31 Jan 2019

Dumas (18) The Wolf-Leader (Le meneur de loups), Ch.18, “Death and Resurrection”, summary

 

by Corry Shores

 

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[The following is summary. Boldface, underlining, bracketed commentary, and section subdivisions are my own. Proofreading is incomplete, so please forgive my mistakes. Text is copied from online sources (see bibliography below).]

 

 

 

 

Summary of

 

Alexandre Dumas

 

Le meneur de loups

The Wolf-Leader

 

18

“Mort et résurrection”

“Death and Resurrection”

 

 

 

 

 

Brief summary (collecting those below):

__(18.1)__ (Recall from section 17 that Thibault the sorcerer had taken up the body of Raoul the Lord of Vauparfond and he was secretly visiting Raoul’s illicit lover Comtesse de Mont-Gobert. Her husband was ready for this deception and fought Thibault, resulting in the Count getting hamstrung by Thibault and Thibault being stabbed through the chest by the Count’s partner Lestocq). Thibault regains consciousness. He sees the blood from the fight, but since the Count and Lestocq are gone, he concludes Lestocq helped the Count inside and left Thibault/Raoul to die. “He had it on the tip of his tongue to hurl after them all the maledictory wishes wherewith one would like to assail one’s cruellest enemy. But since Thibault had been no longer Thibault, and indeed during the remainder of the time that he would still be the Baron Raoul, or at least so in outward appearance, his demoniacal power had been and would continue in abeyance. [Mais, depuis que Thibault n’était plus Thibault, et pour tout le temps qu’il lui restait à être encore le baron Raoul, ou du moins à se dissimuler, sous son enveloppe, tout son pouvoir fantastique était perdu.]” Thibault hopes he can stay alive until nine that night, at which time presumably he will return to his normal body. He regrets the fact that when he was originally cursing Raoul and making his wishes to the devil, he mentioned this very sort of violent encounter with the Count, and so he inadvertently brought this upon himself. Thibault tries calling to passers-by for help, “but the blood filled his mouth and nearly choked him.” He instead signals to them using his hat on his knife blade and then falls unconscious. Peasants take him to a village priest. When the Priest comes, he recognizes Raoul as a former student. A doctor arrives, examines the terrible wound, and says there is no treatment left and that Thibault/Raoul will probably die today. The Doctor dresses the wound and when leaving says he will come back tomorrow, even though probably Raoul will be dead by that time. Thibault falls into delirium. Before his mind flashes the important events of his life going back to his meeting the Wolf-Devil. When the flashbacks finally arrive at his recent attempted escape, “he found himself at a cross-road where three ways only met, and each of these was guarded by one of his victims: the first, by the spectre of a drowned man, that was Marcotte; the second, by a young man dying of fever on a hospital bed, that was Landry; the third, by a wounded man, dragging himself along on one knee, and trying in vain to stand up on his mutilated leg, that was the Comte de Mont-Gobert. He fancied that as all these things passed before him, he told the history of them one by one, and that the priest, as he listened to this strange confession, looked more like a dying man, was paler and more trembling than the man whose confession he was listening to; that he wanted to give him absolution, but that he, Thibault, pushed him away, shaking his head, and that he cried out with a terrible laugh: ‘ want no absolution! I am damned! damned! damned!’[Pas d’absolution ! je suis damné ! je suis damné ! je suis damné !]” As time passes, Thibault feels himself dying until finally he does die at “exactly one second after the half hour after nine.”

 

 

 

 

 

 

Contents

 

18.1

[Thibault’s Experience of Raoul’s Death]

 

Bibliography

 

 

 

 

 

 

 

Summary

 

18.1

[Thibault’s Experience of Raoul’s Death]

 

[(Recall from section 17 that Thibault the sorcerer had taken up the body of Raoul the Lord of Vauparfond and he was secretly visiting Raoul’s illicit lover Comtesse de Mont-Gobert. Her husband was ready for this deception and fought Thibault, resulting in the Count getting hamstrung by Thibault and Thibault being stabbed through the chest by the Count’s partner Lestocq). Thibault regains consciousness. He sees the blood from the fight, but since the Count and Lestocq are gone, he concludes Lestocq helped the Count inside and left Thibault/Raoul to die. “He had it on the tip of his tongue to hurl after them all the maledictory wishes wherewith one would like to assail one’s cruellest enemy. But since Thibault had been no longer Thibault, and indeed during the remainder of the time that he would still be the Baron Raoul, or at least so in outward appearance, his demoniacal power had been and would continue in abeyance. [Mais, depuis que Thibault n’était plus Thibault, et pour tout le temps qu’il lui restait à être encore le baron Raoul, ou du moins à se dissimuler, sous son enveloppe, tout son pouvoir fantastique était perdu.]” Thibault hopes he can stay alive until nine that night, at which time presumably he will return to his normal body. He regrets the fact that when he was originally cursing Raoul and making his wishes to the devil, he mentioned this very sort of violent encounter with the Count, and so he inadvertently brought this upon himself. Thibault tries calling to passers-by for help, “but the blood filled his mouth and nearly choked him.” He instead signals to them using his hat on his knife blade and then falls unconscious. Peasants take him to a village priest. When the Priest comes, he recognizes Raoul as a former student. A doctor arrives, examines the terrible wound, and says there is no treatment left and that Thibault/Raoul will probably die today. The Doctor dresses the wound and when leaving says he will come back tomorrow, even though probably Raoul will be dead by that time. Thibault falls into delirium. Before his mind flashes the important events of his life going back to his meeting the Wolf-Devil. When the flashbacks finally arrive at his recent attempted escape, “he found himself at a cross-road where three ways only met, and each of these was guarded by one of his victims: the first, by the spectre of a drowned man, that was Marcotte; the second, by a young man dying of fever on a hospital bed, that was Landry; the third, by a wounded man, dragging himself along on one knee, and trying in vain to stand up on his mutilated leg, that was the Comte de Mont-Gobert. He fancied that as all these things passed before him, he told the history of them one by one, and that the priest, as he listened to this strange confession, looked more like a dying man, was paler and more trembling than the man whose confession he was listening to; that he wanted to give him absolution, but that he, Thibault, pushed him away, shaking his head, and that he cried out with a terrible laugh: ‘ want no absolution! I am damned! damned! damned!’[Pas d’absolution ! je suis damné ! je suis damné ! je suis damné !]” As time passes, Thibault feels himself dying until finally he does die at “exactly one second after the half hour after nine.”]

 

[ditto]

Le froid du matin rappela Thibault à la vie.

Il essaya de se soulever, mais une vive douleur le clouait à sa place.

Il était couché sur le dos, n’avait nul souvenir ; et ne voyait au-dessus de sa tête qu’un ciel gris et bas.

Il fit un effort, s’appuya sur le côté, se souleva sur son coude et regarda autour de lui.

La vue des objets extérieurs lui rendit la mémoire des événements accomplis.

Il reconnut la brèche du parc.

Il se rappela son entrevue amoureuse avec la comtesse, son duel acharné avec le comte.

À trois pas de lui, la terre était rouge de sang.

Seulement, le comte n’était plus là.

Sans doute Lestocq, qui lui avait donné, à lui, le joli coup de pointe qui le clouait à cette place, avait aidé son maître à rentrer chez lui.

Quant à Thibault, on l’avait laissé là, au risque qu’il y mourût comme un chien.

Le sabotier avait sur le bout de la langue tous les souhaits de désastres que l’on peut jeter à son plus cruel ennemi.

Mais, depuis que Thibault n’était plus Thibault, et pour tout le temps qu’il lui restait à être encore le baron Raoul, ou du moins à se dissimuler, sous son enveloppe, tout son pouvoir fantastique était perdu.

Il avait jusqu’à neuf heures du soir ; seulement, vivrait-il jusque-là ?

Thibault ne laissait point que d’éprouver une vive inquiétude. S’il mourait auparavant, lequel mourrait de lui ou du baron Raoul ? Il y avait autant à parier pour lui que pour l’autre.

Mais ce qui faisait surtout enrager Thibault, c’est que ce mal lui arrivait encore par sa faute.

Il se rappelait qu’avant de souhaiter d’être le baron pour vingt-quatre heures, il avait, ou à peu près, prononcé ces paroles :

« Je rirais bien, Raoul, si le comte de Mont-Gobert te surprenait ; il n’en serait point là comme il en a été hier chez le bailli Magloire, et il y aurait des coups d’épée donnés et reçus. »

Le premier désir de Thibault, on le voit, s’était aussi fidèlement accompli que le second ; et il y avait eu, en effet, des coups d’épée donnés et reçus.

Thibault parvint, après des efforts inouïs et des douleurs atroces, à se mettre sur un genou.

Dans cette position, il aperçut, suivant un chemin creux, des gens qui s’en allaient au marché de Villers-Cotterêts.

Il tenta d’appeler.

Mais le sang lui vint à la bouche et l’étouffa.

Il mit son chapeau au bout de son couteau de chasse et fit des signes comme un naufragé.

Mais les forces lui manquèrent de nouveau, et il retomba sans connaissance sur la terre.

Cependant, au bout de quelque temps, il lui sembla que le sentiment renaissait en lui.

Il lui parut que son corps éprouvait une espèce de balancement pareil à celui que l’on ressent dans un bateau.

Il ouvrit les yeux.

Des paysans l’avaient vu, et, sans le connaître, ayant pitié de ce beau jeune homme tout couvert de sang, ils avaient fabriqué un brancard avec des branches d’arbre et le transportaient à Villers-Cotterêts sur ce brancard.

Mais, arrivé à Puiseux, le blessé se sentit incapable de supporter plus longtemps le mouvement.

Il demanda qu’on le déposât chez le premier paysan venu, où il attendrait qu’on lui envoyât un médecin.

Les porteurs le déposèrent chez le curé du village.

Thibault tira deux pièces d’or de la bourse de Raoul, donna ces deux pièces d’or aux paysans pour les remercier de la peine qu’ils avaient prise et de celle qu’ils allaient prendre encore.

Le curé disait sa messe.

En rentrant, il jeta les hauts cris.

Eût-il été Raoul lui-même, Thibault n’eût pas choisi un meilleur hôpital.

Le curé de Puiseux avait été autrefois vicaire à Vauparfond et avait été chargé à cette époque de la première éducation de Raoul.

Comme tous les curés de campagne, il savait ou croyait savoir un peu de médecine.

Il examina la plaie de son ancien élève.

Le fer avait glissé sous l’omoplate, avait traversé le poumon droit et était sorti par-devant, entre la deuxième et la troisième côte.

Il ne se dissimula point la gravité de la blessure.

Cependant, il ne dit rien que le docteur ne fût arrivé. Le docteur arriva et visita la plaie.

Il hocha piteusement la tête.

– Est-ce que vous ne le saignez pas ? demanda le prêtre.

– Pour quoi faire ? demanda le médecin. Sur l’heure où il a reçu le coup, oui, cela eût pu être utile ; mais maintenant il serait dangereux d’opérer dans le sang un mouvement quel qu’il fût.

– Qu’augurez-vous de son état ? demanda le curé, qui pensait que moins il y avait à faire pour le médecin, plus il restait à faire pour le prêtre.

– Si la blessure suit son cours ordinaire, dit le docteur en baissant la voix, le malade ne passera probablement pas la journée.

– Alors, vous le condamnez ?

– Un médecin ne condamne jamais, ou, quand il condamne, c’est en laissant à la nature son droit de faire grâce : un caillot peut se former et arrêter net l’hémorragie ; une toux peut faire sauter le caillot et l’hémorragie tuer le malade.

– Alors, vous pensez qu’il est de mon devoir de préparer le pauvre garçon à la mort ? demanda le curé.

– Je crois, répondit le médecin en haussant les épaules, que vous feriez mieux de le laisser tranquille : d’abord, en ce moment-ci, parce qu’il est assoupi et ne vous entendra point ; ensuite, plus tard, parce qu’il aura le délire et ne vous comprendra pas.

Le docteur se trompait.

Le blessé, tout assoupi qu’il était, entendit ce dialogue, plus rassurant pour le salut de son âme que pour la santé de son corps.

Que de choses on dit devant le malade que l’on croit qu’il n’entend pas et dont il ne perd pas un mot !

Puis aussi cette acuité du sens de l’ouïe, peut-être tenait-elle à ce que c’était l’esprit de Thibault qui veillait dans le corps de Raoul.

Si c’eût été l’esprit de ce corps, peut-être eût-il subi plus sympathiquement l’influence de cette blessure.

Le médecin mit un appareil sur la blessure du dos. Quant à la blessure de la poitrine, il la laissa à découvert, en prescrivant seulement de tenir dessus un linge mouillé d’eau glacée. Puis il versa dans un verre d’eau quelques gouttes d’une liqueur calmante, recommandant au prêtre d’en faire avaler une cuillerée au malade toutes les fois que celui-ci demanderait à boire.

Ces précautions prises, le docteur se retira en disant qu’il reviendrait le lendemain, mais qu’il avait bien peur de faire une course inutile.

Thibault eût bien voulu mêler un mot à la conversation et dire à son tour ce qu’il pensait de lui-même ; mais son esprit était comme en prison dans ce corps mourant et subissait malgré lui l’influence du cachot dans lequel il était enfermé.

Cependant il entendait le prêtre qui lui parlait, qui le secouait, qui essayait de le tirer de l’espèce de léthargie dans laquelle il était plongé. Cela le fatiguait fort.

Il fut bien heureux pour le digne curé que Thibault, n’étant plus Thibault, eût perdu son pouvoir fantastique, car plus de dix fois, dans le fond de sa pensée, le blessé l’envoya à tous les diables.

Bientôt il lui sembla qu’on lui glissait sous les pieds, sous les reins, sous la tête, un espèce de brasier ardent.

Son sang commença à s’agiter, puis se mit à bouillir comme de l’eau sur le feu.

Il sentit toutes ses idées qui se brouillaient.

Ses mâchoires fermées s’ouvrirent ; sa langue, nouée, se délia ; quelques mots sans suite lui échappèrent.

– Ah ! ah ! ah ! dit-il, voilà probablement ce que le brave docteur appelle délire.

Ce fut, pour le moment du moins, sa dernière idée lucide. Toute sa vie – et, en réalité, sa vie n’existait que depuis l’apparition du loup noir, – toute sa vie repassa devant lui.

