

 

 

 

 

 

 

 

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Terence Blake’s ‘ON THE INCIPIT TO DELEUZE AND GUATTARI’S “WHAT IS PHILOSOPHY?”’

 

by Corry Shores

 

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Terence Blake

 

ON THE INCIPIT TO DELEUZE AND GUATTARI’S “WHAT IS PHILOSOPHY?”

 

 

 

In this post Blake discusses the first line of Deleuze & Guattari’s What is Philosophy? 

 

Here is an interesting passage:

In French the book begins with “Perhaps”, which is a remarkable beginning for a book of philosophy. It begins in the element of doubt and conjecture, rather than in that of dogma and mastery. The question is posed not by the savant but rather by the Idiot, who does not act in the situation according to the habitual sensori-motor schemas, but whose attention is concentrated on a question deeper than the situation, a question concerning the event hidden within the situation and not its current actualisation.

(Terence Blake)

 

 

 

 

 

 

 

 

 

 

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3 Jan 2018

Terence Blake, Translations and Commentaries on Deleuze / Guattari, entry directory


by Corry Shores

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14 Jul 2017

Voisset-Veysseyre (1) Toward a Post-Identity Philosophy, “[introductory material],” summary


by Corry Shores

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[The following is summary, and other cited texts are otherwise indicated. Bracketed commentary and boldface are my additions. Proofreading is incomplete, so please, if you will, overlook my typos and other distracting errors.]


 
Summary of
 
Cécile Voisset-Veysseyre

“Toward a Post-Identity Philosophy:
Along a Flight Line with Gilles Deleuze?”
 
1. [introductory material]
 
 
Brief summary:
Deleuze and Guattari had in mind a mode of philosophical thinking that is not limited to the principles and structures of standard logic.
 
 
 
Summary
 
1.1
[Corresponding to Deleuze’s and Guattari’s notion of becoming is a non-standard logic that does not hold the standard conceptions for predication and identity.]
 
Deleuze’s and Guattari’s A Thousand Plateaus and What is Philosophy develop a non-standard sort of logic corresponding to their notion of becoming. Its development was began in part back with Lacan’s Le Séminar IV (1956-1957), and it is also found in Derrida’s The Post Card: From Socrates to Freud and Beyond. In fact, in his Cinema 2: The Time-Image (1985), “Gilles Deleuze claimed the invention of ‘a new logic’” (1, citing Cinéma 2, p.359). [In this cited passage, Deleuze says that on account of time becoming no longer ordered by chronological succession and thus alternative pasts becoming undecidable, the true and the false become undecidable: “the true and the false become undecidable or inextricable: the impossible proceeds from the possible, and the past is not || necessarily true. A new logic has to be invented” / “le vrai et le faux deviennent maintenant indécidables ou inextricables : l’impossible procède du possible, et le passé n’est pas nécessairement vrai. C’est une nouvelle logique qu’il faut inventer” (1985: 359 / 1989: 274-275 / 2005: 263).] Voisset-Veysseyre ends by saying, “Taken in context, the notion of becoming challenges the traditional logic with the subject and its attributes as well as its correlated object; the logical notion of identity is questionable” (1).
 
 
1.2
[Deleuze and Guattari have in mind certain underlying structures or dynamics that do not operate in a manner that can be made explicit in a fixed and straightforward way.]
 
