Showing posts with label Duffy. Simon Duffy. Show all posts
Showing posts with label Duffy. Simon Duffy. Show all posts

15 Jul 2009

A Variation on Infinity, §11, Logic of Expression. Simon Duffy



[The following summarizes part of Simon Duffy's extraordinary book, The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze. My commentary is in brackets. Duffy's work is remarkable, so I highly recommend this book. If it costs too much, perhaps encourage your library to obtain a copy.]





A Variation on Infinity


Simon Duffy

The Logic of Expression:
Quality, Quantity and Intensity in Spinoza, Hegel andDeleuze

Chapter 1
"Spinoza from the point of view of an idealist or a materialist dialectic"


§11 The adequate and the inadequate idea of the actual infinite


Macherey follows Hegel’s translation of Spinoza’s geometrical example in the 12th letter, “The Letter on the Infinite.” There is an irregular distribution of space between lines AB and CD.

Thus there are many “inequalities of space” between the two lines.

Macherey considers them in terms of the variation that might appear if there was motion from end to end:

The ‘inequalities of the space’ should then be understood to refer to ‘the set of the differences between these unequal distances’, or, what Macherey emphasizes as ‘the variation’ of these ‘differences’, which is determined by the rotation of the segments from AB towards CD, ‘in the sense of hands of a watch’. This set, which is ‘the sum of the inequalities of distance included in this ... total space’, is a continuous and therefore infinite variation. (27bc, emphasis mine)

For Hegel, the differences are limited by the maximum, AB, and the minimum, CD. But for Macherey, the variations are limited by how much they may vary. So the difference between the length of AB and CD is the margin that limits the range of variation.

According to Hegel’s interpretation, it would not matter if the circles were concentric or not. He merely considered infinity as the infinite divisibility of continuous magnitudes. But for Macherey, the actual infinite is the infinite variation of differences in the middle-space. Substance expresses itself through an infinity of different qualities or attributes. Extension is one of them. Finite extended things, then, would be modes or modifications of substance as expressed extensionally. When we use our reason to understand the limited expanse in the geometrical example, we see that it is caused by infinite substance, and for that reason the mode itself is infinite by force of its cause. However, if we use our imagination to conceive the infinity between the limits, then we begin to imagine it being divided into smaller and smaller parts on to infinity. This would be to inadequately understand it as unlimited or indefinite. (27-28)

According to Spinoza, some things are indefinite because we cannot describe them in terms of numbers. But even though we cannot give them a number, we can still know that certain ones are larger or smaller than certain other ones. (28a)

When we conceive of the geometrical example with our imagination, we can consider it as being divisible into an infinite number of variations. Ones with a greater range of variation could then be seen as having a greater infinity of differences. Hegel thinks that this would be the bad infinite. For, to say that one infinity is larger is to indicate that it has a greater number of parts. But number does not apply to the actual infinite, so we cannot say that one actual infinite is greater or lesser than another, says Hegel. (28b.c)

According to Macherey, we encounter such contradictions when we conceive the infinite by means of the imagination, “which wants to represent everything by numbers.” (28d) However, reason can clearly and distinctly conceive the notion of the continuous without encountering paradoxes. (28-29)

Macherey disagrees with Hegel’s interpretation. For Hegel, Spinoza’s geometrical example first indicates an infinity that is a negation of the finite: when we infinitely divide something, there is always something beyond or more than the finite parts that division produces. But this is the bad infinite. When we negate this notion, we realize that the actual infinite is such because no number applies to it in the first place. So Spinoza’s geometrical example illustrates the dialectical mediation leading to the actual infinity by means of the negation of negation. [again, see this entry for more.] But for Macherey, the example depicts both infinites at the same time. For when we use our imagination, we inadequately conceive it as indefinite and unlimited. And when we use our reason, we adequately understand it as infinite by force of its cause. (29b)

So no negation is involved for Macherey. We adequately and positively know the infinite as resulting from the infiniteness of its immanent cause: substance. Hence Hegel’s formulation omnis determinatio est negatio does not apply [for more see this entry and this one.]