Il se vit poursuivant et manquant le chevreuil.

Il se vit attaché au chêne et recevant les coups de ceinturon.

Il se vit faisant avec le loup noir le pacte qu’il subissait.

Il se vit essayant de passer la bague infernale au doigt d’Agnelette.

Il se vit essayant d’arracher ses cheveux rouges, qui avaient maintenant envahi le tiers de sa tête.

Il se vit allant chez la belle meunière, rencontrant Landry, se débarrassant de son rival, poursuivi par les garçons et les filles du moulin, et suivi par les loups.

Il se vit faisant connaissance avec madame Magloire, allant à la chasse pour elle, mangeant sa part de cette chasse, se cachant derrière les rideaux de sa chambre, découvert par maître Magloire, raillé par le seigneur Jean, éconduit par tous trois.

Il se vit dans son arbre creux, avec ses loups couchés tout autour de l’arbre, les hiboux et les chouettes perchés dans les branches.

Il se vit prêtant l’oreille, écoutant les sons des violons et du hautbois, sortant sa tête de son trou, regardant passer Agnelette et la joyeuse noce.

Il se vit en proie à toutes les colères de la jalousie, essayant de lutter contre elle à l’aide du vin ; à travers son cerveau troublé, il reconnaissait François, Champagne, l’aubergiste ; il entendait le galop du cheval du baron Raoul, il se sentait heurté et roulant dans la boue du chemin.

Puis il cessait de se voir, lui, Thibault.

Il ne voyait plus que le beau cavalier dont il avait pris la forme.

Il serrait la taille de Lisette.

Il effleurait de ses lèvres la main de la comtesse.

Puis il voulait fuir ; mais il se trouvait dans un carrefour où il n’y avait que trois chemins.

Chacun de ces trois chemins était gardé par une de ses victimes :

le premier, par un spectre de noyé : c’était Marcotte ;

le second, par un fiévreux agonisant sur un lit d’hôpital : c’était Landry ;

le troisième, par un blessé se traînant sur un genou et essayant en vain de se redresser sur son jarret coupé : c’était le comte de Mont-Gobert.

Il lui semblait qu’il racontait tout cela à mesure qu’il le voyait, et que le prêtre, à qui il faisait l’étrange confession, était, à l’écouter, plus mourant, plus pâle, plus tremblant que celui qui se confessait ; qu’il voulait cependant lui donner l’absolution, mais que lui la repoussait, secouait la tête et riait d’un air terrible en riant :

Pas d’absolution ! je suis damné ! je suis damné ! je suis damné !

Et, au milieu de ce délire, de cette hallucination, de cette folie, l’esprit de Thibault entendait sonner les heures à l’horloge du curé et les comptait.

Seulement, il lui semblait que cette horloge avait des proportions gigantesques, que le cadran n’était autre que la voûte bleue du ciel, que les numéros des heures de ce cadran étaient des flammes, que cette horloge s’appelait l’éternité, et que le monstrueux balancier qui la faisait mouvoir disait à chacune de ses secousses :

Jamais !

À l’autre :

Toujours !

Il entendit ainsi passer toutes les heures de la journée.

L’horloge sonna neuf heures du soir.

À neuf heures et demie, il y aurait vingt-quatre heures que lui, Thibault, était Raoul et que Raoul était Thibault.

Au dernier tintement de neuf heures, le sabotier sentit toute cette fièvre qui s’éloignait de lui ; une sensation de refroidissement qui allait jusqu’au tremblement lui succéda.

Il ouvrit les yeux en grelottant, reconnut le curé à genoux et disant au pied de son lit la prière des agonisants, et la vraie pendule marquant neuf heures un quart.

Seulement, ses sens avaient acquis une telle subtilité, qu’il voyait, si insensible que fût en réalité leur double mouvement, marcher la grande et même la petite aiguille.

Toutes deux s’acheminaient vers l’heure fatale :

Neuf heures et demie !

Quoique aucune lumière ne donnât sur le cadran, il semblait illuminé par une lumière intérieure.

Au fur et à mesure que la grande aiguille marchait vers le n° 6, un spasme de plus en plus violent serrait la poitrine du moribond.

Ses pieds étaient glacés, et le froid montait lentement, mais sans s’arrêter, des pieds aux genoux, des genoux aux cuisses, des cuisses aux entrailles.

La sueur lui coulait sur le front.

Il n’avait pas la force de l’essuyer ni même de demander qu’on l’essuyât.

Il sentait que c’était la sueur d’une angoisse qui, de moment en moment, devenait la sueur de l’agonie.

Toutes sortes de formes bizarres et qui n’avaient rien d’humain flottaient devant ses yeux.

La lumière se décomposait.

Il lui semblait que des ailes de chauves-souris soulevaient son corps et l’emportaient dans un crépuscule qui n’était ni la vie ni la mort, et participait des deux.

Enfin, le crépuscule lui-même devint de plus en plus sombre.

Ses yeux se fermèrent et, comme un aveugle trébuchant dans les ténèbres, les lourdes membranes de ses ailes se heurtèrent à des choses inconnues.

Puis il roula dans des profondeurs incommensurables, dans des abîmes sans fond, où cependant retentit le battement d’un timbre.

Le timbre frappa un seul coup.

Le frémissement de ce timbre était à peine éteint, que le blessé jeta un cri.

Le prêtre se leva et s’approcha du lit.

Ce cri était le dernier soupir, la dernière haleine, le dernier souffle du baron Raoul. Il était neuf heures et demie et une seconde.

(235-243)

 

THE cold morning air brought Thibault back to consciousness; he tried to rise, but the extremity of his pain held him bound. He was lying on his back, with no remembrance of what had happened, seeing only the low grey sky above him. He made another effort, and turning managed to lift himself on his elbow. As he looked around him, he began to recall the events of the previous night; he recognised the breach in the wall; and then there came back to him the memory of the love meeting with the Countess and the desperate duel with the Count. The ground near him was red with blood, but the Count was no longer there; no doubt, Lestocq, who had given him this fine blow that was nailing him to the spot, had helped his master indoors; Thibault they had left there, to die like a dog, as far as they cared. He had it on the tip of his tongue to hurl after them all the maledictory wishes wherewith one would like to assail one’s cruellest enemy. But since Thibault had been no longer Thibault, and indeed during the remainder of the time that he would still be the Baron Raoul, or at least so in outward appearance, his demoniacal power had been and would continue in abeyance. [Mais, depuis que Thibault n’était plus Thibault, et pour tout le temps qu’il lui restait à être encore le baron Raoul, ou du moins à se dissimuler, sous son enveloppe, tout son pouvoir fantastique était perdu.]

He had until nine o’clock that evening; but would he live till then? This question gave rise in Thibault to a very uneasy state of mind. If he were to die before that hour, which of them would die, he or the Baron? It seemed to him as likely to be one as the other. What, however, disturbed and angered him most was his consciousness that the misfortune which had befallen him was again owing to his own fault. He remembered now that before he had expressed the wish to be the Baron for four and twenty hours, he had said some such words as these:

“I should laugh, Raoul, if the Comte de Mont-Gobert were to take you by surprise; you would not get off so easily as if he were the Bailiff Magloire; there would be swords drawn, and blows given and received.”

At last, with a terrible effort, and suffering the while excruciating pain, Thibault succeeded in dragging himself on to one knee. He could then make out people walking along a road not far off on their way to market, and he tried to call to them, but the blood filled his mouth and nearly choked him. So he put his hat on the point of his knife and signalled to them like a shipwrecked mariner, but his strength again failing, he once more fell back unconscious. In a little while, however, he again awoke to sensation; he appeared to be swaying from side to side as if in a boat. He opened his eyes; the peasants, it seemed, had seen him, and although not knowing who he was, had had compassion on this handsome young man lying covered with blood, and had concocted a sort of hand-barrow out of some branches, on which they were now carrying him to Villers-Cotterets. But by the time they reached Puiseux, the wounded man felt that he could no longer bear the movement, and begged them to put him down in the first peasant’s hut they came to, and to send a doctor to him there. The carriers took him to the house of the village priest, and left him there, Thibault before they parted, distributing gold among them from Raoul’s purse, accompanied by many thanks for all their kind offices. The priest was away saying mass, but on returning and finding the wounded man, he uttered loud cries of lamentation.

Had he been Raoul himself, Thibault could not have found a better hospital. The priest had at one time been Curé of Vauparfond, and while there had been engaged to give Raoul his first schooling. Like all country priests, he knew, or thought he knew, something about doctoring; so he examined his old pupil’s wound. The knife had passed under the shoulder-blade, through the right lung, and out between the second and third ribs.

He did not for a moment disguise to himself the seriousness of the wound, but he said nothing until the doctor had been to see it. The latter arrived and after his examination, he turned and shook his head.

“Are you going to bleed him?” asked the priest.

“What would be the use?” asked the doctor. “If it had been done at once after the wound was given, it might perhaps have helped to save him, but it would be dangerous now to disturb the blood in any way.”

“Is there any chance for him?” asked the priest, who was thinking that the less there was for the doctor to do, the more there would be for the priest.

“If his wound runs the ordinary course,” said the doctor, lowering his voice, “he will probably not last out the day.”

“You give him up then?”

“A doctor never gives up a patient, or at least if he does so, he still trusts to the possibility of nature mercifully interfering on the patient’s behalf; a clot may form and stop the hemorrhage; a cough may disturb the clot, and the patient bleed to death.”

“You think then that it is my duty to prepare the poor young man for death,” asked the curate.

“I think,” answered the doctor, shrugging his shoulders, “you would do better to leave him alone; in the first place because he is, at present, in a drowsy condition and cannot hear what you say; later on, because he will be delirious, and unable to understand you.” But the doctor was mistaken; the wounded man, drowsy as he was, overheard this conversation, more re-assuring as regards the salvation of his soul than the recovery of his body. How many things people say in the presence of sick persons, believing that they cannot hear, while all the while, they are taking in every word! In the present case, this extra acuteness of hearing may perhaps have been due to the fact that it was Thibault’s soul which was awake in Raoul’s body; if the soul belonging to it had been in this body, it would probably have succumbed more entirely to the effects of the wound.

The doctor now dressed the wound in the back, but left the front wound uncovered, merely directing that a piece of linen soaked in iced water should be kept over it. Then, having poured some drops of a sedative into a glass of water, and telling the priest to give this to the patient whenever he asked for drink, the doctor departed, saying that he would come again the following morning, but that he much feared he should take his journey for nothing.

Thibault would have liked to put in a word of his own, and to say himself what he thought about his condition, but his spirit was as if imprisoned in this dying body, and, against his will, was forced to submit to lying thus within its cell. But he could still hear the priest, who not only spoke to him, but endeavoured by shaking him to arouse him from his lethargy. Thibault found this very fatiguing, and it was lucky for the priest that the wounded man, just now, had no superhuman power, for he inwardly sent the good man to the devil, many times over.

Before long it seemed to him that some sort of hot burning pan was being inserted under the soles of his feet, his loins, his head; his blood began to circulate, then to boil, like water over a fire. His ideas became confused, his clenched jaws opened; his tongue which had been bound became loosened; some disconnected words escaped him.

“Ah, ah!” he thought to himself, “this no doubt is what the good doctor spoke about as delirium;” and, for the while at least, this was his last lucid idea.

His whole life—and his life had really only existed since his first acquaintance with the black wolf—passed before him. He saw himself following, and failing to hit the buck; saw himself tied to the oak-tree, and the blows of the strap falling on him; saw himself and the black wolf drawing up their compact; saw himself trying to pass the devil’s ring over Agnelette’s finger; saw himself trying to pull out the red hairs, which now covered a third of his head. Then he saw himself on his way to pay court to the pretty Madame Polet of the mill, meeting Landry, and getting rid of his rival; pursued by the farm servants, and followed by his wolves. He saw himself making the acquaintance of Madame Magloire, hunting for her, eating his share of the game, hiding behind the curtains, discovered by Maître Magloire, flouted by the Baron of Vez, turned out by all three. Again he saw the hollow tree, with his wolves couching around it and the owls perched on its branches, and heard the sounds of the approaching violins and hautboy and saw himself looking, as Agnelette and the happy wedding party went by. He saw himself the victim of angry jealousy, endeavouring to fight against it by the help of drink, and across his troubled brain came the recollection of François, of Champagne, and the Inn-keeper; he heard the galloping of Baron Raoul’s horse, and he felt himself knocked down and rolling in the muddy road. Then he ceased to see himself as Thibault; in his stead arose the figure of the handsome young rider whose form he had taken for a while. Once more he was kissing Lisette, once more his lips were touching the Countess’s hand; then he was wanting to escape, but he found himself at a cross-road where three ways only met, and each of these was guarded by one of his victims: the first, by the spectre of a drowned man, that was Marcotte; the second, by a young man dying of fever on a hospital bed, that was Landry; the third, by a wounded man, dragging himself along on one knee, and trying in vain to stand up on his mutilated leg, that was the Comte de Mont-Gobert.

He fancied that as all these things passed before him, he told the history of them one by one, and that the priest, as he listened to this strange confession, looked more like a dying man, was paler and more trembling than the man whose confession he was listening to; that he wanted to give him absolution, but that he, Thibault, pushed him away, shaking his head, and that he cried out with a terrible laugh: “I want no absolution! I am damned! damned! damned!” [Pas d’absolution ! je suis damné ! je suis damné ! je suis damné !]

And in the midst of all this hallucination, this delirious madness, the spirit of Thibault could hear the priest’s clock striking the hours, and as they struck he counted them. Only this clock seemed to have grown to gigantic proportions and the face of it was the blue vault of heaven, and the numbers on it were flames; and the clock was called eternity, and the monstrous pendulum, as it swung backwards and forwards called out in turn at every beat: “Never! For ever!” And so he lay and heard the long hours of the day pass one by one; and then at last the clock struck nine. At half past nine, he, Thibault, would have been Raoul, and Raoul would have been Thibault, for just four and twenty hours. As the last stroke of the hour died away, Thibault felt the fever passing from him, it was succeeded by a sensation of coldness, which almost amounted to shivering. He opened his eyes, all trembling with cold, and saw the priest at the foot of the bed saying the prayers for the dying, and the hands of the actual clock pointing to a quarter past nine.