Voisset-Veysseyre finds some further elaboration on this non-standard sort of logic in Brian Massumi’s translator’s foreword to A Thousand Plateaus. He notes that D&G were against invariable identity, and they favored a sort of nomadic thinking that “does not repose on identity; it rides difference” (2, citing Brian Massumi, “Translator’s Foreword: Pleasures of Philosophy,” in A Thousand Plateaus, London & New York, Continuum, 1988, p. ix-xii). Voisset-Veysseyre then selects some quoted phrasings that are suggestive of features of a non-standard logic. D&G were against a sort of multiplicity that stems somehow from a unity. [Voisset-Veysseyre  then notes D&G’s notion of binary logic. Let us look closely at it first. They are talking about a sort of ramification that is like plant root propagation. One sort is binary, where one splits to two. We might think then of a stalk or trunk above ground that splits underground into two main roots, which each split to two, and so on: “the One that becomes two, the two that becomes four” (5). They call this a “binary logic”. To be clear, at this point there is no mention of truth values, but rather a sort of “logic” or consistent pattern of splitting into two. But, D&G say, “Nature doesn’t work that way: in nature, roots are taproots with a more multiple, lateral, and circular system of ramification, rather than a dichotomous one” (5). It seems a taproot is a (vertical) root with other horizontal roots coming out of it.
Plant_taproots. .. wikimedia
I am not sure what would be the circular system, although a rhizome root system could probably make something of a more circular structure. I am not sure. Or maybe the circularity is seen when you look down at the roots extending from the taproot and see how they come out radially. In this “natural method”, we “go directly from One to three, four, or five, but only if there is a strong principal unity available, that of the pivotal taproot supporting the secondary roots. That doesn’t get us very far. The binary logic of dichotomy has simply been replaced by biunivocal relationships between successive circles” (6). I am not sure what the biunivocal relationships are. Maybe the idea is the following. You have the relation of multiple (horizontal roots) to one (taproot). That relation goes both ways, so it is ‘bi-’. But each horizontal root is not tied directly to any other. Each is only tied to the taproot. So in that sense, maybe, it is univocal (there is only one thing to which all other things are related). The next idea is that selfhood is somehow multiple. And rhizome goes beyond the duality of the one-multiple. Voisset-Veysseyre then writes, “Many logics seem then to be possible, instead of a two valued logic: ‘There is no universal propositional logic’” (2, citing A Thousand Plateaus p.163). [In the cited D&G text, A Thousand Plateaus, they are discussing certain forces or structures – specifically, machines, assemblages, and movements of deterritorialization – that in a sense seem to operate below the structures of language and deform those structures continually. (My explanation here only comes from a very superficial reading.) These underlying factors are perhaps the “regimes of signs” but I am not sure yet. At any rate, the idea seems to be that there is no universal propositional logic, because the deforming factors are diverse and changing. What Voisset-Veysseyre gets from this and from the prior ideas is that “Many logics seem possible, instead of a two valued logic”. I would agree with the statement, but it is not clear to me yet how the concepts she has mentioned so far have bearing on the numbers of truth-values that can be assigned to statements. Voisset-Veysseyre  then notes this regime of signs that is deeper than language and that is what language is based on.]
 
1.3
[The older, standard logic that neuters philosophical thinking should be replaced with a mode of concept creation that is unbound by standard logical structures.]
 
Voisset-Veysseyre then writes, “In What is Philosophy?, logic is denounced as out of date for ‘its infantile idea of philosophy’” (3). [In this section, D&G discuss how logic confuses the concept with the proposition. It sees the proposition as what the sentence expresses intensionally. They then write, “Consequently, the philosophical concept usually appears only as a proposition deprived of sense. This confusion reigns in logic and explains its infantile idea of philosophy” (WP 22). I am not sure yet how logic sees the concept as a proposition deprived of sense. A simplistic interpretation would be that logic operates on variables for propositions, symbolized for example with capital letters,  so they lack some specific sense. But D&G are saying something else. Maybe they are saying that the concept is the sense (or intensional meaning as proposition) itself. So in being the sense of something else, the concept does not itself have any further sense. At any rate, D&G go further here to say something relevant about non-standard logics, but it is not something Voisset-Veysseyre delves into. They write, “Concepts are measured against a ‘philosophical’ grammar that replaces them with propositions extracted from the sentences in which they appear. We are constantly trapped between alternative propositions and do not see that the concept has already passed into the excluded middle. The concept is not a proposition at all; it is not propositional, and the proposition is never an intension. ... Concepts, which have only consistency or intensive ordinates outside of any coordinates, freely enter into relationships of nondiscursive resonance” (22 ... 23). Maybe the idea here is the following. A proposition is something that can enter into a logical relation with other propositions (and this is perhaps their discursivity). Propositions also are of such a nature that they present exclusive alternatives, for example, either a proposition or its negation. Now, for whatever reason (which is not crystal clear to me yet), concepts are not of a nature that they can be discursively interrelated in such an exclusive sort of way. Perhaps it is because their composition is in flux somehow or because they have vague and changing borders and are overlapping with other concepts. So while a proposition is a sense which admits of the excluded middle such that either a proposition or its negation is true, a concept in contrast somehow resides in this excluded middle zone. At any rate, Voisset-Veysseyre’s point here seems to be that Deleuze and Guattari are against standard logic in some sense or another. Her next point is that D&G are against the reductionist nature of logic that turns concepts into functions. I did not follow her next points about new logic and the utopian way. But one idea here might be that there is a mode of philosophical thinking that is not constrained by the structures of standard logic. She ends it seems by asking how philosophy can be reconceived now that standard logic is understood as insufficient.]
 