We only partially understand the infinite when we use our imagination. But when using reason, we may have “knowledge of the third kind.” (29-30)



Duffy, Simon. The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze. Aldershot: Ashgate Publishing, 2006.



Affirming the Infinite, §10, Logic of Expression. Simon Duffy



[The following summarizes part of Simon Duffy's extraordinary book, The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze. My commentary is in brackets. Duffy's work is remarkable, so I highly recommend this book. If it costs too much, perhaps encourage your library to obtain a copy.]





Affirming the Infinite


Simon Duffy

The Logic of Expression:
Quality, Quantity and Intensity in Spinoza, Hegel andDeleuze

Chapter 1
"Spinoza from the point of view of an idealist or a materialist dialectic"


§10 The problem of the ‘bad infinite’



Previously we discussed Hegel’s misinterpretation of Spinoza’s infinite. It is not merely the infinite divisibility of finite extensions. Conceiving it so is often the doing of our imaginations rather than our more able rational faculties.

Macherey builds from Gueroult’s commentary to argue that Hegel misses Spinoza’s point: finite things are not infinite by force of their cause. Finitely-extended modes are nonetheless infinite insofar as they express the infinite of substance, which is their immanent cause. (25c)

Macherey evokes the distinction between

1) what is infinite by its nature. Substance is absolutely infinite; and

2) what is infinite by force of its cause. The attributes or modes of substance are infinite in this way.

He further distinguishes

1) what is infinite because it has no limits; and

2) what is infinite because it cannot be determined by numbers. It is unlimited or indefinite despite the fact that it is bound within a maximum and minimum.

When we use reason, we may adequately understand things. But our imagination is inadequate for this purpose. Substance is absolutely infinite. We can only conceive it through reason, and not through imagination. We can, however, imagine substance’s affections. But when we do so, we understand them inadequately as unlimited and indefinite. Only reason can adequately understand affections as infinite by force of their cause. (26a)

Unless we maintain these distinctions, we will run into contradictions when conceiving the infinite.

According to Macherey, the bad infinite is the unlimited or indefinite. It is the same thing as the actual infinite. When using reason, we understand it adequately as the actual infinite, but when using our imagination, we inadequately conceive it as the bad infinite.

For Macherey, we adequately understand something when we grasp it affirmatively in terms of its cause. Hegelian dialectic views the infinite in terms of negations, and hence does not understand it adequately.

According to Macherey, the actual infinite, as apprehended adequately in the mode, ‘is not different to that infinity constitutive of substance, but is formally the same’. The actual infinite is therefore the immanent expression in the affections, or the finite modes, of infinite substance, which is their cause. (26-27)



Duffy, Simon. The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze. Aldershot: Ashgate Publishing, 2006.


14 Jul 2009

Good Infinities Gone Bad, §9, Logic of Expression. Simon Duffy

[The following summarizes part of Simon Duffy's extraordinary book, The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze. My commentary is in brackets. Duffy's work is remarkable, so I highly recommend this book. If it costs too much, perhaps encourage your library to obtain a copy.]





Good Infinities Gone Bad

Simon Duffy

The Logic of Expression:
Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze

Chapter 1
"Spinoza from the point of view of an idealist or a materialist dialectic"

§9 Infinite actu and the ‘bad infinite’


Hegel discusses Spinoza’s bounded infinite in Science of Logic and the History of Philosophy. And he refers specifically to Spinoza’s geometrical example in the 12th Letter.