His senses had become so acute, that, imperceptible as was their double movement, he could yet see both the larger and smaller one slowly creeping along; they were gradually nearing the critical hour; half past nine! Although the face of the clock was in darkness, it seemed illuminated by some inward light. As the minute hand approached the number 6, a spasm becoming every instant more and more violent shook the dying man; his feet were like ice, and the numbness slowly, but steadily, mounted from the feet to the knees, from the knees to the thighs, from the thighs to the lower part of the body. The sweat was running down his forehead, but he had no strength to wipe it away, nor even to ask to have it done. It was a sweat of agony which he knew every moment might be the sweat of death. All kinds of strange shapes, which had nothing of the human about them, floated before his eyes; the light faded away; wings as of bats seemed to lift his body and carry it into some twilight region, which was neither life nor death, but seemed a part of both. Then the twilight itself grew darker and darker; his eyes closed, and like a blind man stumbling in the dark, his heavy wings seemed to flap against strange and unknown things. After that he sank away into unfathomable depths, into bottomless abysses, but still he heard the sound of a bell.

The bell rang once, and scarcely had it ceased to vibrate when the dying man uttered a cry. The priest rose and went to the side of the bed; with that cry the Baron Raoul had breathed his last: it was exactly one second after the half hour after nine.

(88-90)

[contents]

 

 

 

 

 

Bibliography:

 

Dumas, Alexandre. 1868. Le meneur de loups. (Nouvelle édition). Paris: Lévy.

PDF at:

https://archive.org/det ails/bub_gb_BhlMAAAAMAAJ/page/n5

and:

https://beq.ebooksgratuits.com/vents/Dumas-meneur.pdf

Online text at:

https://fr.wikisource.org/wik i/Le_Meneur_de_loups

and

https://fr.wikisource.org/wiki/Livre:Dumas_- _Le_Meneur_de_loups_(1868).djvu

 

Dumas, Alexandre.  1921. The Wolf-Leader. Translated by Alfred Allinson. London: Methuen.

PDF at:

https://archive.org/details/wolfle ader00duma

or:

https://archive.org/details/wo lfleader00dumauoft

Online text at:

http://www.gutenberg.org/ebooks/51054

http://www.gutenberg.org/files/51054/51054-h/51054-h.htm

 

.

Dumas (17) The Wolf-Leader (Le meneur de loups), Ch.17, “The Baron De Mont-Gobert”, summary

 

by Corry Shores

 

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[The following is summary. Boldface, underlining, bracketed commentary, and section subdivisions are my own. Proofreading is incomplete, so please forgive my mistakes. Text is copied from online sources (see bibliography below).]

 

 

 

 

Summary of

 

Alexandre Dumas

 

Le meneur de loups

The Wolf-Leader

 

17

“Le baron de Mont-Gobert”

“The Baron De Mont-Gobert”

 

 

 

 

 

Brief summary (collecting those below):

__(17.1)__ (Recall from section 16 that Thibault the sorcerer has taken up the body of Raoul the Lord of Vauparfond and he is sneaking into a room with his illicit lover the Comtesse de Mont-Gobert.) The room he enters is lavishly furnished and adorned, and Thibault is deeply impressed, even wondering “Were there really men and women in the world, so blessed by fortune as to live in such surroundings as these? Had he not been carried to some wizard’s castle [le château de quelque génie], to some fairy’s palace [le palais de quelque fée]? And those who enjoyed such favour as this, what special good had they done? what special evil had they done [fait de mal], who were deprived of these advantages?” The beautiful and richly adorned Countess appears. Thibault falls to his knees before her. She thinks this is fitting given his crimes, that is, for him “having the blackest soul and the falsest heart ever hidden beneath such a gay and golden exterior. Now, get up, and come and give an account of yourself to me.” He gets up and kisses her hand. She asks what he has done since their last meeting five days ago. In their conversation where Thibault must do a lot of guessing and playing along, we learn that the Countess suspects him of romancing the girl Lisette who helps him to her room in secret, and this is what was meant by her anger over his loitering in the corridors (see section 16.2 and 16.3). She asks, “Where had you been the other night, when you were met on the road between Erneville and Villers-Cotterets?” Thibault says he was fishing at the drawing the Berval ponds and afterward dining with the Baron at Vez. She then forgives him for all this. Thibault asks if he committed an even blacker crime. She says yes, yesterday at the Duke of Orleans’ ball where Thibault “danced four times with Madame de Bonneuil.” Thibault, in trying to win over the Countess, falls to his knees before her. __(17.2)__ Just then, Lisette rushed alarmed into the room. She says urgently that Thibault (Raoul) must save himself, because the count is coming with his huntsman Lestocq. The Countess thinks that she has been set-up by her husband to catch her with her illicit lover. Thibault suggests they kill the Count. The Countess instead says he should run. Lisette takes Thibault away just before someone comes to the room. She navigates him through a series of backways until he finally exits through a window. He jumps on his horse, but instead of taking Thibault away, it collapses. Thibault realizes that the Count hamstrung it to prevent his escape. “Thibault uttered an oath: ‘If I ever meet you, Monsieur Comte de Mont-Gobert,’ he said, ‘I swear that I will hamstring you, as you have hamstrung this poor beast!’” Thibault tries to escape on foot through the breach in the wall he originally came through (see section 16.2). But as he exits, he faces the Count, who is ready for him with his sword. The Count calls for him to draw his sword to fight, but Thibault draws his hunting-knife instead (see section 16.1). They fight. Thibault fights with the great skill of Raoul’s body. They continue until Thibault finally cuts into the Count’s shoulder, causing him to drop his sword and fall to the ground, crying for help from Lestocq. Thibault, who vowed to hamstring the Count, does so, but this gives Lestocq the opportunity to put Thibault’s hunting-knife through his chest from behind. “Then he saw a cloud of blood, and knew no more.”]

 

 

 

 

 

 

Contents

 

17.1

[Thibault’s Defenses Against the Countess’s Accusations]

 

17.2

[Thibault’s Failed Escape and Gruesome Fight with the Count]

 

Bibliography

 

 

 

 

 

 

 

Summary

 

17.1

[Thibault’s Defenses Against the Countess’s Accusations]

 

[(Recall from section 16 that Thibault the sorcerer has taken up the body of Raoul the Lord of Vauparfond and he is sneaking into a room with his illicit lover the Comtesse de Mont-Gobert.) The room he enters is lavishly furnished and adorned, and Thibault is deeply impressed, even wondering “Were there really men and women in the world, so blessed by fortune as to live in such surroundings as these? Had he not been carried to some wizard’s castle [le château de quelque génie], to some fairy’s palace [le palais de quelque fée]? And those who enjoyed such favour as this, what special good had they done? what special evil had they done [fait de mal], who were deprived of these advantages?” The beautiful and richly adorned Countess appears. Thibault falls to his knees before her. She thinks this is fitting given his crimes, that is, for him “having the blackest soul and the falsest heart ever hidden beneath such a gay and golden exterior. Now, get up, and come and give an account of yourself to me.” He gets up and kisses her hand. She asks what he has done since their last meeting five days ago. In their conversation where Thibault must do a lot of guessing and playing along, we learn that the Countess suspects him of romancing the girl Lisette who helps him to her room in secret, and this is what was meant by her anger over his loitering in the corridors (see section 16.2 and 16.3). She asks, “Where had you been the other night, when you were met on the road between Erneville and Villers-Cotterets?” Thibault says he was fishing at the drawing the Berval ponds and afterward dining with the Baron at Vez. She then forgives him for all this. Thibault asks if he committed an even blacker crime. She says yes, yesterday at the Duke of Orleans’ ball where Thibault “danced four times with Madame de Bonneuil.” Thibault, in trying to win over the Countess, falls to his knees before her.]

 

[ditto]

Thibault entra dans la chambre de la comtesse.

Si la magnificence des meubles du bailli Magloire, pris dans le garde-meuble de monseigneur le duc d’Orléans avait émerveillé Thibault, la fraîcheur, l’harmonie et le goût de cette chambre de la comtesse le ravirent jusqu’à l’enivrement.

Jamais le pauvre enfant de la forêt n’avait, même en rêve, vu rien de pareil.

On ne peut rêver des choses dont on n’a jamais eu l’idée.

Les deux fenêtres de cette chambre étaient fermées par de doubles rideaux.

Les premiers, de taffetas blanc garni de dentelles.

Les seconds, de satin de Chine bleu clair, brodés de fleurs d’argent.

Le lit et la toilette étaient drapés de même étoffe que les deux fenêtres, et à peu près perdus dans des flots de valenciennes.

Les murailles étaient couvertes d’une première tenture de taffetas rose très clair, sur laquelle pendait, bouillonnée à gros plis, une mousseline des Indes, fine comme de l’air tissé, et qui, au moindre vent venant de la porte, frissonnait comme une vapeur.

Le plafond se composait d’un médaillon peint par Boucher et représentant la toilette de Vénus.

Ces Amours recevaient des mains de leur mère les différentes pièces qui composent une armure féminine ; seulement, comme toutes les pièces de l’armure étaient aux mains des Amours, Vénus était complètement désarmée, à l’exception de la ceinture.

Ce médaillon était supporté par des caissons renfermant des vues supposées de Gnide, de Paphos et d’Amathonte.

Les meubles, chaises, fauteuils, causeuses, vis-à-vis, étaient recouverts en satin de Chine pareil aux rideaux.

Le tapis, d’un fond vert d’eau très clair, était parsemé, à grande distance les uns des autres, de bouquets de bluets, de pavots roses et de marguerites blanches.

Les tables étaient en bois de rose.

Les encoignures en laque de Coromandel.

Tout cela était mollement éclairé par six bougies de cire rose posées dans deux candélabres.

Un doux parfum flottait dans l’air, vague et indéfinissable. Il eût été impossible de dire de quelle essence il était composé.

Ce n’était point un parfum, c’était une émanation.

C’est à ces effluves embaumés qu’Énée, dans l’Énéide, reconnaît la présence de sa mère.

Poussé par la chambrière, Thibault avait fait un pas dans la chambre, puis il s’était arrêté.

Il avait tout vu d’un regard, tout aspiré d’un souffle.

Tout avait passé comme une vision devant ses yeux :

La chaumière d’Agnelette, la salle de la meunière, la chambre de la baillive.

Puis tout cela avait disparu pour faire place au délicieux paradis d’amour dans lequel il venait d’être transporté comme par enchantement.

Il doutait de la vérité de ce qu’il voyait.

Il se demandait s’il existait véritablement des hommes et des femmes si privilégiés de la fortune, qu’ils habitassent dans de pareilles demeures.

N’était-il pas dans le château de quelque génie, dans le palais de quelque fée ?

Qu’avaient donc fait de bien ceux qui jouissaient d’une pareille faveur ?

Qu’avaient donc fait de mal ceux qui en étaient privés ?

Pourquoi, au lieu de souhaiter d’être Raoul de Vauparfond pendant vingt-quatre heures, n’avait-il pas souhaité d’être le petit chien de la comtesse pendant toute sa vie ?

Comment redeviendrait-il Thibault après avoir vu tout cela ?

Il en était là de ses réflexions lorsque la porte du cabinet de toilette s’ouvrit et que la comtesse parut.

C’était bien véritablement l’oiseau de ce nid charmant, la fleur de cette terre embaumée.

Ses cheveux, dénoués et soutenus seulement par trois ou quatre épingles en diamants, tombaient d’un côté derrière son épaule, tandis que, de l’autre, roulés en une seule grosse boucle, ils retombaient et se perdaient dans sa poitrine.

Son corps souple et flexible, débarrassé de ses paniers, dessinait ses lignes harmonieuses sous une robe de chambre de taffetas rose toute ruisselante de guipure.

Sa jambe était chaussée d’un bas de soie si fin et si transparent, que l’on eût dit de la chair blanche et nacrée et non d’un tissu.

Enfin, son pied d’enfant était emprisonné dans une petite mule de drap d’argent à talon cerise.

Point de parure. Pas de bracelets aux bras, pas de bagues aux doigts ; un seul fil de perles autour du cou, mais quelles perles ! une rançon de roi.

En apercevant la rayonnante apparition, Thibault tomba à genoux.

Il se courbait, écrasé sous ce luxe et sous cette beauté, qui semblaient inséparables l’un de l’autre.

– Oh ! oui, mettez-vous à genoux, bien bas, plus bas encore… Baisez mes pieds, baisez le tapis, baisez la terre… et je ne vous pardonnerai pas davantage pour cela… Vous êtes un monstre !

– Le fait est que, si je me compare à vous, madame, je suis certes encore pis que cela.

– Oh ! oui, faites semblant de vous tromper au sens de mes paroles et de croire que je parle au physique, tandis que je parle au moral ; oui, certainement, vous devriez être un monstre de laideur, si votre âme perfide transparaissait à travers votre visage ; mais non, c’est qu’il n’en est pas ainsi ; c’est que monsieur, malgré tous ses méfaits, malgré toutes ses infamies, reste le plus beau gentilhomme des environs. Allez, monsieur, vous devriez être honteux !

– D’être le plus beau gentilhomme des environs ? demanda Thibault, qui comprenait bien à l’accent de cette voix que le crime qu’il avait commis n’était point irrémissible.

– Non, monsieur, mais d’être l’âme la plus noire, le cœur le plus perfide qui se puisse cacher sous une enveloppe dorée. Allons, relevez-vous, et venez ici me rendre compte de votre conduite.

Et la comtesse tendit à Thibault une main qui tout à la fois offrait un pardon et demandait un baiser.

Thibault prit la douce main et la baisa.

Jamais ses lèvres n’avaient effleuré pareil satin.

La comtesse indiqua au faux Raoul une place sur la causeuse et s’assit la première.

– Rendez-moi compte un peu de ce que vous avez fait depuis votre dernière visite, lui dit la comtesse.

– Dites-moi d’abord, chère comtesse, fit Thibault, de quelle époque date ma dernière visite ici ?

– Bon ! vous l’avez oublié ! Ah ! par exemple ! on n’avoue pas ces choses-là, à moins que l’on ne vienne chercher une rupture.

– Tout au contraire, chère Jane, cette visite m’est si présente, qu’il me semble que c’est hier, et que j’ai beau me rappeler tous mes souvenirs, je n’ai commis depuis hier d’autre crime que de vous aimer.