 
 
1.4
[The text will discuss gender, a logic of multiplicities, and post-identity nomadic/rhizomatic writing.]
 
Voisset-Veysseyre outlines the structure of her text. The first part will discuss issues regarding gender. The second part examines A Thousand Plateaus and What is Philosophy? to conceptualize a logic of multiplicities (4). And the third part examines nomadic and rhizomatic writing in a post-identity philosophy (4).
 
 
 
 
 
 
Cécile Voisset-Veysseyre. (2011). “Toward a Post-Identity Philosophy: Along a Flight Line with Gilles Deleuze?” Trahir. August 2011. [Vol.2, Issue 7, pp.1-18].
 
 
 
Other cited texts:
 
Deleuze, Gilles. (1985). Cinéma 2: L’image-temps. Paris: Minuit.
 
Deleuze, Gilles. (1989). Cinema 2: The Time-Image. English translation by Hugh Tomlinson and Robert Galeta. Minneapolis: Athlone / University of Minnesota.
 
Deleuze, Gilles. (2005). Cinema 2: The Time-Image. English translation by Hugh Tomlinson and Robert Galeta. London / New York: Continuum.
 
Deleuze, Gilles, and Félix Guattari. 1994. What is Philosophy? English translation by Hugh Tomlinson and Graham Burchell. New York: Columbia University.
 
 
 
Taproot image from:
.

27 Aug 2015

Somers-Hall, (Prefaces), Deleuze’s Difference and Repetition, ‘The Two Prefaces: After Difference and Repetition (xv–xxii/xiii–xx)’, summary


by Corry Shores
[Search Blog Here. Index-tags are found on the bottom of the left column.]

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[The following is summary. All boldface, underlining, and bracketed commentary are my own. Proofreading is incomplete, so please forgive my typos and other distracting mistakes. Somers-Hall is abbreviated SH and Difference and Repetition as DR.]



Summary of


Henry Somers-Hall


Deleuze’s Difference and Repetition:
An Edinburgh Philosophical Guide


Part 1
A Guide to the Text


Chapter 5. The Asymmetrical Synthesis of the Sensiblence

 

The Two Prefaces:
After Difference and Repetition (xv–xxii/xiii–xx)

 



 

Brief summary: 

Deleuze’s Difference and Repetition has two prefaces. We learn from them that Deleuze was attempting to revolutionize philosophical thinking by liberating it from the constrictions placed on it by its conventional subordination of difference to identity. DR does not succeed entirely, since his notions of intensity and simulacra are still too closely tied to former conceptual structures. However, the third chapter acts as a guide for finding a new way to think philosophically, which Deleuze later accomplishes with Guattari in their rethinking of the concept of multiplicity.



Summary


Deleuze passes on the advice to read prefaces last, and hence SH will discuss the prefaces of DR now at the end of his summary. SH notes that the first preface was written in 1986, eighteen years after DR’s French publication, which contained what was to become the second preface. SH will discuss how Deleuze’s view of DR changed after it was published.


In the first preface (the one written 18 years later), Deleuze distinguishes philosophical works that are historical from ones that are philosophical in their own right. Deleuze’s prior works were historical, and DR is his first attempt at doing original philosophy. Yet we saw how DR is filled with the history of philosophy. Nonetheless, ideas from this history of philosophy are utilized creatively and originally and combined as a collage. Deleuze also thinks that DR is an attempt at trying to do philosophy in a new way (188). Deleuze claims that philosophers in the old style subordinate difference to identity or to the Same, to the Similar, to the Opposed, or to the Analogous (SH 188, quoting DR xv/xiii). SH then wonders, does DR really supply a new mode of philosophical expression? (SH 189).