Hegel interprets Spinoza as saying that the space between AB and CD is filled with an infinity of “inequalities of space.” (21d) One might think then that the infinite for Spinoza results when we try to count all the infinitely many unequal spaces. Just as soon as we think we counted them all, more pop-up in-between the ones we just counted. Hence this would be an infinity resulting from a continuously incomplete series. However, Hegel claims that this is not how Spinoza actually viewed infinity. For Hegel, a continuum is by nature not divisible into any number of parts. Hence, we misrepresented a continuous value when we regard it as being made-up of a determinate number of discrete elements. And there is nothing incomplete about Spinoza’s infinity, because it is all entirely there between the two boundaries. Such is the “actual infinite.” (22b.c)

So the actual infinite can be found within the finite. We would instead be dealing with the “bad infinite” if we were to think of infinity as more finite parts than can be counted. (22c)

The bad infinite is a negation of the finite, (because it says that the finite is never enough, and the infinite is always something more). The actual infinite is a negation of the bad infinite, (because it says that the infinite is found within bounds, and need not always be more more more.) Thus the actual infinite is “the negation of negation.” (22-23)

Hegel portrays mathematicians as incorrectly conceiving the infinite in the “bad” way. Spinoza thinks instead that mathematicians conceive the infinite correctly, however. He says that something is infinite for them not on account of the number of its parts, but rather because it is not expressible by any number. So we need not consider the actual infinite in terms of a contradiction or negation. It is not something that exceeds number. It is merely something that cannot be expressed by numbers. Hegel does not recognize this of mathematicians. He wants to contrast the mathematical (bad) infinite with the philosophical (good/actual) infinite. This fits his dialectical logic. The bad mathematical infinite is the first negation, and the philosophical infinite is the negation of negation.

Hence we see that Hegel misrepresents Spinoza’s characterizing the mathematical infinite as being the same as the actual infinite. Instead for Hegel, the mathematical infinite is a sort of dialectical stepping-stone leading to the philosophical infinite:

The infinite, when opposed to the finite, is conceived as the bad infinite, which is then sublated and subsumed in the actual infinite, that is, the finite realizes itself as actually infinite. This is how Hegel resolves the relation of the infinite to the finite from the point of view of his interpretation of Spinoza. (24a)

Yet Hegel’s interpretation of Spinoza’s geometrical example misses its subtle but important peculiarities. [See Macherey’s commentary.] The circles are off-set. Hegel’s rendition could also be expressed if the example were of concentric circles. For he also thinks that the infinity of points on a line also exemplifies the actual infinite. In his view, all finite things contain the philosophical infinite in this way. (24c)


Duffy, Simon. The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze. Aldershot: Ashgate Publishing, 2006.



24 Jan 2009

Simon Duffy. The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze, Chapter 1, §8 "Letter XII and the Problem..."




[The following summarizes Simon Duffy's extraordinary book, The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze, Chapter 1, §7. My commentary is in brackets. Duffy's work is remarkable, so I highly recommend this book. If it costs too much, perhaps encourage your library to obtain a copy.]





Simon Duffy. The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze,

Chapter 1 "Spinoza from the point of view of an idealist or a materialist dialectic",

§8 "Letter XII and the Problem of the Infinite"


[A thing such as a book is finite: it extends only so far, and some day it will decompose to dust. So it has determinate limits spatially and temporally.

But the book turns into dirt, which becomes a tree, and on and on. So we might broaden our perspective of duration and consider what underlies all things no matter when in time. The book-dirt-tree-etc would just be one part it, in an endless chain of changes. Hence, we can imagine that the underlying substance has no beginning or end. However, when we think of the lifespan of the book, from its manufacture to its decomposition into dust, we can think that it lasted a determinate period of time. It had a duration. But if what underlies everything has no beginning or end, then it has no duration. In that sense it is eternal and infinite. But it is not an infinite duration, because durations have beginnings and ends.

Also, we might think that the book is a set of pages. And the pages are made of fibers, and the fibers of molecules and on and on infinitely. And we might think that the book is part of a library, which is part of a city, which is part of a state, which is part of a continent, which is part of a planet, and on and on until we get to everything. We might also then think that every division was arbitrary, for it could have been otherwise, the divisions never held for long, and etc. (see the Zeno entry for an extended explanation of this example.) So what underlies everything can be thought of as indivisible, even though we may use our imaginations to draw lines in the world around us to create distinguishable entities. Really, everything is all one substance, according to this perspective.