– Allons, pas mal ! mais vous ne vous tirerez point d’un mauvais pas avec un compliment.

– Chère comtesse, dit Thibault, si nous remettions à plus tard les explications ?

– Non, répondez d’abord ; il y a cinq jours que je ne vous ai vu : qu’avez-vous fait ?

– J’attends que vous me le disiez, comtesse. Comment voulez-vous que, certain de mon innocence, je m’accuse moi-même ?

– Eh bien, soit ! D’abord, je ne vous parle pas de vos retards dans les corridors.

– Oh ! si ! parlons-en ; comment supposez-vous, comtesse, qu’attendu par vous, c’est-à-dire par le diamant des diamants, j’aille m’amuser à ramasser sur la route une fausse perle ?

– Eh ! mon Dieu ! les hommes sont si capricieux, et Lisette est si jolie !

– Non ; comprenez donc, chère Jane, que cette fille étant notre confidente, que cette fille sachant tous nos secrets, je ne puis point la traiter comme une servante.

– Comme c’est gracieux à se dire : « Je trompe la comtesse de Mont-Gobert et je suis le rival de M. Cramoisi ! »

– C’est bien, on ne s’arrêtera plus dans les corridors et l’on n’embrassera plus Lisette, en supposant qu’on l’ait embrassée.

– Oh ! cela n’est rien encore.

– Comment ! j’ai commis quelque chose de plus grave ?

– D’où reveniez-vous l’autre nuit, quand on vous a rencontré sur la route d’Erneville à Villers-Cotterêts ?

– Comment ! on m’a rencontré sur la route ?

– Sur la route d’Erneville ; d’où veniez-vous ?

– Je venais de la pêche.

– Comment ! de la pêche ?

– Oui, l’on pêchait dans les étangs du Berval.

– Oh ! l’on sait cela, vous êtes un grand pêcheur, monsieur. Et quelle anguille rapportiez-vous dans votre filet, monsieur, revenant de la pêche à deux heures du matin ?

– J’avais dîné chez mon ami le seigneur Jean.

– À la tour de Vez ? Je crois plutôt que vous étiez allé consoler la belle recluse que, prétend-on, le jaloux louvetier tient prisonnière. Mais enfin, cela, je vous le pardonne encore.

– Comment ! j’ai fait pis que cela ? dit Thibault, qui commençait à se rassurer en voyant avec quelle facilité le pardon suivait l’accusation, si grande qu’elle fût.

– Oui, au bal de monseigneur le duc d’Orléans.

– À quel bal ?

– À celui d’hier ! Il n’y a pas longtemps.

– À celui d’hier ? Je vous ai admirée.

– Bon ! je n’y étais pas.

– Est-il besoin que vous soyez là pour que je vous admire, Jane, et n’admire-t-on pas aussi sincèrement en souvenir qu’en réalité ? Si, absente, vous triomphez par la comparaison, la victoire n’en est que plus grande.

– Oui, et c’est pour pousser la comparaison jusqu’à ses dernières limites que vous avez dansé quatre fois avec madame de Bonneuil ? C’est donc bien joli, les brunes qui se couvrent de rouge, qui ont des sourcils comme les Chinois de mon paravent et des moustaches comme un soldat aux gardes ?

– Savez-vous de quoi nous avons parlé pendant ces quatre contredanses ?

– Mais c’est donc vrai, que vous avez dansé avec elle quatre fois ?

– C’est vrai, puisque vous le dites.

– Oh ! la bonne réponse !

– Sans doute ; qui donc voudrait démentir une si jolie bouche ? Ce n’est pas moi, moi qui la bénirais encore au moment où elle prononcerait ma sentence de mort.

Et, comme pour attendre sa sentence, Thibault tomba à genoux devant la comtesse.

(224-230)

 

THIBAULT found himself in the Countess’s room. If the magnificence of Bailiff Magloire’s furniture rescued from the lumber-room of his Highness the Duke of Orleans, had astonished Thibault, the daintiness, the harmony, the taste of the Countess’s room filled him with intoxicating delight. The rough child of the forest had never seen anything like it, even in dreams; for one cannot even dream of things of which we have no idea.

Double curtains were drawn across the two windows, the one set of white silk trimmed with lace, the other of pale china blue satin, embroidered with silver flowers. The bed and the toilet table were draped to match the windows, and were nearly smothered in clouds of Valenciennes lace. The walls were hung with very light rose-coloured silk, over which thick folds of Indian muslin, delicate as woven air, undulated like waves of mist at the slightest breath of air from the door. The ceiling was composed of a medallion painted by Boucher, and representing the toilet of Venus; she was handing her cupids the various articles of a woman’s apparel, and these were now all distributed, with the exception of the goddess’s girdle.

The central medallion was surrounded by a series of panels, on which were painted supposed views of Cnidos, Paphos, and Amathus. All the furniture,—chairs, armchairs, settees, sociables,—was covered with China satin similar to that of the curtains; over the groundwork of the carpet, of the colour of pale green water, were scattered bouquets of blue corn-flowers, pink poppies, and white daisies. The tables were of rose-wood; the corner-pieces of Indian lacquer; and the whole room was softly lighted by pink wax candles held in two candelabra. A vague and indescribably delicate perfume pervaded the air, one could not say from what sweet essence, for it was scarcely even a perfume, but rather an emanation, the same kind of odorous exhalation whereby Æneas, in the Æneid, recognised the presence of his mother.

Thibault pushed into the room by the waiting-maid, made one step forward, and then stopped. He had taken everything in at a glance, inhaled everything at a breath. For a second there passed before his mind’s eye like a vision,—Agnelette’s little cottage, Madame Polet’s dining-room, the bed-chamber of the Bailiff’s wife; but they disappeared as quickly to give place to this delicious paradise of love into which he had been transported as by magic. He could scarcely believe that what he looked upon was real. Were there really men and women in the world, so blessed by fortune as to live in such surroundings as these? Had he not been carried to some wizard’s castle [le château de quelque génie], to some fairy’s palace [le palais de quelque fée]? And those who enjoyed such favour as this, what special good had they done? what special evil had they done [fait de mal], who were deprived of these advantages? Why, instead of wishing to be the Baron for four and twenty hours, had he not wished to be the Countess’s lap-dog all his life? How would he bear to be Thibault again after having seen all this? He had just reached this point in his reflections, when the dressing-room door opened and the Countess herself appeared, a fit bird for such a nest, a fit flower for such a sweet scented garden.

Her hair, fastened only by four diamond pins, hung down loosely to one side, while the rest was gathered into one large curl that hung over the other shoulder and fell into her bosom. The graceful lines of her lithe and well-formed figure, no longer hidden by puffings of dress, were clearly indicated beneath her loose pink silk gown, richly covered with lace; so fine and transparent was the silk of her stockings, that it was more like pearl-white flesh than any texture, and her tiny feet were shod in little slippers made of cloth of silver, with red heels. But not an atom of jewellery—no bracelets on the arms, no rings on the fingers; just one row of pearls round the throat, that was all—but what pearls! worth a king’s ransom!

As this radiant apparition came towards him, Thibault fell on his knees; he bowed himself, feeling crushed at the sight of this luxury, of this beauty, which to him seemed inseparable.

“Yes, yes, you may well kneel—kneel lower, lower yet—kiss my feet, kiss the carpet, kiss the floor, but I shall not any the more forgive you ... you are a monster!”

“In truth, Madame, if I compare myself with you, I am even worse than that!”

“Ah! yes, pretend that you mistake my words and think I am only speaking of your outward appearance, when you know I am speaking of your behaviour ... and, indeed, if your perfidious soul were imaged in your face, you would verily and indeed be a monster of ugliness. But yet it is not so, for Monsieur, for all his wickedness and infamous doings, still remains the handsomest gentleman in all the country round. But, come now, Monsieur, ought you not to be ashamed of yourself?”

“Because I am the handsomest gentleman in the neighbourhood?” asked Thibault, detecting by the tone of the lady’s voice that his crime was not an irremediable one.

“No, Monsieur, but for having the blackest soul and the falsest heart ever hidden beneath such a gay and golden exterior. Now, get up, and come and give an account of yourself to me.”

And the Countess so speaking held out a hand to Thibault which offered pardon at the same time that it demanded a kiss.

Thibault took the soft, sweet hand in his own and kissed it; never had his lips touched anything so like satin. The Countess now seated herself on the settee and made a sign to Raoul to sit down beside her.

“Let me know something of your doings, since you were last here,” said the Countess to him.

“First tell me, dear Countess,” replied Thibault, “when I last was here.”

“Do you mean you have forgotten? One does not generally acknowledge things of that kind, unless seeking for a cause of quarrel.”

“On the contrary, dear friend, it is because the recollection of that last visit is so present with me, that I think it must have been only yesterday we were together, and I try in vain to recall what I have done, and I assure you I have committed no other crime since yesterday but that of loving you.”

“That’s not a bad speech; but you will not get yourself out of disgrace by paying compliments.”

“Dear Countess,” said Thibault, “supposing we put off explanations to another time.”

“No, you must answer me now; it is five days since I last saw you; what have you been doing all that time?”

“I am waiting for you to tell me, Countess. How can you expect me, conscious as I am of my innocence, to accuse myself?”

“Very well then! I will not begin by saying anything about your loitering in the corridors.”

“Oh, pray, let us speak of it! how can you think, Countess, that knowing you, the diamond of diamonds, was waiting for me, I should stop to pick up an imitation pearl?”

“Ah! but I know how fickle men are, and Lisette is such a pretty girl!”

“Not so, dear Jane, but you must understand that she being our confidante, and knowing all our secrets, I cannot treat her quite like a servant.”

“How agreeable it must be to be able to say to one’s-self ‘I am deceiving the Comtesse de Mont-Gobert and I am the rival of Monsieur Cramoisi!’ ”

“Very well then, there shall be no more loiterings in the corridors, no more kisses for poor Lisette, supposing of course there ever have been any!”

“Well, after all, there is no great harm in that.”

“Do you mean that I have done something even worse?”

“Where had you been the other night, when you were met on the road between Erneville and Villers-Cotterets?”

“Someone met me on the road?”

“Yes, on the Erneville Road; where were you coming from?”

“I was coming home from fishing.”

“Fishing! what fishing?”

“They had been drawing the Berval ponds.”

“Oh! we know all about that; you are such a fine fisher, are you not, Monsieur? And what sort of an eel were you bringing back in your net, returning from your fishing at two o’clock in the morning!”

“I had been dining with my friend, the Baron, at Vez.”

“At Vez? ha! I fancy you went there mainly to console the beautiful recluse, whom the jealous Baron keeps shut up there a regular prisoner, so they say. But even that I can forgive you.”

“What, is there a blacker crime still,” said Thibault, who was beginning to feel quite reassured, seeing how quickly the pardon followed on the accusation; however serious it appeared at first.

“Yes, at the ball given by his Highness the Duke of Orleans.”

“What ball?”

“Why, the one yesterday! it’s not so very along ago, is it?”

“Oh, yesterday’s ball? I was admiring you.”

“Indeed; but I was not there.”

“Is it necessary for you to be present, Jane, for me to admire you; cannot one admire you in remembrance as truly as in person? and if, when absent, you triumph by comparison, the victory is only so much the greater.”

“I daresay, and it was in order to carry out the comparison to its utmost limits that you danced four times with Madame de Bonneuil; they are very pretty, are they not, those dark women who cover themselves with rouge, and have eyebrows like the Chinese mannikins on my screens and moustaches like a grenadier.”

“Do you know what we talked about during those four dances.”

“It is true then, that you danced four times with her?”

“It is true, no doubt, since you say so.”

“Is that a proper sort of answer?”

“What other could I give? could anyone contradict what was said by so pretty a mouth? not I certainly, who would still bless it, even though it were pronouncing my sentence of death.”

And, as if to await this sentence, Thibault fell on his knees before the Countess, but at that moment, the door opened, and Lisette rushed in full of alarm.

(84-86)

[contents]

 

 

 

 

 

 

17.2

[Thibault’s Failed Escape and Gruesome Fight with the Count]

 

[Just then, Lisette rushed alarmed into the room. She says urgently that Thibault (Raoul) must save himself, because the count is coming with his huntsman Lestocq. The Countess thinks that she has been set-up by her husband to catch her with her illicit lover. Thibault suggests they kill the Count. The Countess instead says he should run. Lisette takes Thibault away just before someone comes to the room. She navigates him through a series of backways until he finally exits through a window. He jumps on his horse, but instead of taking Thibault away, it collapses. Thibault realizes that the Count hamstrung it to prevent his escape. “Thibault uttered an oath: ‘If I ever meet you, Monsieur Comte de Mont-Gobert,’ he said, ‘I swear that I will hamstring you, as you have hamstrung this poor beast!’” Thibault tries to escape on foot through the breach in the wall he originally came through (see section 16.2). But as he exits, he faces the Count, who is ready for him with his sword. The Count calls for him to draw his sword to fight, but Thibault draws his hunting-knife instead (see section 16.1). They fight. Thibault fights with the great skill of Raoul’s body. They continue until Thibault finally cuts into the Count’s shoulder, causing him to drop his sword and fall to the ground, crying for help from Lestocq. Thibault, who vowed to hamstring the Count, does so, but this gives Lestocq the opportunity to put Thibault’s hunting-knife through his chest from behind. “Then he saw a cloud of blood, and knew no more.”]

 

[ditto]

Au même instant, la porte s’ouvrit et Lisette parut tout effarée.

– Ah ! monsieur le baron, dit-elle, sauvez-vous ! voilà M. le comte !

– Comment ! M. le comte ? s’écria la comtesse.

– Oui, M. le comte en personne, avec son piqueur Lestocq.

– Impossible !

– Madame la comtesse, Cramoisi les a vus comme je vous vois ; le pauvre garçon en était tout pâle.

– Ah ! cette chasse au château de Thury, c’était donc un piège ?

– Qui sait, madame ? Oh ! les hommes sont si perfides !

– Que faire ? demanda la comtesse.

– Attendre le comte et le tuer, dit résolument Thibault, furieux de voir lui échapper encore cette nouvelle bonne fortune, la plus précieuse de toutes celles qu’il avait ambitionnées.