SH gather’s from his own and from Deleuze’s critical reflections on the text that it is more a work of philosophical history than one of philosophy itself. [I do not quite understand what it is about Deleuze’s philosophy in DR that keeps to the old style of subordinating difference to identity and so on. Let me quote it first. As you will see, it is a richly insightful and beautiful passage:]

In a preface written in 1990 to Jean-Clet Martin’s book on Deleuze’s thought, Deleuze writes, ‘it seems to me that I have totally abandoned the notion of simulacrum, which is all but worthless’ (TRM 362). What is indicative in this comment is a rejection of the more positive project of Difference and Repetition. The simulacrum is a key moment in Deleuze’s efforts to overturn Platonism, and with it, the model of judgement, but in the process, Deleuze develops a mirror image of Plato’s own philosophy, even if, as with Lewis Carroll’s looking glass, ‘everything is contrary and inverted on the surface, but “different” in depth’ (DR 51/62). Thus, at the very moment when, in Difference and Repetition, Deleuze appears to break with classical philosophy, he finds himself operating within those same structures [the following up to citation is Deleuze quotation]:

For my part, when I was no longer content with the history of philosophy, my book Difference and Repetition still aspired nonetheless toward a sort of classical height and even toward an archaic depth. The theory of intensity which I was drafting was marked by depth, false or true; intensity was presented as stemming from the depths (and this does not mean that I have any less affection for certain other pages of this book, in particular those concerning weariness and contemplation). (TRM 65)

Deleuze’s reflection here clarifies his later attitude to Difference and Repetition. While it cleared the ground for the new task of philosophy, Difference and Repetition is still a work in the ‘old style’ which at the time he thought he had left behind. As such, Difference and Repetition itself is a text which Deleuze might assign to the history of philosophy. Perhaps | rather than seeing Difference and Repetition as the beginning of a new phase in Deleuze’s development, it might be better to see Difference and Repetition as the last (at least until his late book on Leibniz) of his great works on the history of philosophy, and a work itself of the history of philosophy. It is in his later collaborations with Félix Guattari that Deleuze draws out the implications of Difference and Repetition, in order to attempt to develop a philosophy that thinks in terms of ‘multiplicities for themselves’ (TRM 362) rather than ‘difference in itself’. There, Deleuze replaces the logic of genealogical enquiry and selection with a thinking in terms of the rhizome and horizontal connections. As he puts it in conversation with Claire Parnet: ‘In my earlier books, I tried to describe a certain exercise of thought; but describing it was not yet exercising thought in that way . . . With Félix, all that became possible, even if we failed’ (D 16–17/13). Not everyone follows Deleuze in moving beyond Difference and Repetition however, and we can also note that its hybrid nature, as a text in the ‘old style’ that opens onto the later work, is also its strength. Difference and Repetition provides a point of transition, but also a point of engagement for those who wish to critique Deleuze, and for those who wish to deploy his own critique within the debates between more traditional philosophical approaches.
(SH 188-189)

[I am not certain, but perhaps the problem with DR is the following. Intensity explicates into extensity, but in that way it is to be thought of as being on two levels at once, and thus there is an identity between both instances. Regarding the simulacra, I do not recall any discussion about it in our summaries. The point seems to be that Deleuze’s notion of simulacra still resembles Plato’s too much. Another idea seems to be that Deleuze’s work with Guattari is continuous with DR but in some ways breaks from it. I am not certain, but the difference seems to be that the notions of multiplicity that D&G discuss do not fall victim to the classical philosophical thinking in DR, and also that DR’s third chapter on the Image of Thought paves the way to thinking these multiplicities. By the way, Terence Blake has an excellent post and article regarding Deleuze being more a philosopher of multiplicity than one of difference.]

 

 




 

 






Citations from:

Somers-Hall, Henry. Deleuze’s Difference and Repetition. An Edinburgh Philosophical Guide. Edinburgh: Edinburgh University, 2013.



Or if otherwise noted:


DR:
Deleuze, Gilles. Difference and Repetition, trans. Paul Patton, New York: Columbia University Press, 1994/London: Continuum, 2004.


TRM:

Deleuze, Gilles. Two Regimes of Madness: Texts and Interviews 1975–1995, ed. David Lapoujade, trans. Ames Hodges and Mike Taormina, New York: Semiotext(e), 2007.