We might also distinguish the book in our hand from the book "in our mind." In a sense, there seem to be two primary dimensions, Thought and Extension. The book extends in space, the idea of it does not. There is the extending book, and also the idea book, but there is only one book between the two. So we might say that there is one substance that expressed itself qualitatively in two ways, extensively and conceptually. One of substance's natures is its being extended, the other is its being thought or ideated. One such nature is one attribute or quality of substance. We may think of substance as extending, or we may think of it in terms of its ideas. So each attribute is a way that substance is conceived.

If substance is truly infinite, then we might think that substance expresses itself in an infinity of attributes, even though we as finite beings only have access to two. So substance would express itself as Thought, Extension, Quality 3, Quality 4, and so on to infinity.

We considered how the book was manufactured, then decayed, then became a plant, and so on. And we thought that we were mistaken to even distinguish the book from everything else, at least on a fundamental level.

When we shape dough for the desired bread, we are modifying the dough's form or shape. The dough stays the same, but we might modify it to make it a pizza crust, a pie crust, a bread loaf, and so on. In the same way, we might consider that the book was a modification of substance that became reshaped again as soil.

Using our imaginations, we drew a boundary to distinguish the book from the air around it, even though we also considered that fundamentally both paper and air are substance. And they are the same substance that has been modified in different ways. When we draw these boundaries, we may imagine the eternal indivisible substance as having finite parts. For, the book extends only so far, and lasts only so long, even though what underlies the book as well as everything else is not limited in any way.

Recall that substance, as infinite, expressed itself in an infinity of ways, which is to say that substance has an infinity of attributes. Again, we only have access to two: thought and extension. But that also means that when we designate a modification of substance as a book, we know that this mode corresponds to the idea for that book. But as well, if there are an infinity of other attributes, then this modification is producing the equivalent of the book in all the other ways which are not explicitly available to us. Nonetheless, they are there, implicitly. One finite mode implies an infinity of other modes, so it implies the infinity of substance. In a sense, substance's infinite nature is enveloped in every mode, such as the book. So the all the infinity of other attributes are involved in each finite mode. Thus when we see some finite thing like a book, we can know that explicitly we see something finite, but implicitly we see the infinity of the one substance. It is not hidden. It is fully there. Every dimension of substance is fully expressed, only some parts are implicit and others are explicit. By the deductive power of our rational faculties, we can know this infinity that substance expresses even without any other means to access to it.]

Finite and infinite are tied together by the relation of implication and involvement. Spinoza explains this relation in his 12th Letter on the Infinite. Here Spinoza claims that people have misunderstood the infinite because they failed to analyze the different sorts of infinity and the different ways of considering it. (20a) [For more on these particulars, see Spinoza's 12th Letter and Gueroult's commentary,.]

Spinoza illustrates his notion of the infinite using a geometrical example. [Below I replicate Duffy's rendition.]




To understand why Spinoza uses this figure, we should examine first its appearance in his Principles of Cartesian Philosophy. [For a more extensive analysis, see the entry on the 12th Letter.] Imagine water moving around this circular course:



The water moves from A to B, and from B to A, in a circle. If the space were even all the way around, we would expect the water to move the same speed the whole time. But here we see that more water has get through the narrow space at B. So it will have to go faster to go through it. Hence the water moves faster at B than it does at A.

The outline of a circle is perfectly continuous. These circles are off-set, creating differences in distance between the one and the other. And because
1) both are circles
2) circles have continuously changing outlines,
3) the circles are off-set,
we can then conclude that there is a continuity of difference between the one and the other. So if we were to pick any point of the water's course, we know it will be moving at a different speed than the water at any other point of the water's course.