– Le tuer ? Tuer le comte ? Mais êtes-vous fou, Raoul ? Non, non, il s’agit de fuir, de vous sauver… Lisette ! Lisette ! emmène le baron par mon cabinet de toilette.

Et Lisette, poussant Thibault malgré ses efforts, disparut avec lui dans le cabinet.

Il était temps !

On entendait le bruit de pas dans le grand escalier.

La comtesse jeta une dernière parole d’amour au faux Raoul et se glissa vivement dans sa chambre à coucher.

Thibault suivait Lisette.

Elle lui fit traverser rapidement le corridor, dont Cramoisi gardait l’autre extrémité.

Elle entra dans une chambre, de cette chambre dans une autre, puis dans un cabinet.

Le cabinet communiquait avec une petite tourelle.

Là, les fugitifs retrouvèrent, pour descendre, le pendant de l’escalier qu’ils avaient trouvé pour monter.

Seulement, arrivés au bas, ils trouvèrent la porte fermée.

Lisette, toujours suivie de Thibault, remonta quelques marches, entra dans une espèce de petit office dont la fenêtre donnait sur le jardin, et ouvrit la fenêtre.

Cette fenêtre était à quelques pieds seulement du sol. Thibault s’élança et toucha la terre sans s’être fait aucun mal.

– Vous savez où est votre cheval, s’écria Lisette ; sautez dessus, et ne vous arrêtez qu’à Vauparfond.

Thibault eût bien voulu remercier la soubrette de ses bons avis ; mais elle était à six pieds au-dessus de sa tête, et il n’avait pas de temps à perdre.

En deux bonds, il gagna le massif d’arbres sous lequel était abritée la petite fabrique qui servait d’écurie à son cheval.

Seulement, son cheval y était-il ?

Un hennissement le rassura sur ce point.

Cependant ce hennissement semblait un cri de douleur.

Thibault entra dans la petite fabrique, étendit les mains, toucha son cheval, rassembla les rênes, et sauta sur son dos sans mettre le pied à l’étrier.

Thibault, nous l’avons dit, était devenu tout à coup un écuyer consommé.

Mais, en recevant ce fardeau, auquel il devait cependant être accoutumé, le cheval plia.

Thibault lui mit les éperons au ventre afin de l’enlever.

Le cheval, en effet, tenta de s’élancer ; mais à peine eut-il levé les deux jambes de devant, qu’il poussa un de ces hennissements douloureux comme Thibault en avait déjà entendu, et se coucha sur le côté.

Thibault dégagea vivement sa jambe de dessous lui, ce qui lui fut assez facile, vu les efforts que l’animal faisait pour se relever, et il se trouva debout.

Il comprit alors que le comte, pour qu’il ne pût fuir, avait coupé ou fait couper les jarrets à son cheval.

– Ah ! mordieu ! dit-il, si je vous rencontre, M. le comte de Mont-Gobert, je vous jure bien que je vous couperai les jarrets comme vous les avez coupés à cette pauvre bête.

Et il s’élança hors de la fabrique. Thibault reconnut le chemin par où il était venu, et qui le ramenait à la brèche.

Il marcha rapidement vers l’ouverture de la muraille, l’atteignit, escalada les pierres et se trouva hors du parc.

Mais là il vit un homme immobile et l’épée à la main.

Cet homme lui barrait la route.

Thibault reconnut le comte de Mont-Gobert.

Le comte de Mont-Gobert crut reconnaître Raoul de Vauparfond.

– Tirez votre épée, baron ! dit le comte.

Toute explication était inutile. D’ailleurs, Thibault, à qui le comte arrachait des mains une proie sur laquelle il avait déjà mis l’ongle et la dent, Thibault ne le cédait point en colère au comte.

Il tira, non pas son épée, mais son couteau de chasse.

Les fers se croisèrent.

Thibault, qui jouait passablement de la canne et du bâton, n’avait aucune idée de l’escrime.

Il fut donc tout étonné lorsque, ayant mis l’épée à la main instinctivement, cela lui semblait ainsi du moins, il se trouva en garde et couvert selon toutes les règles de l’art.

Le comte lui porta les uns sur les autres deux ou trois coups qu’il para avec une admirable habileté.

– Oui, en effet, murmura le comte, les dents serrées, on m’a dit qu’au dernier assaut vous aviez touché Saint-Georges.

Thibault ne savait pas ce que c’était que Saint-Georges. Mais il se sentait une fermeté et une élasticité de poignet, grâce auxquelles il lui semblait qu’il eût touché le diable en personne.

Jusque-là, il s’était borné à la défense ; mais, tout à coup, à la suite d’un un ou deux mal attaqué par le comte, il vit un jour, se fendit et lui traversa l’épaule d’un coup droit.

Le comte laissa échapper son épée, plia sur la jambe gauche, et tomba un genou en terre en criant :

– À moi, Lestocq !

Thibault eût dû remettre son couteau de chasse au fourreau et fuir. Par malheur, il se rappela le serment qu’il avait fait, s’il rencontrait le comte, de lui couper les jarrets comme celui-ci avait fait à son cheval.

Il glissa la lame tranchante sous le genou plié et tira à lui.

Le comte jeta un cri.

Mais, en se relevant, Thibault sentit à son tour une vive douleur entre les deux épaules, puis une sensation glacée qui lui traversait la poitrine.

Puis, enfin, au-dessus de la mamelle droite, il vit sortir la pointe d’un fer.

Puis il ne vit plus rien qu’un nuage de sang.

Lestocq, que son maître avait, en tombant, appelé à son aide, y était venu et avait profité du moment où Thibault se relevait, après avoir coupé les jarrets du comte, pour lui enfoncer son couteau de chasse entre les deux épaules.

(230-234)

 

 

[And, as if to await this sentence, Thibault fell on his knees before the Countess,] but at that moment, the door opened, and Lisette rushed in full of alarm.

“Ah! Monsieur, Monsieur,” she cried “save yourself! here comes my master the Count!”

“The Count!” exclaimed the Countess.

“Yes, the Count in person, and his huntsman Lestocq, with him.”

“Impossible!”

“I assure you, Madame, Cramoisi saw them as plain as I see you; the poor fellow was quite pale with fright.”

“Ah! then the meet at Thury was all a pretence, a trap to catch me?”

“Who can tell, Madame? Alas! alas! men are such deceiving creatures!”

“What is to be done?” asked the Countess.

“Wait for the Count and kill him,” said Thibault resolutely, furious at again seeing his good fortune escaping from him, at losing what above all things it had been his ambition to possess.

“Kill him! kill the Count? are you mad, Raoul? No, no, you must fly, you must save yourself.... Lisette! Lisette! take the Baron through my dressing-room.” And in spite of his resistance, Lisette by dint of pushing got him safely away. Only just in time! steps were heard coming up the wide main staircase. The Countess, with a last word of love to the supposed Raoul, glided quickly into her bedroom, while Thibault followed Lisette. She led him rapidly along the corridor, where Cramoisi was keeping guard at the other end; then into a room, and through this into another, and finally into a smaller one which led into a little tower; here, the fugitives came again on to a staircase corresponding with the one by which they had gone up, but when they reached the bottom they found the door locked. Lisette, with Thibault still following, went back up a few steps into a sort of office in which was a window looking over the garden; this she opened. It was only a few feet from the ground, and Thibault jumped out, landing safely below.

“You know where your horse is,” called Lisette “jump on its back, and do not stop till you get to Vauparfond.”

Thibault would have liked to thank her for all her kindly warnings, but she was some six feet above him and he had no time to lose. A stride or two brought him to the clump of trees under which stood the little building which served as stable for his horse. But was the horse still there? He heard a neigh which reassured him: only the neigh sounded he thought more like a cry of pain. Thibault went in, put out his hand, felt the horse, gathered up the reins, and leaped on to its back without touching the stirrups; Thibault, as we have already said, had suddenly become a consummate horseman. But the horse no sooner felt the weight of the rider on its back than the poor beast began to totter on its legs. Thibault dug his spurs in savagely, and the horse made a frantic effort to stand. But in another instant, uttering one of those pitiful neighs which Thibault had heard when he approached the stable, it rolled helplessly over on its side. Thibault quickly disengaged his leg from under the animal, which, as the poor thing struggled to rise, he had no difficulty in doing, and he found himself again on his feet. Then it became clear to him, that in order to prevent his escape, Monsieur le Comte de Mont-Gobert had hamstrung his horse.

Thibault uttered an oath: “If I ever meet you, Monsieur Comte de Mont-Gobert,” he said, “I swear that I will hamstring you, as you have hamstrung this poor beast!”

Then he rushed out of the little building, and remembering the way he had come, turned in the direction of the breach in the wall, and walking quickly towards it, found it, climbed over the stones, and was again outside the park. But his further passage was barred, for there in front of him was the figure of a man, who stood waiting, with a drawn sword in his hand. Thibault recognised the Comte de Mont-Gobert, the Comte de Mont-Gobert thought he recognised Raoul de Vauparfond.

“Draw, Baron!” said the Count; further explanation was unnecessary. Thibault, on his side, equally enraged at having the prey, on which he had already set tooth and claw, snatched away from him, was as ready to fight as the Count. He drew, not his sword, but his hunting-knife, and the two men crossed weapons.

Thibault, who was something of an adept at quarter-staff, had no idea of fencing; what was his surprise therefore, when he found, that he knew by instinct how to handle his weapon, and could parry and thrust according to all the rules of the art. He parried the first two or three of the Count’s blows with admirable skill.

“Ah, I heard, I remember,” muttered the Count between his clenched teeth, “that at the last match you rivalled Saint-Georges himself at the foils.”

Thibault had no conception who Saint-Georges might be, but he was conscious of a strength and elasticity of wrist, thanks to which he felt he might have rivalled the devil himself.

So far, he had only been on the defensive; but the Count having aimed one or two unsuccessful lunges at him, he saw his opportunity, struck out, and sent his knife clean through his adversary’s shoulder. The Count dropped his sword, tottered, and falling on to one knee, cried “Help, Lestocq!”

Thibault ought then to have sheathed his knife and fled; but, unfortunately, he remembered the oath he had taken as regards the Count, when he had found that his horse had been hamstrung. He slipped the sharp blade of his weapon under the bent knee and drew it towards him; the Count uttered a cry; but as Thibault rose from his stooping posture, he too felt a sharp pain between his shoulder-blades, followed by a sensation as of extreme cold over the chest, and finally the point of a weapon appeared above his right breast. Then he saw a cloud of blood, and knew no more. Lestocq, called to his master’s aid as the latter fell, had run to the spot, and, as Thibault rose from hamstringing the Count, had seized that moment to dig his hunting knife into his back.

(86-87)

[contents]

 

 

 

 

 

 

 

 

Bibliography:

 

Dumas, Alexandre. 1868. Le meneur de loups. (Nouvelle édition). Paris: Lévy.

PDF at:

https://archive.org/det ails/bub_gb_BhlMAAAAMAAJ/page/n5

and:

https://beq.ebooksgratuits.com/vents/Dumas-meneur.pdf

Online text at:

https://fr.wikisource.org/wik i/Le_Meneur_de_loups

and

https://fr.wikisource.org/wiki/Livre:Dumas_- _Le_Meneur_de_loups_(1868).djvu

 

Dumas, Alexandre.  1921. The Wolf-Leader. Translated by Alfred Allinson. London: Methuen.

PDF at:

https://archive.org/details/wolfle ader00duma

or:

https://archive.org/details/wo lfleader00dumauoft

Online text at:

http://www.gutenberg.org/ebooks/51054

http://www.gutenberg.org/files/51054/51054-h/51054-h.htm

 

.

Dumas (16) The Wolf-Leader (Le meneur de loups), Ch.16, “My Lady’s Lady”, summary

 

by Corry Shores

 

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[The following is summary. Boldface, underlining, bracketed commentary, and section subdivisions are my own. Proofreading is incomplete, so please forgive my mistakes. Text is copied from online sources (see bibliography below).]

 

 

 

 

Summary of

 

Alexandre Dumas

 

Le meneur de loups

The Wolf-Leader

 

16

“Une soubrette de grande dame”

“My Lady’s Lady”

 

(Image from archive.org)

 

 

 

 

Brief summary (collecting those below):

__(16.1)__ (Recall from section 15 that Thibault the sorcerer was whipped by Raoul the Lord of Vauparfond, who was riding swiftly to his meeting with his mistress Comtesse de Mont-Gobert. Thibault uses his pact with the devil to wish that he could be a noble for a day, upon which Raoul falls from his horse.) Thibault runs to the fallen Monsieur Raoul de Vauparfond, finding him lying unconscious. Remarkably, “this figure was not in the dress of a gentleman, but clothed like a peasant, and, what was more, the clothes he had on seemed to Thibault to be the same as he himself had been wearing only a moment before.” Moreover, he is surprised to see that he now is wearing the fine costume of a noble. Even his workman’s walking stick and staff weapon is now “a light whip, with which he gave a cut through the air, listening with a sense of aristocratic pleasure to the whistling sound it made.” He also has “a hunting-knife, half-sword, half-dagger.” He wants to see his face in the mirror, but must first get his key from the fallen person’s pocket. His hut is dark, and while trying to light his candle, which is merely, “an end stuck into an empty bottle,” he complains (like an arrogant nobleman) “ ‘Pah!’ he said, ‘what pigs these peasants are! I wonder how they can live in this dirty sort of way!’ ” When he could finally see himself in the mirror, “he uttered a cry of astonishment, it was no longer himself that he saw, or rather, although it was still Thibault in spirit, it was no longer Thibault in body. His spirit had entered into the body of a handsome young man of twenty-five or twenty-six years of age, with blue eyes, pink fresh cheeks, red lips, and white teeth; in short, it had entered into the body of the Baron Raoul de Vauparfond. Then Thibault re-called the wish that he had uttered in his moment of anger after the blow from the whip and his collision with the horse. His wish had been that for four and twenty hours he might be the Baron de Vauparfond, and the Baron de Vauparfond be Thibault, which now explained to him what had at first seemed inexplicable, why the unconscious man now lying in the road was dressed in his clothes and had his face.” He also realizes that the unconscious figure he left on the road is still his body. He gets it and puts it in his bed, locks the door, and hides the key in a tree hollow. __(16.2)__ Thibault is not normally an experienced rider, but he rides the horse well, because he gained some of the physical abilities of Raoul’s body. Thibault knows he is to ride to meet his mistress Comtesse de Mont-Gobert for their planned tryst, but he is not sure how it will all work, for instance how he will enter the castle; “it only remained for him to discover what to do, step by step, as he proceeded.” He then realizes he must have the letter she sent him (see section 15.1). Thibault stops to read it, but he needs a light. He asks a stable boy who first is annoyed to be awoken. Thibault, after realizing his new social power, threatens to whip the boy if he does not bring a light. The boy obeys. Thibault reads the letter, but it is cryptic and vague, particularly about where Thibault should go: “ ‘My dear Raoul, The goddess Venus has certainly taken us under her protection. A grand hunt of some kind is to take place to-morrow out in the direction of Thury; I know no particulars about it, all I do know is, that he is going away this evening. You, therefore, start at nine o’clock, so as to be here at half-past ten. Come in by the way you know; someone whom you know will be awaiting you, and will bring you, you know where. Last time you came, I don’t mean to upbraid you, but it did seem to me you stayed a long time in the corridors. Jane.” Thibault thinks it unwise to wake the Raoul in Thibault’s body, so he decides instead to trust the horse to recall the way: “He had heard a great deal about the wonderful sagacity of animals, and had himself, during his life in the country, had occasion more than once to admire their instinct, and he now determined to trust to that of his horse. Riding back into the main road, he turned the horse in the direction of Mont-Gobert, and let it have its head. The horse immediately started off at a gallop; it had evidently understood. Thibault troubled himself no further, it was now the horse’s affair to bring him safely to his destination.” When he reaches the corner of the park wall, the horse stops and is uneasy. Thibault thinks he sees two shadows, but he cannot find what made them. He thinks they might be poachers. Thibault then lets the horse continue discretely to where it knows to go. They come to a breach in the wall, which the horse climbs through, bringing them within the park. __(16.3)__ Now in the park, the horse takes him to a little hut a short distance from the castle. A girl comes out and greets him. She says to leave the horse, which will be in Cramoisi’s care, and she remarks that “we must make haste or Madame will complain again that we loiter in the corridors.” As she begins to lead Thibault to Madame Mont-Gobert, she stops, hearing someone walking on a branch. Thibault says it must be Cramoisi, and the girl notes he is her fiancé. She leads Thibault into the castle. When Thibault heads toward the great reception room, she stops him, noting that “That would give a fine opportunity to my lord the Count, truly!” As they take an alternate route, Thibault tries romancing the girl, saying “if my name this evening were Thibault instead of Raoul, I would carry you up with me to the garrets, instead of stopping on the first floor!” She hurries him up into a room at the top of the stairs.

 

 

 

 

 

 

Contents

 

16.1

[Thibault’s Transformation Into Raoul]

 

16.2

[Thibault’s Ride to the Comtesse de Mont-Gobert]

 

16.3

[Thibault’s Journey Into the Castle]

 

Bibliography

 

 

 

 

 

 

 

Summary

 

16.1

[Thibault’s Transformation Into Raoul]

 

[(Recall from section 15 that Thibault the sorcerer was whipped by Raoul the Lord of Vauparfond, who was riding swiftly to his meeting with his mistress Comtesse de Mont-Gobert. Thibault uses his pact with the devil to wish that he could be a noble for a day, upon which Raoul falls from his horse.) Thibault runs to the fallen Monsieur Raoul de Vauparfond, finding him lying unconscious. Remarkably, “this figure was not in the dress of a gentleman, but clothed like a peasant, and, what was more, the clothes he had on seemed to Thibault to be the same as he himself had been wearing only a moment before.” Moreover, he is surprised to see that he now is wearing the fine costume of a noble. Even his workman’s walking stick and staff weapon is now “a light whip, with which he gave a cut through the air, listening with a sense of aristocratic pleasure to the whistling sound it made.” He also has “a hunting-knife, half-sword, half-dagger.” He wants to see his face in the mirror, but must first get his key from the fallen person’s pocket. His hut is dark, and while trying to light his candle, which is merely, “an end stuck into an empty bottle,” he complains (like an arrogant nobleman) “ ‘Pah!’ he said, ‘what pigs these peasants are! I wonder how they can live in this dirty sort of way!’ ” When he could finally see himself in the mirror, “he uttered a cry of astonishment, it was no longer himself that he saw, or rather, although it was still Thibault in spirit, it was no longer Thibault in body. His spirit had entered into the body of a handsome young man of twenty-five or twenty-six years of age, with blue eyes, pink fresh cheeks, red lips, and white teeth; in short, it had entered into the body of the Baron Raoul de Vauparfond. Then Thibault re-called the wish that he had uttered in his moment of anger after the blow from the whip and his collision with the horse. His wish had been that for four and twenty hours he might be the Baron de Vauparfond, and the Baron de Vauparfond be Thibault, which now explained to him what had at first seemed inexplicable, why the unconscious man now lying in the road was dressed in his clothes and had his face.” He also realizes that the unconscious figure he left on the road is still his body. He gets it and puts it in his bed, locks the door, and hides the key in a tree hollow.]

 

[ditto]

En voyant l’accident qui venait d’arriver au jeune seigneur dont la main un peu légère l’avait, quelques secondes auparavant, gratifié du coup de cravache sous lequel frissonnaient encore ses épaules, Thibault, tout joyeux, prit ses jambes à son cou et courut pour voir l’état dans lequel se trouvait M. Raoul de Vauparfond.

Un corps privé de mouvement était étendu au beau travers du chemin, et le cheval renâclait tout à côté.

Mais, chose qui parut des plus extraordinaires à Thibault, c’est que le corps étendu au travers du chemin ne lui semblait plus être le même qui, cinq minutes auparavant, avait passé près de lui et lui avait cinglé un si violent coup de cravache.

D’abord, ce corps était vêtu, non plus en seigneur, mais en paysan.

En outre, il sembla à Thibault que les habits dont ce même corps était couvert étaient ceux que lui, Thibault, portait un instant auparavant.

Sa surprise alla croissant et monta jusqu’à la stupéfaction lorsqu’il aperçut que ce corps inerte, et qui paraissait complètement privé de sentiment, avait non seulement ses habits, mais encore son visage.

Dans son étonnement, Thibault reporta naturellement les yeux de ce second Thibault sur lui-même, et il remarqua qu’un changement notable s’était opéré dans son costume.

Ses jambes, au lieu de souliers et de guêtres, étaient chaussées d’une élégante paire de bottes à la française venant au genou, souples comme des bas de soie, plissées sur le cou-de-pied et ornées de fins éperons d’argent.

Sa culotte, au lieu d’être de velours à côtes, était du plus beau daim tanné qui se pût voir, serrée à la jarretière par de petites boucles d’or.

Sa redingote de gros drap de Louviers couleur olive avait fait place à un élégant habit de chasse vert, avec des brandebourgs d’or, s’ouvrant sur un fin gilet de piqué blanc, entre les revers duquel, sur une chemise artistement plissée, se jouaient les flots onduleux d’une cravate de batiste.

Il n’y avait pas jusqu’à son chapeau à lampion qui ne se fût transformé en un élégant tricorne bordé d’un galon pareil à ceux qui formaient brandebourgs sur sa redingote.

En outre, au lieu du bâton de longueur (c’est le terme sous lequel les ouvriers désignent leur canne de combat), au lieu du bâton de longueur qu’il tenait à la main tout à l’heure encore, moitié comme appui, moitié comme défense, il secouait maintenant une légère cravache au sifflement de laquelle il prenait un aristocratique plaisir.

Enfin, sa taille fine était serrée par un ceinturon auquel pendait un long couteau de chasse, moitié sabre droit, moitié épée.

Thibault fut tout joyeux de se sentir enfermé dans un si charmant costume, et, par un mouvement de coquetterie bien naturel en pareille circonstance, il fut pris du désir immédiat de voir comment ce costume allait à l’air de son visage.

Mais où Thibault pourrait-il se contempler, au milieu des ténèbres de cette nuit noire comme l’intérieur d’un four ?

Il regarda autour de lui et reconnut qu’il était à dix pas à peine de sa cabane.

– Ah ! parbleu ! dit-il, rien de plus simple. N’ai-je donc point ma glace ?

Et Thibault s’élança vers sa cabane, ayant, comme Narcisse, l’intention de savourer tout à son aise sa propre beauté.

Mais la porte de la cabane était fermée.

Thibault en chercha inutilement la clef.

Il n’avait dans ses poches qu’une bourse bien garnie, un drageoir garni de pastilles ambrées et un petit canif à manche de nacre et d’or.

Que pouvait-il donc avoir fait de la clef de sa porte ?

Une idée lumineuse lui passa par l’esprit : c’est que sa clef pourrait bien être dans la poche de l’autre Thibault qui était resté étendu sur la route.

Il y retourna, fouilla dans la poche de la culotte, et du premier coup retrouva cette clef mêlée à quelques gros sous.

Il prit du bout des doigts le grossier instrument et revint ouvrir la porte.

Seulement, il faisait encore plus nuit dans la cabane que dehors. Thibault chercha à tâtons le briquet, la pierre, l’amadou, les allumettes, et se mit à battre le briquet.

Au bout de quelques secondes, un bout de chandelle, fiché dans une bouteille vide, était allumé. Mais l’allumeur ne put accomplir cette opération sans toucher la chandelle avec ses doigts.

– Pouah ! dit-il, quels porcs que ces paysans ! et comment peuvent-ils vivre dans de pareilles saletés !

La chandelle était allumée ; c’était le principal.

Thibault décrocha la glace du mur, s’approcha de la chandelle et se regarda.

Mais à peine son regard eut-il plongé dans le réflecteur, qu’il poussa un cri de surprise.

Ce n’était pas lui, ou plutôt, c’était toujours son esprit, mais ce n’était plus son corps.

Le corps dans lequel son esprit était entré était celui d’un beau jeune homme de vingt-cinq à vingt-six ans, aux yeux bleus, aux joues roses et fraîches, aux lèvres de pourpre, aux dents blanches.

Ce corps enfin était celui du baron Raoul de Vauparfond.

Thibault se rappela alors le vœu que le coup de cravache et le choc du cheval lui avaient fait formuler dans un moment de colère.

Il avait, pour vingt-quatre heures, désiré être le baron de Vauparfond et que le baron de Vauparfond fût Thibault pour le même espace de temps.

Cela lui expliquait ce qui, au premier abord, lui avait paru inexplicable, c’est-à-dire que ce corps évanoui, qui était couché en travers de la route, fût vêtu de ses habits et orné de son visage.

– Peste ! dit-il, faisons attention à une chose ; c’est que j’ai l’air d’être ici, mais qu’en réalité je ne suis pas ici, mais là-bas. Prenons garde que, pendant les vingt-quatre heures où j’ai l’imprudence de me quitter, il ne m’arrive quelque irréparable malheur. Allons, allons, pas tant de répugnance, monsieur de Vauparfond ; transportons ici le pauvre Thibault et couchons-le moelleusement sur son lit.

Et, en effet, quoique dans ses sentiments aristocratiques, M. de Vauparfond répugnât à ce petit travail, Thibault se prit bravement entre ses bras et se transporta de la route sur son lit.

Bien posé sur ce lit, Thibault souffla sa lampe, de peur que, dans son évanouissement, il n’arrivât malheur à cet autre lui-même : puis, refermant la porte avec soin, il en cacha la clef dans le creux d’un arbre où il avait coutume de la mettre quand il ne voulait point la transporter avec lui.

(212-216)

 

THIBAULT was delighted at seeing what had happened to the young Baron, whose hand, anything but light, had so shortly before made use of his whip on Thibault’s shoulders, which still smarted with the blow. The latter now ran at full speed to see how far Monsieur Raoul de Vauparfond was injured; he found a body lying insensible, stretched across the road, with the horse standing and snorting beside it.

But Thibault could hardly believe his senses on perceiving that the figure lying in the road was not the same as had, but five minutes previously, ridden past him and given him the lash with the whip. In the first place, this figure was not in the dress of a gentleman, but clothed like a peasant, and, what was more, the clothes he had on seemed to Thibault to be the same as he himself had been wearing only a moment before. His surprise increased more and more and amounted almost to stupefaction on further recognising, in the inert, unconscious figure, not only his own clothes, but his own face. His astonishment naturally led him to turn his eyes from this second Thibault to his own person, when he became aware that an equally remarkable change had come over his costume. Instead of shoes and gaiters, his legs were now encased in an elegant pair of hunting boots, reaching to the knee, as soft and smooth as a pair of silk stockings, with a roll over the instep, and finished off with a pair of fine silver spurs. The knee-breeches were no longer of corduroy, but of the most beautiful buckskin, fastened with little gold buckles. His long coarse olive-coloured coat was replaced by a handsome green hunting-coat, with gold lace facings, thrown open to display a waistcoat of fine white jean, while over the artistically pleated shirt hung the soft wavy folds of a cambric cravat. Not a single article of dress about him but had been transformed, even to his old lantern-shaped hat, which was now a three-cornered one, trimmed with gold lace to match the coat. The stick also, such as workmen carry partly for walking and partly for self-defence, and which he had been holding in his hand a minute before, had now given place to a light whip, with which he gave a cut through the air, listening with a sense of aristocratic pleasure to the whistling sound it made. And finally, his slender figure was drawn in at the waist by a belt, from which hung a hunting-knife, half-sword, half-dagger.

Thibault was pleased beyond measure at finding himself clothed in such a delightful costume, and with a feeling of vanity, natural under the circumstances, he was overcome with the desire to ascertain without delay how the dress suited his face. But where could he go to look at himself, out there in the midst of pitch darkness? Then, looking about him, he saw that he was only a stone’s throw from his own hut.

“Ah! to be sure!” he said, “nothing easier, for I have my glass there.”