Consider Spinoza's purely geometrical example.



On the left, the semi-circles are evenly set with each other. Hence the distance between one outline and the other is the same all the way around. On the left we have off-set circles. Hence the distance between the two is everywhere different. Again, there is a continuity of an infinity of differences.

Hence we return to the diagram from the 12th letter, in Duffy's rendition.]



Spinoza says that
1) the inequalities of the spaces between the two is infinite, and
2) the variations of the speed of matter travelling through that space is infinite.
(Duffy 20bc)

Spinoza will show us a new way to understand the infinite.

We might normally think something is infinite when it is so extremely great that no matter how large we think it, the infinite is always greater. In this conception of the infinite, which Spinoza opposes, we cannot assign a magnitude to any infinity, so we cannot say that any infinity is larger or smaller than another one.

Here Spinoza notes that the inequalities and varations are infinite not because we cannot determine where the space ends. For, we know where it terminates: lines AB and CD (the maxima and minima.) Also, we cannot just say that the circles are infinitely large and that hence the space between them is infinitely large. For, even if we take a very small finite slice of the infinitly large circles, there will still be within that finite slice an infinity of inqualities and variations.

[We are dealing with extensive space. We noted before that substance has an infinity of attributes. We add that each attribute itself is infinite. So there is nothing that limits extension itself. Thus if we take some part of extension, a slice of the non-concentric circles for example, we can perform Zeno's operation and continually subdivide it. But we will never come to any smallest extensive pieces. For, if it extends, it can be divided. In a sense that makes every finite piece of extension infinite, which seems absurd, but this is Spinoza's point. We have to change our understanding of infinity. So instead of infinity being too large to be described in finite terms, Spinoza proposes another kind of infinity.

We might first consider a number like pi. We know that it is an irrational number that cannot be expressed in numerical digits, because there would be no end to those digits. Does that mean that pi is infinite? No, because pi is smaller than 4 and larger than 3. Other determinate values surround it. But because there is no end to the digits, there is no way to express pi in its entirity using numerical digits. In a sense, number does not apply perfectly to pi, even though it is a fundamental proportional-value in the world around us. So pi exists, but it cannot be numerically expressed.

Spinoza wants us to see infinity in a similar way. There are boundaries to the slices of the non-concentric circles. But the amount of variations between them has no limits. So the internal variation of a mode cannot be expressed in number. This is Spinoza's infinite. It is not infinite divisibility like Zeno's infinite. Rather, it is indivisibility. What underlies the divisible objects that extend is something that is indivisible. But it was a creation of our imagination to divide-up substance's modifications to see the book as an individual part. Likewise every division of extension is a creation of our imagination. Hence it can go on for ever. For, what underlies extension keeps "giving" more extension, as it were. Take some away, substance gives more, because you cannot really take anything away from substance. It is indivisible. Spinoza's infinite is the infinite indivisibility of substance. That is so say, it is the infinite intensity of substance, as we will see in another entry.]

Substance is infinite by nature. Substance causes its own modifications. And these caused modes then are infinite in the way we just described. The reason modes are infinite, then, is because their cause is infinite. We may use our imaginations to designate finite regions of infinite substance, like the book, and divide it infinitely. But the book is finite. Only its underlying substance is infinite.

Then, there is a related infinity. Modes were infinite because their cause is infinite. But, what makes up a mode is an infinity of continuous variation. And we may say that in a larger slice of the circles, there is a larger infinity of variation. Not because there are more divisions. For we are not talking about divisions. Divisions can be expressed in number, and this sort of infinity cannot be expressed in number. But a larger extending object expresses more of substance's infinity, because it contains more of its indivisibility. For, it exhibits more internal variation. Hence the infinities that finite modes express can be compared in terms of more-or-less. And they are infinities even though they are bound by maxima and minima. (21b)


Duffy, Simon. The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze. Aldershot: Ashgate Publishing, 2006.