And he made haste towards his hut, intending, like Narcissus, to enjoy his own beauty in peace and all to himself. But the door of the hut was locked, and Thibault felt vainly for the key. All he could find in his pockets was a well-filled purse, a sweet-meat box containing scented lozenges, and a little mother-of-pearl and gold penknife. What could he have done then with his door-key? Then suddenly a bright thought occurred to him—possibly the key was in the pocket of that other Thibault who was lying out there in the road. He went back and felt in the breeches pocket, where he discovered the key at once, in company with a few sous. Holding the rough clumsy thing in the tips of his fingers, he returned to open the door. The inside of the hut was even darker that the night outside, and Thibault groped about to find the steel, the tinder and flint, and the matches, and then proceeded to try and light the candle, which consisted of an end stuck into an empty bottle. In a second or two this was accomplished, but in the course of the operation Thibault was obliged to take hold of the candle with his fingers.

“Pah!” he said, “what pigs these peasants are! I wonder how they can live in this dirty sort of way!”

However, the candle was alight, which was the chief matter, and Thibault now took down his mirror, and bringing it to the light, looked at himself in it. His eye had scarcely caught sight of the reflected image, than he uttered a cry of astonishment, it was no longer himself that he saw, or rather, although it was still Thibault in spirit, it was no longer Thibault in body. His spirit had entered into the body of a handsome young man of twenty-five or twenty-six years of age, with blue eyes, pink fresh cheeks, red lips, and white teeth; in short, it had entered into the body of the Baron Raoul de Vauparfond. Then Thibault re-called the wish that he had uttered in his moment of anger after the blow from the whip and his collision with the horse. His wish had been that for four and twenty hours he might be the Baron de Vauparfond, and the Baron de Vauparfond be Thibault, which now explained to him what had at first seemed inexplicable, why the unconscious man now lying in the road was dressed in his clothes and had his face.

“But I must not forget one thing,” he said, “that is, that although I seem to be here, I am not really here, but lying out there, so I must be careful to see that during the twenty-four hours, during which I shall be imprudent enough to be away from myself, no irreparable harm comes to me. Come now, Monsieur de Vauparfond, do not be so fastidious; carry the poor man in, and lay him gently on his bed here.” And, although with his aristocratic instincts Monsieur de Vauparfond found the task very repugnant to him, Thibault, nevertheless, courageously took up his own body in his arms and carried himself from the road to the bed. Having thus placed the body in safety, he blew out the light, for fear that any harm should come to this other self before he came to; then, carefully locking the door, he hid the key in the hollow of a tree, where he was in the habit of leaving it when not wishing to take it with him.

(80-81)

[contents]

 

 

 

 

 

 

16.2

[Thibault’s Ride to the Comtesse de Mont-Gobert]

 

[Thibault is not normally an experienced rider, but he rides the horse well, because he gained some of the physical abilities of Raoul’s body. Thibault knows he is to ride to meet his mistress Comtesse de Mont-Gobert for their planned tryst, but he is not sure how it will all work, for instance how he will enter the castle; “it only remained for him to discover what to do, step by step, as he proceeded.” He then realizes he must have the letter she sent him (see section 15.1). Thibault stops to read it, but he needs a light. He asks a stable boy who first is annoyed to be awoken. Thibault, after realizing his new social power, threatens to whip the boy if he does not bring a light. The boy obeys. Thibault reads the letter, but it is cryptic and vague, particularly about where Thibault should go: “ ‘My dear Raoul, The goddess Venus has certainly taken us under her protection. A grand hunt of some kind is to take place to-morrow out in the direction of Thury; I know no particulars about it, all I do know is, that he is going away this evening. You, therefore, start at nine o’clock, so as to be here at half-past ten. Come in by the way you know; someone whom you know will be awaiting you, and will bring you, you know where. Last time you came, I don’t mean to upbraid you, but it did seem to me you stayed a long time in the corridors. Jane.” Thibault thinks it unwise to wake the Raoul in Thibault’s body, so he decides instead to trust the horse to recall the way: “He had heard a great deal about the wonderful sagacity of animals, and had himself, during his life in the country, had occasion more than once to admire their instinct, and he now determined to trust to that of his horse. Riding back into the main road, he turned the horse in the direction of Mont-Gobert, and let it have its head. The horse immediately started off at a gallop; it had evidently understood. Thibault troubled himself no further, it was now the horse’s affair to bring him safely to his destination.” When he reaches the corner of the park wall, the horse stops and is uneasy. Thibault thinks he sees two shadows, but he cannot find what made them. He thinks they might be poachers. Thibault then lets the horse continue discretely to where it knows to go. They come to a breach in the wall, which the horse climbs through, bringing them within the park.]

 

[ditto]

Après quoi, il attrapa son cheval par la bride et monta dessus. Le premier moment fut à l’inquiétude.

Thibault, qui avait beaucoup plus voyagé à pied qu’à cheval, n’était point un écuyer consommé.

Il craignait donc de ne point conserver bien exactement son centre de gravité au milieu des mouvements qu’allait exécuter sa monture.

Mais il paraît qu’en héritant le corps de Raoul, il avait en même temps hérité ses qualités physiques, car le cheval ayant voulu, en bête intelligente qu’il était, profiter de l’inhabileté momentanée de son cavalier pour le désarçonner, Thibault, instinctivement rassembla les rênes, serra les genoux, mit les éperons au ventre de sa monture, et lui sangla deux ou trois coups de cravache qui la rappelèrent incontinent à l’ordre.

Thibault, sans s’en douter, était passé maître en équitation.

Cette victoire qu’il venait de remporter sur son cheval l’aida à se rendre compte à lui-même de sa dualité.

Pour le corps, il était des pieds à la tête le baron Raoul de Vauparfond.

Pour l’esprit, il était resté Thibault.

Il était évident que, dans le corps du Thibault évanoui qui était demeuré dans sa cabane, dormait l’esprit du jeune seigneur qui lui prêtait son corps.

Mais cette division qui logeait son esprit dans le corps du baron, et l’esprit du baron dans le corps de Thibault, ne lui laissait qu’une assez vague appréciation de ce qu’il allait avoir à faire.

Il savait bien qu’il allait à Mont-Gobert sur une lettre de la comtesse.

Mais que disait cette lettre ?

À quelle heure était-il attendu ?

Comment pénétrerait-il dans le château ?

C’est ce qu’il ignorait complètement, et, par conséquent, ce qui lui restait à apprendre de point en point.

Alors Thibault eut une idée.

C’est qu’il avait sans doute sur lui la lettre écrite par la comtesse à Raoul.

Il se tâta de tous les côtés, et, en effet, il sentit dans la poche de côté de son habit quelque chose qui semblait avoir la forme de l’objet qu’il cherchait.

Il arrêta son cheval.

Il fouilla dans sa poche, en tira un petit portefeuille de cuir parfumé doublé de satin blanc.

Dans un des côtés de ce petit portefeuille étaient plusieurs lettres, dans l’autre une seule.

C’était cette dernière qui probablement allait lui apprendre ce qu’il ignorait.

Il s’agissait seulement de la lire.

Thibault était à trois ou quatre cents pas seulement du village de Fleury.

Il mit son cheval au galop, espérant trouver encore quelque maison éclairée.

Mais on se couche de bonne heure au village, et, dans ce temps-là, on se couchait plus tôt encore qu’aujourd’hui.

Thibault alla d’un bout à l’autre de la rue sans voir une seule lumière.

Enfin, il lui sembla entendre quelque bruit dans l’écurie d’une auberge.

Il appela.

Un valet vint avec une lanterne.

– Mon ami, lui dit Thibault oubliant qu’il était momentanément un grand seigneur, vous plairait-il de m’éclairer un instant ? Vous me rendriez service.

– C’est pour cela que vous me faites sortir de mon lit, vous ?… répondit grossièrement le garçon d’écurie. Eh bien, vous êtes bon enfant encore !

Et, tournant le dos à Thibault, il s’apprêta à rentrer.

Thibault vit qu’il avait fait fausse route.

– Voyons, drôle, dit-il en élevant la voix, approche ta lanterne et éclaire-moi, ou je te donne vingt-cinq coups de cravache !

– Oh ! excusez-moi, monseigneur, dit le valet d’écurie, je ne savais pas à qui je parlais.

Et il se dressa sur la pointe des pieds pour mettre sa lanterne au point où Thibault en avait besoin.

Thibault déplia la lettre et lut :

« Mon cher Raoul,

» Décidément, la déesse Vénus nous tient sous sa protection. Je ne sais quelle grande chasse se projette demain du côté de Thury, mais ce que je sais, c’est qu’il part ce soir.

» Partez vous-même à neuf heures, pour être ici à dix et demie.

» Entrez par où vous savez, vous serez attendu par qui vous savez et conduit où vous savez.

» Il m’a semblé, sans reproche, qu’à votre dernière visite, vous vous étiez arrêté bien longtemps dans les corridors.

« Jane. »

– Ah ! diable ! fit Thibault.

– Plaît-il, monseigneur ? dit le valet d’écurie.

– Rien, manant, sinon que je n’ai plus besoin de toi et que tu peux te retirer.

– Bon voyage, monseigneur ! dit le garçon d’écurie en saluant jusqu’à terre.

Et il rentra.

– Diable ! répéta Thibault, la lettre ne m’apprend pas grand-chose, sinon qu’il paraît que nous sommes sous la protection de la déesse Vénus, qu’il part ce soir pour Thury, que je suis attendu par la comtesse de Mont-Gobert à dix heures et demie, et que de son petit nom la comtesse s’appelle Jane. Maintenant, quant au reste, j’entre par où je sais ; je serai reçu par qui je sais, qui me conduira où je sais.

Thibault se gratta l’oreille ; ce qui, dans tous les pays du monde, est le geste des gens plongés dans un grand embarras.

Il eut envie d’aller réveiller l’esprit du seigneur de Vauparfond, qui dormait sur son lit dans le corps de Thibault.

Mais, outre que c’était bien du temps perdu, ce moyen extrême avait ses inconvénients.

L’esprit du baron Raoul, en voyant son corps si près de lui, pouvait être pris du désir d’y rentrer.

De là une lutte dans laquelle Thibault ne pouvait se défendre qu’en risquant de se faire grand mal à lui-même.

Il fallait trouver un autre moyen.

Thibault avait souvent entendu vanter la sagacité des animaux, et dans sa vie champêtre avait plus d’une fois eu l’occasion d’admirer leur instinct.

Il résolut de s’en rapporter à celui de son cheval.

Il le ramena dans son chemin, lui tourna la tête du côté de Mont-Gobert et lui lâcha les rênes.

Le cheval partit au galop.

Il était évident qu’il avait compris.

Thibault ne s’inquiéta plus de rien ; le reste était l’affaire de son cheval.

Arrivé au coin du mur du parc, l’animal s’arrêta, non point qu’il parût hésiter sur la route qu’il avait à suivre, mais il dressait les oreilles et paraissait inquiet.

Il avait semblé à Thibault, de son côté, voir deux ombres ; mais, en effet, c’étaient sans doute deux ombres, car il eut beau se dresser sur ses étriers afin de se grandir, et regarder tout autour de lui, il ne vit absolument rien.

Il pensa que c’étaient des braconniers qui cherchaient à s’introduire dans le parc pour lui faire concurrence.

Du moment où personne ne lui disputait la route, il n’avait plus qu’à rendre à sa monture son libre arbitre.

C’est ce qu’il fit en lui lâchant de nouveau les rênes.

Le cheval suivit au grand trot les murs du parc, marchant dans la terre labourée et se gardant de hennir, comme s’il eût deviné, l’intelligent animal, qu’il ne devait faire aucun bruit, ou plutôt le moins de bruit possible.

Il parcourut ainsi toute une face du mur du parc, puis tourna avec ce mur, et s’arrêta devant une petite brèche.

– Bon ! dit Thibault, c’est sans doute par ici que nous allons passer.

Le cheval flaira la brèche et gratta du pied la terre.

C’était répondre catégoriquement. Thibault lui lâcha la bride, et, au milieu des pierres roulant sous ses pieds, l’animal parvint à escalader la brèche.

(216-221)

 

The next thing to do was to get hold of the horse’s bridle and mount into the saddle. Once there, Thibault had a preliminary moment of some uneasiness, for, having travelled more on foot than on horseback, he was not an accomplished rider, and he naturally feared that he might not be able to keep his seat when the horse began to move. But it seemed, that, while inheriting Raoul’s body, he also inherited his physical qualities, for the horse, being an intelligent beast, and perfectly conscious of the momentary want of assurance on the part of his rider, made an effort to throw him, whereupon Thibault instinctively gathered up the reins, pressed his knees against the horse’s sides, dug his spurs into them, and gave the animal two or three cuts of the whip, which brought it to order on the spot.

Thibault, perfectly unknown to himself, was a past master in horsemanship. This little affair with the horse enabled Thibault more fully to realise his duality. As far as the body was concerned, he was the Baron Raoul de Vauparfond from top to toe; but as far as the spirit was concerned, he was still Thibault. It was, therefore, certain that the spirit of the young lord who had lent him his body was now sleeping in the form of the unconscious Thibault which he had left behind in the hut.

The division of substance and spirit between himself and the Baron, however, left him with a very vague idea of what he was going, or would have, to do. That he was going to Mont-Gobert in answer to the Countess’s letter, so much he knew. But what was in the letter? At what hour was he expected? How was he to gain admission to the Castle? Not one of these questions could he answer, and it only remained for him to discover what to do, step by step, as he proceeded. Suddenly it flashed across him that probably the Countess’s letter was somewhere on his person. He felt about his dress, and, sure enough, inside the side pocket of his coat was something, which by its shape, seemed to be the article he wanted. He stopped his horse, and putting his hand into his pocket, drew out a little scented leather case lined with white satin. In one side of the case were several letters, in the other only one; no doubt the latter would tell him what he wanted to know, if he could once get to read it. He was now only a short distance from the village of Fleury, and he galloped on hoping that he might find a house still lighted up. But villagers go to bed early, in those days even earlier than they do now, and Thibault went from one end of the street to the other without seeing a single light. At last, thinking he heard some kind of movement in the stables of an Inn, he called. A stable boy sallied out with a lantern, and Thibault, forgetting for the moment that he was a lord, said: “Friend, could you show me a light for a moment? You would be doing me a service.”

“And that’s what you go and call a chap out of bed for?”—answered the stable-boy rudely. “Well, you are a nice sort of young’un, you are!” and turning his back on Thibault he was just going to re-enter the stable, when Thibault, perceiving that he had gone on a wrong tack, now raised his voice, calling out:

“Look here, sirrah, bring your lantern here and give me a light, or I’ll lay my whip across your back!”

“Ah! pardon, my lord!” said the stable-boy. “I did not see who it was I was speaking to.” And he immediately stood on tip-toe holding the lantern up as Thibault directed him:

Thibault unfolded the letter and read:

“My dear Raoul,

“The goddess Venus has certainly taken us under her protection. A grand hunt of some kind is to take place to-morrow out in the direction of Thury; I know no particulars about it, all I do know is, that he is going away this evening. You, therefore, start at nine o’clock, so as to be here at half-past ten. Come in by the way you know; someone whom you know will be awaiting you, and will bring you, you know where. Last time you came, I don’t mean to upbraid you, but it did seem to me you stayed a long time in the corridors.

“Jane.”

“Devil take it!” muttered Thibault.

“I beg your pardon, my lord?” said the stable-boy.

“Nothing, you lout, except that I do not require you any longer and you can go.”

“A good journey to you, my lord!” said the stable-boy, bowing to the ground, and he went back to his stable.

“Devil take it!” repeated Thibault, “the letter gives me precious little information, except that we are under the protection of the Goddess Venus, that he goes away this evening, that the Comtesse de Mont-Gobert expects me at half-past ten, and that her Christian name is Jane. As for the rest, I am to go in by the way I know, I shall be awaited by someone I know, and taken where I know.” Thibault scratched his ear, which is what everybody does, in every country of the world, when plunged into awkward circumstances. He longed to go and wake up the Lord of Vauparfond’s spirit, which was just now sleeping in Thibault’s body on Thibault’s bed; but, apart from the loss of time which this would involve, it might also cause considerable inconvenience, for the Baron’s spirit, on seeing its own body so near to it, might be taken with the desire of re-entering it. This would give rise to a struggle in which Thibault could not well defend himself without doing serious harm to his own person; some other way out of the difficulty must therefore be found. He had heard a great deal about the wonderful sagacity of animals, and had himself, during his life in the country, had occasion more than once to admire their instinct, and he now determined to trust to that of his horse. Riding back into the main road, he turned the horse in the direction of Mont-Gobert, and let it have its head. The horse immediately started off at a gallop; it had evidently understood. Thibault troubled himself no further, it was now the horse’s affair to bring him safely to his destination. On reaching the corner of the park wall the animal stopped, not apparently because it was in doubt as to which road to take, but something seemed to make it uneasy, and it pricked its ears. At the same time, Thibault also fancied that he caught sight of two shadows; but they must have been only shadows, for although he stood up in his stirrups and looked all around him, he could see absolutely nothing. They were probably poachers he thought, who had reasons like himself for wishing to get inside the park. There being no longer anything to bar his passage, he had only, as before, to let the horse go its own way, and he accordingly did so. The horse followed the walls of the park at a quick trot, carefully choosing the soft edge of the road, and not uttering a single neigh; the intelligent animal seemed as if it knew that it must make no sound or at least as little sound as possible.

In this way, they went along the whole of one side of the park, and on reaching the corner, the horse turned as the wall turned, and stopped before a small breach in the same. “It’s through here, evidently,” said Thibault, “that we have to go.”

The horse answered by sniffing at the breach, and scraping the ground with its foot; Thibault gave the animal the rein, and it managed to climb up and through the breach, over the loose stones which rolled away beneath its hoof.

(81-83)

[contents]

 

 

 

 

 

 

16.3

[Thibault’s Journey Into the Castle]

 

[Now in the park, the horse takes him to a little hut a short distance from the castle. A girl comes out and greets him. She says to leave the horse, which will be in Cramoisi’s care, and she remarks that “we must make haste or Madame will complain again that we loiter in the corridors.” As she begins to lead Thibault to Madame Mont-Gobert, she stops, hearing someone walking on a branch. Thibault says it must be Cramoisi, and the girl notes he is her fiancé. She leads Thibault into the castle. When Thibault heads toward the great reception room, she stops him, noting that “That would give a fine opportunity to my lord the Count, truly!” As they take an alternate route, Thibault tries romancing the girl, saying “if my name this evening were Thibault instead of Raoul, I would carry you up with me to the garrets, instead of stopping on the first floor!” She hurries him up into a room at the top of the stairs.]

 

[ditto]

Cheval et cavalier étaient dans le parc.

Il y avait déjà une des trois choses embarrassantes heureusement accomplie. Thibault était passé par où il savait.

Restait à trouver la personne qu’il savait.

Il s’en rapporta encore à son cheval pour cela.

Au bout de cinq minutes, le cheval s’arrêtait à cent pas du château, devant la porte d’une de ces petites chaumières en terre glaise et en bois grume que l’on établit dans les parcs pour faire ce que l’on appelle, en termes de peinture, fabrique dans le paysage.

Au bruit des pas du cheval, la porte s’était entrouverte et le cheval s’arrêtait à cette porte.

Une gentille chambrière sortit.

– C’est vous, monsieur Raoul ? dit-elle à voix basse.

– Oui, mon enfant, c’est moi, répondit Thibault en mettant pied à terre.

– Madame avait grand-peur que cet ivrogne de Champagne ne vous eût pas remis sa lettre.

– Elle avait tort ; Champagne a été d’une exactitude exemplaire.

– Allons ! laissez là votre cheval et venez.

– Mais qui va en avoir soin ?

– Celui qui en a soin d’habitude, maître Cramoisi.

– C’est juste, dit Thibault comme si ces détails lui étaient familiers, Cramoisi en aura soin.

– Allons, allons, répéta la suivante, dépêchons-nous, ou madame dirait encore que nous nous sommes arrêtés dans les corridors.

Et, en disant ces mots, qui rappelaient à Thibault une phrase de la lettre adressée à Raoul, la chambrière riait, et, en riant, montrait des dents blanches comme des perles.

Thibault eut bien envie cette fois de s’arrêter, non dans les corridors, mais dans le parc. Mais la chambrière resta suspendue sur un pied et l’oreille au vent.

– Qu’y a-t-il ? lui demanda Thibault.

– Il me semble que j’ai entendu crier une branche sous le pied de quelqu’un.

– Bon ! dit Thibault, c’est sous le pied de Cramoisi.

– Raison de plus pour que vous soyez sage, monsieur Raoul… ici du moins.

– Je ne comprends pas.

– Est-ce que Cramoisi n’est pas mon fiancé ? Voyons !

– Ah ! si fait ! mais, toutes les fois que je me trouve seul avec toi, ma petite Rose, je ne m’en souviens plus.

– Voilà que je m’appelle Rose, à présent ! Monsieur le baron, je n’ai jamais vu d’homme plus oublieux que vous.

– Je t’appelle Rose, ma belle enfant, parce que la rose est la reine des fleurs, comme tu es, toi, la reine des soubrettes.

– En vérité, monsieur le baron, dit la chambrière, je vous trouve toujours de l’esprit, mais je vous en trouve encore plus ce soir que les autres jours.

Thibault se rengorgea.

C’était une lettre à l’adresse du baron et qui était décachetée par le sabotier.

– Pourvu que ta maîtresse soit de ton avis, dit-il.

– Oh ! avec les grandes dames, dit la soubrette, il y a toujours moyen d’être l’homme le plus spirituel du monde : c’est de ne point parler.

– Bon ! dit-il, je me souviendrai de la recette.

– Chut ! dit la chambrière à Thibault ; voyez-vous là madame la comtesse, derrière le rideau de son cabinet de toilette ? Allons ! suivez-moi bien modestement.

En effet, il s’agissait de traverser un espace vide qui se trouvait entre les massifs du parc et le perron du château. Thibault s’avançait vers le perron.

– Eh bien, lui dit la soubrette en l’arrêtant par le bras, que faites-vous donc, malheureux ?

– Ce que je fais ? Ma foi, je t’avoue, Suzette, que je n’en sais rien.

– Bon ! voilà que je m’appelle Suzette, à présent ! Monsieur le baron me fait l’honneur, je crois, de me donner le nom de toutes ses maîtresses. Mais venez donc par ici !… N’allez-vous point passer par les grands appartements ? Fi donc ! c’est bon pour monsieur le comte.

Et la femme de chambre entraîna, en effet, Thibault par une petite porte à la droite de laquelle on trouva un escalier tournant.

Arrivé au milieu de l’escalier, Thibault enveloppa de son bras la taille de la suivante, souple comme le corps d’une couleuvre.

– Ne sommes-nous pas aux corridors ? demanda-t-il en cherchant des lèvres les joues de la belle fille.

– Pas encore, répondit-elle ; mais cela ne fait rien.

– Ma foi ! dit-il, si je m’appelais ce soir Thibault, au lieu de m’appeler Raoul, je te jure, ma chère Marton, que je monterais jusqu’aux mansardes au lieu de m’arrêter au premier.

On entendait le grincement d’une porte qui s’ouvrait.

– Eh ! vite, vite, monsieur le baron ! dit la soubrette, c’est madame qui s’impatiente.

Et, tirant Thibault après elle, elle atteignit le corridor, ouvrit une porte, poussa Thibault dans une chambre, et referma la porte derrière lui, croyant fermement l’avoir refermée sur le baron Raoul de Vauparfond, c’est-à-dire, comme elle le disait, sur l’homme le plus oublieux de la terre.

(221-224)

 

Horse and rider were now within the park. One of the three difficulties had been successfully overcome: Thibault had got in by the way he knew; it now remained to find the person whom he knew, and he thought it wisest to leave this also to his horse. The horse went on for another five minutes, and then stopped at a short distance from the Castle, before the door of one of those little huts of rough logs and bark and clay, which are built up in parks, as painters introduce buildings into their landscapes, solely for the sake of ornament.

On hearing the horse’s hoofs, someone partly opened the door, and the horse stopped in front of it.

A pretty girl came out, and asked in a low voice, “Is it you, Monsieur Raoul?”

“Yes, my child, it is I,” answered Thibault, dismounting.

“Madame was terribly afraid that drunken fool of a Champagne might not have given you the letter.”

“She need not have been afraid; Champagne brought it me with the most exemplary punctuality.”

“Leave your horse then and come.”

“But who will look after it?”

“Why Cramoisi, of course, the man who always does.”

“Ah, yes, to be sure,” said Thibault, as if these details were familiar to him, “Cramoisi will look after it.”

“Come, come,” said the maid, “we must make haste or Madame will complain again that we loiter in the corridors.” And as she spoke these words, which recalled a phrase in the letter which had been written to Raoul, she laughed, and showed a row of pearly white teeth, and Thibault felt that he should like to loiter in the park, before waiting to get into the corridors.

Then the maid suddenly stood still a moment with her head bent, listening.

“What is it?” asked Thibault.

“I thought I heard the sound of a branch creaking under somebody’s foot.”

“Very likely,” said Thibault, “no doubt Cramoisi’s foot.”

“All the more reason that you should be careful what you do ... at all events out here.”

“I don’t understand.”

“Do you not know that Cramoisi is the man I am engaged to?”

“Ah! to be sure! But when I am alone with you, my dear Rose, I always forget that.”

“I am called Rose now, am I! I never knew such a forgetful man as you are, Monsieur Raoul.”

“I call you Rose, my pretty one, because the rose is the queen of flowers, as you are the queen of waiting-maids.”

“In good truth, my Lord,” said the maid, “I have always found you a lively, witty gentleman, but you surpass yourself this evening.”

Thibault drew himself up, flattered by this remark—really a letter addressed to the Baron, but which it had fallen to the shoe-maker to unseal.

“Let us hope your mistress will think the same!” he said.

“As to that,” said the waiting maid, “any man can make one of these ladies of fashion think him the cleverest and wittiest in the world, simply by holding his tongue.”

“Thank you,” he said, “I will remember what you say.”

“Hush!” said the woman to Thibault, “there is Madame behind the dressing-room curtains; follow me now staidly.”

For they had now to cross an open space that lay between the wooded part of the park and the flight of steps leading up to the Castle. Thibault began walking towards the latter.

“Now, now,” said the maid, catching hold of him by the arm, “what are you doing, you foolish man?”

“What am I doing? well, I confess Suzette, I don’t know in the least what I am doing!”

“Suzette! so that’s my name now, is it? I think Monsieur does me the honour of calling me in turn by the name of all his mistresses. But come, this way! You are not dreaming I suppose of going through the great reception rooms. That would give a fine opportunity to my lord the Count, truly!”

And the maid hurried Thibault towards a little door, to the right of which was a spiral staircase.

Half-way up, Thibault put his arm round his companion’s waist, which was as slender and supple as a snake.

“I think we must be in the corridors, now, eh?” he asked, trying to kiss the young woman’s pretty cheek.

“No, not yet,” she answered; “but never mind that.”

“By my faith,” he said, “if my name this evening were Thibault instead of Raoul, I would carry you up with me to the garrets, instead of stopping on the first floor!”

At that moment a door was heard grating on its hinges.

“Quick, quick, Monsieur!” said the maid, “Madame is growing impatient.”

And drawing Thibault after her, she ran up the remaining stairs to the corridor, opened a door, pushed Thibault into a room, and shut the door after him, firmly believing that it was the Baron Raoul de Vauparfond or, as she herself called him, the most forgetful man in the world, whom she had thus secured.

(83-84)

[contents]

 

 

 

 

 

 

 

 

 

Bibliography:

 

Dumas, Alexandre. 1868. Le meneur de loups. (Nouvelle édition). Paris: Lévy.

PDF at:

https://archive.org/det ails/bub_gb_BhlMAAAAMAAJ/page/n5

and:

https://beq.ebooksgratuits.com/vents/Dumas-meneur.pdf

Online text at:

https://fr.wikisource.org/wik i/Le_Meneur_de_loups

and

https://fr.wikisource.org/wiki/Livre:Dumas_- _Le_Meneur_de_loups_(1868).djvu

 

Dumas, Alexandre.  1921. The Wolf-Leader. Translated by Alfred Allinson. London: Methuen.

PDF at:

https://archive.org/details/wolfle ader00duma

or:

https://archive.org/details/wo lfleader00dumauoft

Online text at:

http://www.gutenberg.org/ebooks/51054

http://www.gutenberg.org/files/51054/51054-h/51054-h.htm

 

Image from:

https://archive.org/details/thewolfleader51054gut

 

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